New Media

A Clue to The Recovery of Authenticity: Raul Bussot and Kim Hong-Rok in Seoul

Raul Bussot was 5 years old when his family decided to escape Cuba, so he doesn’t remember the details very well.  He remembers his father and two friends assembling a raft in a mangrove forest under the cover of darkness.  He remembers pushing the raft to the beach while keeping an eye out for the Cuban Coast Guard.  He remembers huddling together for warmth out[.....]

#Curating Activism: An Interview with Julio César Morales

Julio César Morales is an artist, curator, and educator who recently left the San Francisco Bay Area to become curator at the Arizona State University Art Museum in Tempe. Morales was an adjunct curator at the Yerba Buena Center for the Arts from 2008-12, where he created “PAUSE: Practice and Exchange,” a series of solo exhibitions by artists including Allan de Souza, Euan Macdonald, and[.....]

“NOW! THAT’S WHAT I CALL ART”: NYC 1993 at the New Museum

Pepon Osorio, "The Scene of the Crime (Whose Crime?)," [Detail] 1993. Mixed medium installation.

NYC 1993: Experimental Jet Set, Trash and No Star is the New Museum’s crash course in the recent history of contemporary art in New York. The exhibition positions 1993 as a signifier for mass cultural change: the thesis being that the events of this year irrevocably directed culture towards its manifestation in 2013. NYC 1993 seems just as concerned, however, with the ways that we[.....]

SEE/SAW :Collective Practice in China Now

Today, we are excited to bring you coverage of SEE/SAW: Collective Practice in China Now at The Ullens Center for Contemporary Art (UCCA) in Beijing, from our partner ArtSpy, a website based in Beijing, P.R.China that is committed to establishing a platform for global artistic information. This article has been translated from Chinese to English. SEE/SAW :Collective Practice in China Now was an exhibition held at Ullens Center[.....]

The Way Beyond Art: Infinite Screens

As a part of our ongoing partnership with Art Practical, today we bring you a feature from writer Genevieve Quick. In her piece, The Way Beyond Art: Infinite Screens, Genevieve explores the 5-channel video installation Hearsay of the Soul, 2012, by acclaimed artist and filmmaker Werner Herzog. As the fourth and final installment of its exhibition series “The Way Beyond Art: Infinite Screens,” the CCA Wattis Institute for Contemporary Arts[.....]

Doug Aitken: 100 YRS

Central to Doug Aitken’s “100 YRS” exhibition at 303 Gallery is a new “Sonic Fountain,” in which water drips from 5 rods suspended from the ceiling, falling into a concrete crater dug out of the gallery floor. The flow of water itself is controlled so as to create specific rhythmic patterns that will morph, collapse and overlap in shifting combinations of speed and volume, lending the physical phenomenon the[.....]

Traveling the universe / inside the human mind.

Imagine: you walk into a white room. One you can only enter wearing some of those sexy, plastic blue shoe protectors. An oversized flatscreen beams bright flickering light at the opposite wall. You sit down in front of the screen. The brightness is of an almost suffocating magnitude – there is so much light your eyes can’t cope. Instead of seeing light you start to[.....]