Mixed Media

Senga Nengudi: The Material Body at the Museum of Contemporary Art, Denver

Senga Nengudi. R.S.V.P., 1976/2003; nylon mesh and bicycle tire; 20 x 26 x 12 in. Courtesy the artist and Thomas Erben Gallery, New York.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Deanne Gertner reviews Senga Nengudi: The Material Body at the Museum of Contemporary Art in Denver.   In her solo exhibition The Material Body at Museum of[.....]

Mike Nelson: Amnesiac Hide at The Power Plant

Mike Nelson. Quiver of Arrows, 2010; mixed media. Courtesy of The Power Plant

Recently, it seems that when Toronto’s mayor isn’t making headlines, the city’s overheated condo market is. Getting to Amnesiac Hide, Mike Nelson’s exhibition at The Power Plant, is an exercise in navigating the realities of this fervor. Queen’s Quay, the city’s so-called “revived waterfront,” is undergoing a makeover in the midst of rising condo towers, which makes for a messy route to the gallery. But[.....]

Fan Mail: Christopher Manzione

Christopher Manzione. Excavatum Installation View, 2011. Image courtesy of the artist.

Christopher Manzione works with a number of mediums: sculpture, video, performance, drawing, digital rendering, mobile- and web-based applications, digital imaging, and 3D rendering. Across this plethora of forms, Manzione explores the perceived and actual divisions and overlaps between notions of digital vs. analog and organic vs. inorganic, as well as combinations of these two sets. Manzione strives to unite two distant poles without placing a[.....]

Borna Sammak: All Dogs Are Pets at JTT

Borna Sammak. All Dogs Are Pets, 2014; installation view, JTT, New York. Courtesy of the artist and JTT.

All Dogs Are Pets, Borna Sammak’s current solo exhibition at JTT, presents sculpture, painting, and video full of glowing references to 1990s American suburbia. Trafficking in the humorous young boys’ fare of canceled Nickelodeon cartoons, Sammak’s pieces are composed of sometimes repurposed, sometimes refabricated objects you might find at a Wal-Mart or strip-mall store. His work draws from the cultural garbage can, creating an aesthetic[.....]

Sarah Lucas: Nud Nob at Gladstone Gallery

Sarah Lucas.
Chicken Knickers, 2014;
Digitally printed wallpaper.
Photo: David Regen.
Copyright Sarah Lucas.
Courtesy Gladstone Gallery, New York and Brussels

The circulation of images from Sarah Lucas’ Nud Nob, now at Gladstone Gallery, on social media and elsewhere seems bound to be both blessing and curse. On the one hand, shots of enormous concrete penises resting on crushed automobiles, or a series of floor-to-ceiling photographs of a woman consuming a banana, really propagate themselves, which makes for great publicity. But those who encounter these images are[.....]

Trevor Shimizu: Again at 47 Canal and Rachel Mason: Starseeds at envoy enterprises

Rachel Mason. Yayoi Kusama, 2014; mixed media, dimensions varied. Courtesy of the artist and envoy enterprises.

Again, now at 47 Canal, presents a new set of paintings by Trevor Shimizu featuring more of the artist’s characteristically banal domestic caricatures. Of these, Shimizu’s sex paintings are his best. Featuring sketches of video monitors displaying stick figures engaged in BDSM porn, a vaginal close-up nestled next to a box of tissues, or a pop-up ad for penis enhancement, the paintings read as swiftly[.....]

RR&P: Repetition, Rhythm, and Pattern at Lewis Art Gallery

L to R:  Corey Escoto, Wheel of Fortune: I’d Like to Solve the Puzzle, 2010, digital prints, frames, plexiglass, 49” x 135”; Corey Escoto, House of Cards, n.d., pleximounted digital prints, wax balls, approx. 35” x 45”; Lilly Zuckerman, 6”x4.5”x3”, 4”x4”x3”, and 5”x3”x3.5”, 2012, porcelain. Courtesy of Lindsey Landfried. Photo: Lindsey Landfried.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Melissa Thorson Hause reviews RR&P: Repetition, Rhythm, and Pattern at the Lewis Art Gallery at Millsaps College in Jackson, Mississippi. A century ago, avant-garde art dealer Daniel-Henry Kahnweiler asserted[.....]