New Media

Summer Reading: Bajagic vs Novitskova

Screen grab by Darja Bajagic, posted September 2011 to Tumblr.

As the editors of Art Practical and Daily Serving get ready to take their end-of-summer vacations, we find ourselves swapping reading lists—the articles we’ll dive into once have some uninterrupted time to catch up on what our colleagues have been writing. We’ve gotten so excited about what’s on our lists that we want to share them with our readers. Between now and Labor Day, Daily Serving will feature the efforts[.....]

The Part in the Story Where a Part Becomes a Part of Something Else at Witte de With

Ahmet Ögüt and Cevdet Erek. Ahmet Cevdet Bey: “Jacket”, 2011.

The Part in the Story Where a Part Becomes a Part of Something Else is an exhibition that covers a lot of ground. The Witte de With Center for Contemporary Art brings together over fifty artists with multifaceted disciplines, but despite the large scale, the show can be distilled to a few threads that highlight the potential for art to create constructed moments. This underlying[.....]

Take Ecstasy With Me at The Whitney Biennial

Jacolby Satterwhite, Reifying Desire 5, 2014 (performance still); duration varied. Courtesy of the artist and The Whitney Museum, New York. Photo: Filip Wolak.

“It would deeply heal me,” artist Jorge Cortiñas urged, “if we all sang this song together.” The ensuing karaoke-like moment was the climax of Cortiñas’ performance, Back Room, which re-told the contentious story of meeting a future lover during an orgy in the dark rear of a now-extinct East Village bar—a story that none of Cortiñas’ straight friends ever wanted to hear. Such tongue-in-cheek emotional self-indulgence invigorated[.....]

Paradise Lost at the Centre for Contemporary Art, Singapore

Trinh T. Minh-ha. Surname Viet Given Name Nam, 1989 (film still); 16mm; 108 min. Courtesy of Moongift Films.

“Southern Asia, in general, is the seat of awful images and associations. As the cradle of the human race, it would alone have a dim and reverential feeling connected with it… [the] mere antiquity of Asiatic things, of their institutions, histories, modes of faith, &c., is so impressive, that to me the vast age of the race and name overpowers the sense of youth in[.....]

Art(ists) on the Verge at the Soap Factory

Katie Hargrave, In Poor Tastes Good, 2014; mixed media, dimensions variable. Courtesy The Soap Factory. Photo by Lillian Egner.

Now through April, the sprawling, rough-and-tumble brick spaces of Minneapolis’ Soap Factory are filled with installation projects by five artists—the Art(ists) on the Verge, as it were. It is not quite fair to consider Art(ists) on the Verge as a single exhibition, as there is no curatorial or artistic conceit to cement the various projects into a cohesive entity. The works on view are the[.....]

White Hot Lamp Black at Southern Exposure

Hillary Wiedemann. Transit of Venus, 2013 (video still); color HD video; 2:50. Courtesy of the Artist.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Suzanne L’Heureux reviews White Hot Lamp Black at Southern Exposure in San Francisco. Southern Exposure’s group exhibition White Hot Lamp Black explores the edges of perception, featuring artists who[.....]

Feeling Is Mutual at Chicago Artists Coalition

Latham Zearfoss, Court of Apology #1 (COPA #1), 2014. Plexiglas, wood, subwoofer, audio. Courtesy of Chicago Artists Coalition.

Steven L. Bridges’ catalog essay for Feeling Is Mutual at Chicago Artists Coalition invokes a quote by Marcel Duchamp as a mission statement for this exhibition of performance and relational art works. Duchamp’s quote reads, “The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the[.....]