Interviews

10 Questions for Michele Carlson

Michele Carlson in the classroom.

Happy birthday, Daily Serving! This month marks our tenth year of bringing you some of the smartest art writing around. To celebrate this momentous anniversary, we’re looking at our past, our present, and our future. Today we bring you an excerpt from an interview with Daily Serving’s current executive director, Michele Carlson. Michele joined the team in May 2016, and brings her work as an artist,[…..]

Things to Be Thankful For

Agnes Denes. Wheatfield - A Confrontation: Battery Park Landfill (view with Statue of Liberty across the Hudson), 1982.

Here at DS, we’re grateful for our many readers and supporters around the world. We thank our hard-working writers, editors, and admin staff. And we’re indebted to a fantastic community of our colleagues—among them the ten arts workers who today share their current sources of inspiration, energy, and hope. Taylor Renee Aldridge Co-founder of ARTS.BLACK, a journal for art criticism from Black perspectives Writer adrienne[…..]

10 Questions for Patricia Maloney

Patricia Maloney at Southern Exposure in San Francisco.

Happy birthday, Daily Serving! This month marks our tenth year of bringing you some of the smartest art writing around. To celebrate this momentous anniversary, we’re looking at our history—and our future. Today we bring you an excerpt from an interview with Daily Serving’s second publisher, Patricia Maloney (now the Executive Director of Southern Exposure). After starting the Bay Area-based journal Art Practical in 2009, Patricia[…..]

Odd Jobs: Kalup Linzy

Kalup Linzy. Romantic Loner. 2013 (still); video; 73:00. Courtesy of the artist.

Welcome to the second issue of “Odd Jobs,” in which we explore the many jobs artists hold in order to support their art practice. I spoke with Kalup Linzy, a New York–based performance and video artist famous for his soap opera–style video works, such as a piece produced for the Studio Museum in Harlem titled All My Churen. Linzy uses low-tech productions methods and often[…..]

A Changeless Place

Jave Yoshimoto. Numinous Lethologica, 2015; gouache on paper; 30 x 44 in.

From our friends at Guernica, today we bring you A Changeless Place: Jill J. Tan interviews Jave Yoshimoto. Tan speaks with Yoshimoto, a trained art therapist and practicing artist, about his intricate and brightly rendered gouache depictions of tragedy and disaster. Yoshimoto says, “The news cycle moves so quickly; even if we read about tragedy today, we may forget about it tomorrow. I hope my work is a[…..]

In Conversation with Artist Tiff Massey

Tiff Massey. Facet, 2013. Courtesy of the Library Street Collective.

Today, from our new friends at Arts.Black, we bring you an interview with Detroit-based metalsmith artist Tiff Massey by Taylor Renee Aldridge. They discussed “socio-politics in Detroit, ’80s bling, and Massey’s rigorous art practice.”  Massey speaks of symbolism and color in her work, explaining “I keep going back and forth to the use of the mirror, the cameo, this oval shape [points to massive rings[…..]

Jen Bervin and Dianna Frid

Dianna Frid. NYT. APRIL 24, 2014, RICHARD H. HOGGART, 2014; embroidery floss and graphite mounted on canvas, 15 × 20 inches. Photo: Tom Van Eynde.

From our friends at BOMB Magazine, today we bring you a conversation between artists Jen Bervin and Dianna Frid. They discuss color as a system of classification, Art Povera, and language. Diana Frid says “In classifying, I’m also alluding to the absurdity of classification, because no one is reducible to just one thing. All systems start out idiosyncratically.” This piece was originally published in BOMB 137,[…..]