Mixed Media

Nick Cave: Made by Whites for Whites, at Jack Shainman Gallery

In Made by Whites for Whites, Nick Cave’s new show at Jack Shainman Gallery, the artist continues to exhibit works characteristic of his making process, in which the reclamation of found objects functions as a catalyst. “It’s always the object that provides me the impulse,” he said in a recent talk at the gallery. “It’s always one thing that sort of sets it up. It[…..]

Roger Hiorns at Luhring Augustine

Roger Hiorns; Untitled (Security Object), 2013; cast stone; and Untitled (Surface 2), 2014; Steel, flat screen and youth; © Roger Hiorns; Courtesy of the artist and Luhring Augustine, New York.

Roger Hiorns’ current solo exhibition at Luhring Augustine—the British artist’s first in New York City—presents viewers with two inscrutable situations: In one, a quantity of gray powder has been deposited, apparently by hand, over a large, rectangular area occupying the better part of the main gallery; in another, a nude male model loiters about a massive, faceted stone object and a low table, the surface[…..]

Fan Mail: Joe Penrod

Joe Penrod. Deflated (after 3 weeks), 2010; mylar balloons, painter’s tape; 4 x 3 feet. Courtesy of Half/Dozen Gallery.

Typically, the studio is where artists make their work, but Joe Penrod’s space for creative development exists anywhere a shadow falls. Armed with only a roll of cerulean painter’s tape, Penrod transforms once-mundane shadows (and the objects that cast them) into fecund sculptural compositions. There are a few stages in Penrod’s process. First he finds an object that casts a particularly beautiful or striking shadow.[…..]

Getting Rid of Ourselves at OCAD University

Claire Fontaine. Untitled (Tennis ball sculpture), 2008. Mixed media. Images courtesy of Onsite [at] OCAD University and OCADU Visual Resources – Melissa Jean Clark

Getting Rid of Ourselves, a group show curated by London-based Helena Reckitt at OCAD University, features work by various individual artists and four artist collectives, most of them British. Many of the included works draw on Michel Foucault’s concepts of the subject to address the theme of how subjectivity is regulated and produced. Reckitt, who before moving to London was senior curator at Toronto’s Power[…..]

The Part in the Story Where a Part Becomes a Part of Something Else at Witte de With

Ahmet Ögüt and Cevdet Erek. Ahmet Cevdet Bey: “Jacket”, 2011.

The Part in the Story Where a Part Becomes a Part of Something Else is an exhibition that covers a lot of ground. The Witte de With Center for Contemporary Art brings together over fifty artists with multifaceted disciplines, but despite the large scale, the show can be distilled to a few threads that highlight the potential for art to create constructed moments. This underlying[…..]

A Pattern Language at CULT // Green Circle Black Diamond at Ratio 3

Lena Wolff. O San Francisco, 2014; paper quilt with hand-cut and painted papers; 45 x 45 in. Courtesy of the Artist and CULT: Aimee Friberg Exhibitions.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. Today we bring you two reviews written by our summer interns: First, Deidre Foley considers A Pattern Language: Michelle Grabner, Angie Wilson, and Lena Wolff at CULT; next, Audrey Weber assesses the exhibition Green Circle Black Diamond at Ratio 3 in San Francisco. We thank these two[…..]

Meow Wolf: Moving Still at the Front

Meow Wolf. Moving Still, 2014, Room 4 Installation View. Courtesy of The Front. Photo by Jonathan Traviesa

Meow Wolf, a Santa Fe-based art collective, explores the persistence of collective memory in their deeply introspective exhibit, Moving Still, at the Front in New Orleans. A twelve-person-core collective of artists, Meow Wolf has developed a following around their sensorial and immersive installations that have previously taken the form of a 75-foot ship from the future, The Due Return (2011), built in the Center for[…..]