Mixed Media

Genius/21 Century/Seattle at the Frye Art Museum

Lead Pencil Studio (Annie Han and Daniel Mihalyo). Under the Surface, 2008; charcoal graphite and paint on paper; 71 x 58 in. Courtesy of the Artists.

For the last thirteen years, Seattle has cheekily retorted the MacArthur Foundation’s annual announcement of “Genius Grant” winners by presenting a roster of its own local “geniuses” through the Stranger Genius Award. The Stranger, which is the city’s weekly alternative news and entertainment paper, selects and awards five individuals each year, from the fields of art, performance, literature, film, and music, with $5,000 of unrestricted[…..]

Ellen Lesperance: We Were Singing at Adams and Ollman

Ellen Lesperance. We Were Singing, 2015; installation view, Adams and Ollman, Portland. Courtesy of the Artist and Adams and Ollman. Photo: Mario Gallucci.

Not many things are more difficult than articulating love. Displaying a lack of temperance can appear obsessive, while showing any sign of hesitance can be mistaken for a number of unintended things. Every so often, an individual demonstrates the ability to tow the line so eloquently and sincerely that the outcome is a lesson in expert labor. Ellen Lesperance’s exhibition We Were Singing at Adams[…..]

Talk to Me: Samuel Levi Jones at ProArts

Samuel Levi Jones. Talk to Me, 2015; installation view; mixed media on canvas. Courtesy of the Artist and Pro Arts Gallery, Oakland.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Marie Martraire reviews Talk to Me: Samuel Levi Jones at ProArts in Oakland. In front of Oakland City Hall, thirty-three large square collages are hung on[…..]

Thomas Hirschhorn: In-Between at South London Gallery

Thomas Hirschhorn. In-Between, 2015; installation view, South London Gallery, London. Courtesy Thomas Hirschhorn. Photo: Mark Blower.

Thomas Hirschhorn’s show at the South London Gallery is a precarious, postapocalyptic mess. Collapsing floors are propped up with broken posts, and adjoining walls are held together by packing tape, which creates a foreboding sense that the installation could come down on the viewers at any moment. Yet the actual threat of fabricated precariousness is quite different than the threat posed to the viewer who[…..]

From the Archives: Prospect.3 New Orleans

Camille Henrot. Grosse Fatigue, 2013 (film still). Video installation (color, sound) Courtesy of the artist, Silex Films and kamel mennour, Paris.

As President Obama visits New Orleans this week on the ten year anniversary of Hurricane Katrina, we bring you a look back at last year’s Prospect.3 New Orleans. Tori Bush contextualizes her review of the rocky history of this biennial in a city “suspended in time in space.” This article was originally published on November 11, 2014. Honoré de Balzac wrote: “Ideas are a complete[…..]

From the Archives: Pierre Huyghe at LACMA

Pierre Huyghe. Untitled (Human Mask), 2014. Film. Courtesy of the artist; Hauser and Wirth, London; Marian Goodman Gallery, New York; Esther Schipper, Berlin; Anna Lena, Paris. © Pierre Huyghe

This month marks the opening of the first major Australian solo exhibition of Pierre Huyghe’s work at the TarraWarra Museum of Art, so today we revisit this review by Alex Bigman, who assesses the humor and mythology of Huyghe’s retrospective at the Los Angeles County Museum of Art. This article was originally published on January 21, 2015. There is a scene in Pierre Huyghe’s shadowy, dreamlike film The Host and[…..]

Three Katrinas

Isabelle Hayeur. Etang 04, 2013; Archival pigment print; 36 x 36 in. Image courtesy of the Artist.

“Memorials are the way people make promises to the future about the past.” Alice Greenwald, director of the National 9/11 Memorial Museum, reminds us that a memorial is as much how we describe who we are now as it is about a prior event. The 10th anniversary of Hurricane Katrina provides an opportunity to look back at a particular moment of disaster, injustice, upheaval, and[…..]