Mixed Media

Jorge Macchi: Perspectiva at Museo de Arte Latinoamericano de Buenos Aires

Jorge Macchi. Monoblock, 2013; paper. Courtesy of MALBA.

Maps, clocks, dictionaries, music sheets, signals, and words are all different resources we have to decode our reality. By living under a unified structure, we can rest assured that our messages will be understood. A sense of normality is reinforced. But what lies underneath these layers of language? Can we realize how reality is built around us? Do we know how to dismantle the rules[…..]

Amir H. Fallah: All Experience Is an Arch at Hap Gallery

Students of metaphysics commonly debate about time and space as an arc—curving and perhaps boomeranging, to ends that are difficult to articulate. Los Angeles–based artist Amir H. Fallah, however, postulates the experience of time and space as something more solid and tangible, akin to a structure engineered for indiscriminate movement back and forth. All Experience Is an Arch at Hap Gallery is an experiential recounting[…..]

Eric Yahnker: Noah’s Yacht at Zevitas Marcus

Eric Yahnker. Abe Lincorn, 2015; colored pencil on paper. Pierced Piety, 2015, colored pencil on paper. Shell Game, 2015 (detail); 314 Purell hand sanitizer bottles, spire seashells. Courtesy of the Artist and Zevitas Marcus.

Eric Yahnker’s large-scale colored pencil drawings are often satirical, social, and political in nature. The Los Angeles–based artist, who has worked both for South Park and as a journalist, views himself as a political cartoonist in the often patronizing and self-involved art world. Many of his previous shows have felt like incredible, offbeat, anarchic versions of the very best in political cartoons or Dadaist reinterpretations[…..]

Remix at the Columbia Museum of Art

Fahamu Pecou. Rock.Well (Radiant Pop, Champ) (after Norman Rockwell’s Triple Self Portrait), 2010; acrylic on canvas; 48 x 48 in. Courtesy of Scott and Teddi Dolph and Columbia Museum of Art, South Carolina.

The recent curatorial trend of probing the fringes of art history for artists who have been eclipsed by the canon of white, European, male artists is a noteworthy one. While shows that feature such artists—in many cases, those who are Black—are becoming more prevalent, organizers must take care to contextualize the work without reinforcing myths that persist. The curators of Remix: Themes and Variations in[…..]

Father Figures Are Hard to Find at nGbK

Rotimi Fani-Kayode. Nothing to Lose IX (Bodies of Experience), 1987; C-prints, 49 x 41 cm Courtesy of the artist, Autograph ABP, and nGbK, Berlin.

Surrounded by the works in Father Figures Are Hard to Find, fifty or so attendees sat on the concrete floor of neue Gesellschaft für bildende Kunst (nGbK), awaiting the lecture–performance Da Da Daddy Hasselhof by Mysti, who appeared in drag, wearing a cascading blonde wig and bright halter and miniskirt combo. Her academic talk began with a slow-building critique of object-making and market-driven aesthetics, and[…..]

Radiohalo at Blain|Southern

Michael Joo. Radiohalo, 2016; installation view. Courtesy of the Artist and Blain|Southern, London. Photo: Peter Mallet.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Adam Monohon reviews Michael Joo’s Radiohalo at Blain|Southern in London. At the center of debate between creationists and the scientific community over[…..]

The Lasting Concept at Portland Institute for Contemporary Art

Sara Greenberger Rafferty. Testing VIII, 2016 (detail); microphone stand and asparagus, dimensions variable. Courtesy of the artist and (gallery). Photo: Evan La Londe/WORKSIGHTED

The Lasting Concept at Portland Institute for Contemporary Art (PICA) is, by design, chronically unsure of its form. Initially conceptualized as a publication of the same name, the exhibition explores the nagging, process-driven revelation of being unable to excise a particular understanding from one’s thinking. With content that requires a method of digestion similar to reading, the exhibition’s connection to experimental publishing is evident. It’s[…..]