Mixed Media

Issues of Power: Resilience and Healing

Juan Roberto Diago. Aché Pa’ Los Míos [Good Vibes for My People], 1999, mixed media on burlap. Courtesy of The Cooper Gallery.

Today from our friends at Big Red & Shiny, we bring you a conversation between artist Chanel Thervil and artist and curator Silví Naçí. They discuss artist Juan Roberto Diago’s first retrospective, curated by Alejandro de la Fuente at the Cooper Gallery. Naci parallels the exploration of diasporic Africans in colonized Cuba in Diago’s work with the current political state of the U.S., saying, “…during a crucial moment in U.S.[…..]

Fathi Hassan: Edge of Memory at Clark Atlanta University Art Museum

Fathi Hassan. Crossing, 2016; acrylic and gauze on paper; 58.25 x 74.8 in. Courtesy of the Artist.

In his 1978 text Orientalism, Edward Said states that the “subtle and persistent Eurocentric prejudice against Arab–Islamic peoples and their cultures” is not just bound by historical clashes, sociocultural differences, or geography, but a constellation of a “whole series of interests” predicated on the desire to control, manipulate, and incorporate “what is manifestly different.”[1] Under Western hegemonic power, the struggle for dominance in the Middle[…..]

Jimmie Durham: At the Center of the World at the Hammer Museum

Jimmie Durham: At the Center of the World, installation view, Hammer Museum, Los Angeles, January 29 – May 7, 2017. Photo: Brian Forrest.

Among obsidian stones, an upturned police barricade, a beat-up refrigerator, and cow vertebrae, the detail that lingers longest in Jimmie Durham’s retrospective, on view at the Hammer Museum, is Durham’s absence. Born in Arkansas in 1940, Durham left the United States thirty years ago for Europe and has largely refrained from exhibiting in the U.S. since, giving a provocative tone to the retrospective’s title, At[…..]

Red in View at the Whitney Museum of American Art

MPA , Entrance, 2014–2016; Pigmented inkjet print mounted on mat board and painted wood; 7 × 7 in. Courtesy of MPA and the Whitney Museum

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Jasa McKenzie assesses Red in View at the Whitney Museum of American Art. Red in View by MPA aims to explore the potential[…..]

Interview with Njideka Akunyili Crosby

I Refuse to Be Invisible, 2011, acrylic, charcoal, and xerox transfer on paper, 24 × 16 inches. Courtesy of the artist.

Today from our friends at BOMB Magazine, we bring you author Erica Ando’s interview with Nigerian artist Njideka Akunyili Crosby. Crosby says of her paintings, “I always make sure the woman is in a position of power—where her agency is not questioned and where she is an active participant.” This article was originally published in BOMB 137: Fall 2016. The figures who people Njideka Akunyili Crosby’s[…..]

Tales of Our Time at the Solomon R. Guggenheim Museum

Sun Yuan and Peng Yu Can't Help Myself (2016) in Tales of Our Time at the Solomon R. Guggenheim, New York.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Lux Yuting Bai assesses Tales of Our Time at the Solomon R. Guggenheim Museum. Launched by the Robert H.N. Ho Family Foundation[…..]

Breaking News: Turning the Lens on Mass Media at the Getty Center

Catherine Opie. Terry Schiavo and Pope John Paul from the series Close to Home, 2004–2005; dye diffusion prints; 15 1/2 x 14 in. Courtesy of the Artist and Regen Projects, Los Angeles.

Journalism is experiencing a crisis of confidence as of late, with long-running mainstream sources being labeled “fake news,” while extremist propaganda mills are hailed as harbingers of the truth. Although this specific quandary may be unprecedented, the concept that the news should be viewed with a healthy skepticism—considering from where and whom it comes—is nothing new. People living under regimes that lack a free press[…..]