Mixed Media

Entang Wiharso: Never Say No at Singapore Tyler Print Institute

Entang Wiharso. Shelter: Forest of Eyes, 2015; Aluminium sheet, laser cut, C-type print; 127 × 184 × 3 cm. Courtesy of STPI.

Set in profile, a man casts a doleful eye on a smaller figure that perches on his forehead and pulls insistently at his tongue, while a miniature chainsaw balances threateningly on his head. The palm of his hand is pierced with a plant-like dagger, and little bodies tumble out feet-first from the bottom of his torso, already bearing knives and swords in preparation for a skirmish.[…..]

FOCUS: Mario García Torres at the Modern Art Museum of Fort Worth

Mario García Torres. The Schlieren Plot,n.d.; HD video and sound, 29 minutes. Courtesy of the Artist and Proyectos Monclova, Mexico.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. For the next five Sundays, our Shotgun Reviews will come from the finalists for the Daily Serving/Kadist Art Foundation Writing Fellowship in Mexico City. In today’s edition, author Leslie Moody Castro reviews the work of Mexico City–based artist Mario García Torres at the Modern Art[…..]

Wael Shawky: Cabaret Crusades at MoMA PS1

Wael Shawky. Wael Shawky: Cabaret Crusades, 2015; installation view, MoMA PS1, New York, featuring marionettes from Cabaret Crusades: The Secrets of Karbala, 2015. Courtesy of MoMA PS1, New York, and Sfeir Semler Gallery, Beirut and Hamburg.

Wael Shawky’s gorgeous cinematography, sets, and marionettes fuse a child-like play with the horrors and complications of war and history.

100° City at City Limits

Joel Dean. Untitled, 2015; Solarbotics Photopopper Photovore V5.0, glass jar; 11" x 7" x 7". Courtesy of the Artist and City Limits, Oakland.

Today from our partners at Art Practical, we bring you Jackie Im‘s review of 100° City, a three-person show at City Limits Gallery in Oakland that “…seeks to challenge, to draw people into these messy conversations about anxiety, about the effects we have on the Earth.” Today is your last chance to see the exhibition, which features works by Jason Benson, Joel Dean, and Erin Jane[…..]

Taravat Talepasand: Not an Arab Spring at Beta Pictoris Gallery

. Taravat Talepasand. Khomeini, 2015; egg tempura on linen; 48 x 36 in.

Taravat Talepasand’s work takes on the representational codes and image systems of the Iranian state: national currency, political propaganda, religious iconography, and gendered forms of identity making. The paintings in Not an Arab Spring open up the ideological assumptions that index Iranian identity, state power, and gender in order to consider how the body (male and female) comes to signify the state as well as[…..]

Nature/Revelation at the Ian Potter Museum

Berndnaut Smilde, 
Nimbus D'Aspremont
2012
digital C-type print mounted on diabond
75 x 110 cm 
Courtesy the artist and Ronchini Gallery, London

Entering Nature/Revelation, in the rather hushed surrounds of Melbourne University’s Ian Potter Museum, the first thing visitors encounter is an enormous sperm whale. Looming in the darkened space, it has a startling presence and gravitas, even more so when you realize it’s a graphite drawing. Its skin is pitted, marked and scarred by travels through a world still mysterious to us, and its tiny eye regards us mournfully.[…..]

James Cordas: a, dog I’m holding undermy arm with Its head pointed behind me at Et al. Gallery

James Cordas. Installation view of

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Alex Rojas reviews James Cordas: a, dog I’m holding undermy arm with Its head pointed behind me at Et al. Gallery in San Francisco.  James Cordas’ exhibition a, dog[…..]