Mixed Media

Interview with Nick Cave

Nick Cave, Soundsuit, 2015; Mixed media. Courtesy of Shreveport Regional Arts Council. Photo: Casey Jones.

Shreveport is a border town at the crossroads of Arkansas, Louisiana, and Texas. The city is known for its musical history—the term “Elvis has left the building” was coined there. But Shreveport also suffers from crippling issues of injustice. Shreveport prosecutors use peremptory challenges to bar people of color from juries, and juries in Caddo Parish “now sentence more people to death per capita than[…..]

Jennifer Moon, Jemima Wyman, and Robby Herbst at Commonwealth & Council

Jennifer Moon. 3CE: A Relational Love Odyssey, 2015; HD Video (TRT: 11:15); edition of 3 + 1 AP. Courtesy the artist and Commonwealth & Council, Los Angeles.

As contemporary art seems to be increasingly the province of the 1%, with continual record-breaking auctions, it may be difficult to appreciate the revolutionary origins of modernism. Early 20th-century art movements like Constructivism, Futurism, and Dada sought an aesthetic, social, and political break with the past, often with utopian goals for the future. A trio of solo shows at Commonwealth & Council aim to reinvigorate[…..]

Pope.L: Desert at Steve Turner and Pope.L: Forest at Susanne Vielmetter Los Angeles Projects

Pope.L. Forest, installation view, Susanne Vielmetter Los Angeles Projects, 2015. Courtesy of the artist. © Pope.L

Pope.L returns to Los Angeles, after his MOCA exhibition William Pope.L: Trinket this past summer, with a two-part, two-gallery, map-sprawling, time-spanning show—Desert at Steve Turner in Hollywood and Forest at Susanne Vielmetter Los Angeles Projects in Culver City—connected by a downloadable GPS driving tour. Samuel Beckett, whose influence appeared in Trinket, returns again in the GPS guide’s insistently jolted repetitive language, “this thing this thing this thing[…..]

Del Kathryn Barton: The Highway Is a Disco at ARNDT Singapore

Del Kathryn Barton. The highway is a disco, 2015; Acrylic on French linen; 240 × 180 cm. Courtesy of the Artist and Arndt Singapore.

Framed against a starlit sky, two female figures with feathered hair and large, limpid eyes sit astride blue and purple kangaroos. Their lush, naked bodies are stark white against a vibrant canvas of marks, lines, and dots. They stare out of pictorial space into an unknown distance, with their detached gazes separated from the viewer’s own perusal of them. Disengaged from us, their distance forms[…..]

Franz Erhard Walther and Pae White at the Henry Art Gallery

Franz Erhard Walther. Sehkanal (with body weight and exertion exposing one's opposite number to one's gaze - sight channel) Single Element n°46 of 1.Werksatz, 1968. Green fabric: 30 x 740 x 20 cm. Courtesy of Galerie Jocelyn Wolff. Photo credit: Timm Rautert. Copyright Franz Erhard Walther Foundation, Timm Rautert.

The Henry Art Gallery in Seattle opens two exhibitions, Franz Erhard Walther: The Body Draws and Pae White: Command-Shift-4. The featured artists—albeit separated by 24 years and 5,600 miles—create a compelling juxtaposition, revealing shared interests in graphic art, architecture, and fiber as mediums that shift between sculpture and performance. Both artists produce works that are liminal and in flux—forever making and remaking themselves through direct interaction.[…..]

Tomás Saraceno: Arachnid Orchestra. Jam Sessions at NTU Centre for Contemporary Art Singapore

Tomás Saraceno, Omega Centauri 1 Nephila Kenianensis 4 Cyrtophora citricola, 2014; Spidersilk, carbon fibre, light, Tripod. Courtesy of the artist and Esther Schipper Gallery, Berlin.

The gallery hums with screechy sounds resembling acoustic feedback, punctuated by random bursts of bass and cartoonish sound effects. The soundscape is queasily amorphous and disorienting, built on dissonance and the chaotic rhythms resonating from a handful of arachnids that have woven fine, thick webs around delicate wire frames. Featuring a plethora of spiderweb sound installations, Tomás Saraceno’s latest show Arachnid Orchestra. Jam Sessions is[…..]

Gail Wight: Windswept

Gail Wight. Homage to the Wind (video still), 2012; HD video; 16:09. Courtesy of Gail Wight.

Gail Wight considers how wind shapes the space we inhabit.