Mixed Media

HA HA! BUSINESS! at Luis De Jesus

Joseph Scalan. Meme 2002/2015; C-print, acqueous inkjet prints, pva; 40 x 30 in. Courtesy of the Artist and Luis De Jesus. Photo: Calder Yates

Novelist Don DeLillo once quipped, “California deserves whatever it gets. Californians invented the concept of lifestyle. This alone warrants their doom.” This concept is the curatorial mission behind HA HA! BUSINESS!, currently on view at Luis de Jesus, Los Angeles. HA HA! BUSINESS! reprimands what it sees as a jingoistic and self-centered lifestyle—a world filled with social-media fiends who are willing to cut down the[…..]

CONSTRUCT\S at the Wing Luke Museum

Lynne Yamamoto. Whither House, 2015; installation; dimensions variable. Courtesy of the Wing Luke Museum. Photo: Toryan Dixon.

CONSTRUCT\S: Installations by Asian Pacific American Women Artists at the Wing Luke Museum is a journey into the lives and minds of six artists who employ a range of media and creative tactics to explore sociocultural identity, familial history, and locality. The exhibition does not claim to be a comprehensive survey of “Asian Pacific American art.” Rather, it provides an array of entry points into[…..]

Alyson Shotz: Force of Nature at the Halsey Institute of Contemporary Art

Invariant Interval, 2013; installation view, Alyson Shotz: Force of Nature, 2015. Courtesy of the Halsey Institute of Contemporary Art, Charleston, SC. Photo: Rick Rhodes.

The desire to create forms via chance and natural phenomena is reflected in the works in Alyson Shotz: Force of Nature at Halsey Institute of Contemporary Art in Charleston, South Carolina. Despite a disparate range of formats, including porcelain sculpture, complex wire installations, and color aquatints, this exhibition brings together a wide array of works that originate from a process-based practice and share connections to[…..]

Mark Mothersbaugh: Myopia at the Minneapolis Institute of Arts

Mark Mothersbaugh. My Little Pony, 2013; ceramics; 53 x 59 x 33 in. Courtesy of the artist and the Minneapolis Institute of Arts.

The Minneapolis Institute of Arts (MIA) is a timeless sort of place. Sure, its first floor boasts an urban-inspired coffee bar with contemporary furnishings that gesture toward the present day, but the galleries tell a different story of time altogether. From costumes to hand-painted ceramics, ritual objects to period rooms, the MIA offers abstract snapshots of other places and other times, mixing centuries and geographies[…..]

Ryan Wallace: LD50 at Romer Young Gallery

Ryan Wallace. LD50, 2015; installation view. Courtesy of the Artist and Romer Young Gallery, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Forrest McGarvey reviews Ryan Wallace: LD50 at Romer Young Gallery in San Francisco.  In his first solo show at Romer Young Gallery, New York[…..]

Crafting a Continuum: Rethinking Contemporary Craft at the Houston Center for Contemporary Craft

Sonya Clark. Thread Wrapped in Blue and Brown. 2008. Combs and thread. 45 x 1 x 60 inches. Image courtesy of the Houston Center for Contemporary Craft.

Since the rise of conceptual art practices within the ever-changing terrain of contemporary art, one often encounters the silly assertion that art making has become a market of ideas as opposed to objects. This is, of course, ridiculous: A walk through any art fair or biennial reveals that there are more objects in circulation than ever before, some more thoughtful than others. While dematerialization continues,[…..]

Beverly Buchanan: And You May Find Yourself… at Andrew Edlin Gallery

Beverly Buchanan. Old Colored School, 2010; wood and paint; 20.25 x 14.75 x 18.5 in (51.4 x 37.5 x 47 cm). Courtesy Andrew Edlin Gallery.

Though certainly no stranger to the art world, Beverly Buchanan has followed an unusual trajectory in her career and public profile as an artist. Born in 1940 in North Carolina, and raised in South Carolina, she spent much of her childhood accompanying her father, an agricultural scientist, while he visited sharecroppers in far-flung locations throughout the rural South, observing the lives and structures they made[…..]