Interviews

Interview with Anthony Huberman

Joan Jonas. Still from 
Volcano Saga, 1985/2011; 28 min, color, sound.

Anthony Huberman was appointed the director of the CCA Wattis Institute in August of 2013, but only really started reshaping the institution this fall with an intriguing—and fairly democratic—strategy for presenting and thinking about contemporary art. As the founding director of the Artist’s Institute in New York, Huberman has worked with artists such as Robert Filliou, Rosemarie Trockel, Haim Steinbach, and Thomas Bayrle, and will be[…..]

Interview with Asha Schechter

Schechter-Tabari

From our friends at Kadist Art Foundation in San Francisco, today we bring you a conversation between artist Asha Schechter and Kadist’s director of collections, Devon Bella. This unique interview also features an animation by Yashar Tabari underscoring Schechter’s discussion of “the simultaneity of images… You can’t really see one image without seeing another.”

The State in Which You Find Yourself: Mamela Nyamza and Meryem Jazouli

(Left) Mamela Nyemza leading a workshop at the 2014 TBA Festival. Image: Courtesy of TBA Festival. (Right) Meryem Jazouli. Photo: Agnes Mellon.

Today from our partners at Art Practical, we bring you an excerpt from a conversation between artists Anna Martine Whitehead, Mamela Nyamza, and Meryem Jazouli. At the end of an interview that spans geography, race, performance, and limited resources, Jazouli notes, “If you are an artist [here], it’s as though you are different than everyone. But an artist should be talking about the world and what’s happening in the world[…..]

Laida Lertxundi

Laida Lertxundi. Still from Cry When it Happens / Llora Cuando Te Pase, 2010; directed by Laida Lertxundi.

Today from our friends at BOMB Magazine, we bring you an excerpt from Katie Bradshaw‘s interview with filmmaker Laida Lertxundi. The artist describes her process: “I rearrange and take apart these formal conventions and then you have to enter a new space, and maybe there’s something freeing in that. […] I think it’s productive, when there’s something happening in the form that’s uncomfortable.” This interview was originally[…..]

How Small It Actually Is

Artwork by William Powhida, from the cover of  "9.5 Theses on Art and Class" by Ben Davis.

Today from our friends at Guernica, we bring you an excerpt from Alex Zafiris’ recent interview with Ben Davis. Zafiris notes: “As with all empires, the art world is driven by money. What differentiates it, at least in some cases, is its very particular set of values.” This interview was originally published on October 1, 2014. In 2010, Ben Davis, a young art critic and regular contributor to[…..]

Women in Performance: Rigorous Ecstasy – Language & Performance, Part I

Carolee Schneemann. Correspondence Course (triptych), 1980/1983, self-shot silver prints mounted on silk-screened text; 30 x 20 inches. Courtesy of the Artist and PPOW Gallery, New York. © Carolee Schneemann.

Today from our friends at Art Practical, we bring you the first installment of the new column “Women in Performance,” which kicks off with an interview between author Jarrett Earnest and artist Carolee Schneemann. To quote from the column’s introduction: “Impelled by painting, Schneemann has plumbed the history of images, embodiment, and language since the 1950s, creating pioneering performances, films, installations, sculptures, and drawings. This two-part interview focuses[…..]

Erick Beltrán, interviewed by Rodrigo Ortiz Monasterio

erick_beltran_01

Today we bring you a video of artist Erick Beltrán at the Museo Tamayo in Mexico City, discussing his work Atlas Eidolon, a sculpture that addresses the question of memory, or “what lives in our heads and how things appear in the world.” This video was produced by our friends at Kadist Art Foundation.