L.A. Expanded Column

Not Quite Rejection

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L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley A grad school classmate of mine, one of the more resourceful people I’ve met, had a studio that looked like a carpenter’s shop. Though not clean per se, it was functional and organized, with shelving units and a storage loft above a small couch. When he got stuck or couldn’t decide why[.....]

The Interruption

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L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley “At this moment, my iPad is totally f–ing me up,” said Eleanor Antin last Sunday at the Hammer Museum, in Act V of Before the Revolution, a remaking of her originally one-woman ballet. Act V was actually called “The Interruption,” because the performers were slated to stop performing and the artist to[.....]

Kissing, Architecture, and Mohair that Saves the Day

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L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley “A kiss puts form into slow and stretchy motion,” writes Sylvia Lavin. A kiss “renders geometry fluid.” Our relationship to buildings can be like that too — slow, stretchy, fluid. So Lavin suggests in Kissing Architecture, her new book with a bright pink cover and a delightfully sensual take on architectural criticism.[.....]

Burnt Church and Other Sacrilege

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L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley I have a checkered brown and white shirt with sleeves and a collar that looks like something Ashton Kutcher would have worn in That ’70s Show. I still wear it, though I bought it at a thrift store when I was in high school. I had written a play about U.S. college[.....]

Not a Person Today

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L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley In one of the snapshots Miranda Grosvenor sent to her famous beaus, she appears blurry and blond, sitting in a convertible parked with its front end in the street and back end on the grass of somebody’s manicured lawn. In this and other photos, she is always alone, and always suspiciously attractive,[.....]

The Damned Don’t Cry

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L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley The Christmas arsonist began setting fires under cars in L.A. the day after his German mother’s extradition proceedings due to fraud allegations, including the charge she falsified the down payment for her breast implants. In a courtroom, he purportedly went on an “anti-American” tirade, then went out on a particularly anti-L.A. crime[.....]

Experimental Impulse

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L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley “I basically did two things with my class,” said artist and teacher Michael Asher. “We took the clock out of the room and forgot about time.” That quote is pinned to the wall at RedCat gallery, along with a host of other quotes from students and instructors working at California Institute of[.....]