Interviews

Visual Markers: Interview with Dushko Petrovich

Dushko Petrovich. El Oso Carnal (in progress), 2012-present; acrylic on paper, 108 x 90 in.

I first met Dushko Petrovich in 2013 at the “Painting Expanded” symposium at the California College of the Arts. In his brief presentation and in the panel discussion that followed, it was clear that Petrovich is a thoughtful artist not afraid to question his own and others’ artistic practices. This quality is also evident in the publications he co-produces with Roger White, the art journal Paper[.....]

From the Archives – Abolishing War: A Conversation with Krzysztof Wodiczko

Krzysztof Wodiczko, War Veteran Vehicle, Liverpool, 2009. Photography courtesy Robert Ochshorn.

Today is Memorial Day in the United States, a day to remember the men and women who died while serving in our armed forces. In honor of this day, we bring you author Michelle Schultz’s interview with artist Krzysztof Wodiczko, who contends, “There is an extremely thick wall that separates those who know what war is and those who don’t.” This interview was originally published on January 2, 2012. Krzysztof[.....]

Love & Ground: Interview with Conny Purtill and Friends

Conny Purtill. The Ground, 2014; installation view, Adams and Ollman Gallery, Portland, OR. Courtesy of the Artists and Adams and Ollman.

As an idea and word, “curator” continues to suffer a death from overdose. Still, I am tempted to place this burdensome phrase upon Conny Purtill and his chosen allies—that is, if we can agree that curating involves working with someone else’s objects to elucidate a concept. The exhibition The Ground, recently on view at Adams and Ollman Gallery in Portland, Oregon, began with Purtill gifting[.....]

Interview with Josh Short

Josh Short. Going to Church, 2014; installation view, The Warehouse, Salina Art Center. Courtesy of the artist. Photo: April Engstrom.

I’ve recently been introduced to the term prairie madness. It’s fictional—not founded in medicine—but it captured my imagination all the same. Artist Josh Short laughed as he explained it to me: The gist is that one can be driven to psychosis by the far-flung expansiveness of the Midwest. Characters in novels have been driven to tears by the isolation, the seemingly never-ending wind, and their[.....]

Interview with Matt Lipps

Today from our friends at Kadist Art Foundation we bring you part one of a two-part video interview with artist Matt Lipps. Lipps has a solo show, The Populist Camera, at Jessica Silverman Gallery, now on view in San Francisco. In his talk with Kadist’s Director of Collections, Devon Bella, Lipps explains, “I effectively broke every rule of Photoshop that I have my students not do.”  [.....]

From the Archives – An Interview with Anne Lindberg

Anne Lindberg. parallel 34, 2012; Graphite and colored pencil on cotton mat board. 104 x 58 in. Courtesy the artist and Carrie Secrist Gallery, Chicago.

Today from the archives we bring you an interview with artist Anne Lindberg, who often works with drawing, photography, sculpture, and installation, “always seeking to push the boundaries of what is considered a drawing.” Lindberg has a solo show opening soon at Haw Contemporary in Kansas City. This article was written by Allie Haeusslein and originally published on September 18, 2012.  On a visit to the[.....]

Everyday Problems: Ketut Teja Astawa’s Contemporary Balinese Paintings

Ketut Teja Astawa, Boomerang, 2013; acrylic on canvas; 150 x 150 cm. Courtesy of the Artist and Tonyraka Art Gallery. Photograph: Ellen C. Caldwell.

Ketut Teja Astawa’s bright, bold acrylic-on-canvas paintings are complex and humorous. Using traditional Balinese style, iconography, and language, Astawa reinvents the ancient wayang (or shadow puppet) tradition within a modern context. He imbues his painted narratives with references to everyday problems, such as fruit shortages, aggressive village birds, and even the 2002 Bali bombings. While Astawa’s exaggerated figurative paintings and humorous narrative style are unique[.....]