New Media

Summer Reading – Where Are the Women of Color in New Media Art?

Screenshot from Morehshin Allahyari’s “The 3D Additivist Manifesto” (2015), a collaboration with Daniel Rourke.

Today we continue our Summer Reading series with an article from our friends at Hyperallergic. Author Ben Valentine worked with writer/curator Dorothy Santos to send a questionnaire to women of color (WOC) and queer or trans women of color, and the responses were included in “Where Are the Women of Color in New Media Art?” This article was originally published on April 7, 2015.  Not long ago I wrote[…..]

Disguise: Masks & Global African Art at Seattle Art Museum

Brendan Fernandes. As One, 2015; HD video loop; 22:54 minutes. Courtesy of the artist.

Museums are constantly devising new platforms to present their permanent collections. Interventions and mining-the-museum have become commonplace curatorial strategies, and institutions frequently turn to contemporary artists to animate, recontextualize, and bring visibility to canonized cultural objects. Disguise: Masks and Global African Art is Seattle Art Museum’s latest attempt to draw connections across temporal, geographic, and cultural lines. Leveraging the museum’s collection of African masks, the[…..]

After Utopia at the Singapore Art Museum

Shen Shaomin. Summit (detail) silica gel simulation, acrylic and fabric, dimensions variable, Singapore Art Museum collection, image courtesy Singapore Art Museum

After Utopia: Revisiting the Ideal in Asian Contemporary Art at the Singapore Art Museum (SAM) explores the dissonance between our innermost longings and the contemporary world we have created. Gunter Grass said, rather gloomily, that melancholy and utopia are heads and tails of the same coin. Imagining perfection, we confront the contradiction between the Arcadia of our imagination and the imperfect realities of our everyday. Featuring eighteen[…..]

Night Begins the Day: Rethinking Space, Time, and Beauty at the Contemporary Jewish Musuem

Laurent Grasso. Soleil Noir, 2014; 16mm film, looped; 11:40. Courtesy of the Artist, Galerie Perrotin, and the Contemporary Jewish Museum, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Mary Coyne reviews Night Begins the Day: Rethinking Space, Time, and Beauty at the Contemporary Jewish Museum in San Francisco.  Night Begins the Day is a meditative,[…..]

Jillian Mayer: Touchers at Aspect/Ratio

Jillian Mayer. 34.11° N, -118.26° W at 53’ inches, 2015; 46.2 x 26 in. Photograph printed on fabric. Courtesy of the Artist, Aspect/Ratio Chicago, and David Castillo, Miami.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Nicole Lane reviews Jillian Mayer: Touchers at Aspect/Ratio in Chicago. Jillian Mayer’s first solo exhibition in Chicago, Touchers, features two photographic works and a video installation[…..]

GIF Studio at the Jepson Center

Nicolas Sassoon. Studio Visit, 2014 (still, detail). Looping GIF. Courtesy of Telfair Museums, Savannah, Georgia.

Within the Jepson Center of the Telfair Museums in Savannah, Georgia, there is a hallway that connects the main atrium to an auditorium, an education center, a small technology gallery, and the restrooms. This hallway gets a significant amount of foot traffic, but it does not provide optimal conditions for exhibiting traditional artwork. However, six flat-screen TVs, a digital projector, and an iPad are currently[…..]

Oscar Muñoz: Sedimentaciones at the University of South Florida Contemporary Art Museum

Oscar Muñoz. Sedimentaciones, 2015; installation view. Courtesy of the Artist, the University of South Florida Contemporary Art Museum, Tampa, and the Ella Fontanals-Cisneros Collection, Miami.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Danny Olda reviews Oscar Muñoz: Sedimentaciones at the University of South Florida Contemporary Art Museum in Tampa.  The gallery is dark save for the surface of three[…..]