Performance

Derrick Adams: Network at CAAM

Derrick Adams. Fabrication Station #8, 2016; mixed fabric collage, aluminum hanging rods; 6 x 9 ft. Courtesy of the California African American Museum. Photo: Andy Romer.

Recently many have observed that current American film and television scenarios feel familiar, with offerings that appear diverse and multicultural, as they would have seemed in earlier decades. This is not to say that the struggles of marginalized communities have been overcome; just because a person is visible does not mean that person is liberated. However, media representations can illustrate experiences outside of dominant cultural[…..]

Jimmie Durham: At the Center of the World at the Hammer Museum

Jimmie Durham: At the Center of the World, installation view, Hammer Museum, Los Angeles, January 29 – May 7, 2017. Photo: Brian Forrest.

Among obsidian stones, an upturned police barricade, a beat-up refrigerator, and cow vertebrae, the detail that lingers longest in Jimmie Durham’s retrospective, on view at the Hammer Museum, is Durham’s absence. Born in Arkansas in 1940, Durham left the United States thirty years ago for Europe and has largely refrained from exhibiting in the U.S. since, giving a provocative tone to the retrospective’s title, At[…..]

Ho Tzu Nyen

Today, from our friends at Kadist, we bring you a video interview with Singapore-based artist Ho Tzu Nyen. The artist speaks about their interest in transience, metamorphosis, migration, and the correlation between renaissance painting and their contemporary video work. He reflects on his interest in tracking clouds, stating “this, for me, is a way of tracking an art-historical motif which migrates from the East to the West or[…..]

Red in View at the Whitney Museum of American Art

MPA , Entrance, 2014–2016; Pigmented inkjet print mounted on mat board and painted wood; 7 × 7 in. Courtesy of MPA and the Whitney Museum

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Jasa McKenzie assesses Red in View at the Whitney Museum of American Art. Red in View by MPA aims to explore the potential[…..]

#Hashtags: Masculine-Feminine

Iggy Pop Life Class by Jeremy Deller. Organized by the Brooklyn Museum, February 21, 2016. © Brooklyn Museum. Photo: Elena Olivo.

In response to the Trump administration’s ongoing display of toxic masculinity at work, the Brooklyn Museum’s Elizabeth Sackler Center for Feminist Art has taken the unusual but vital step of incorporating a project about male identity into their “Year of Yes” thematic takeover of the museum. Iggy Pop Life Class by Jeremy Deller is an inquiry into the nature of manhood, corroborated with art-historical artifacts[…..]

This Is Not Iranian

Anahita Razmi. Middle East Coast West Coast, 2014 (video still); HD Video; 23:04.

From our friends at REORIENT, today we bring you Joobin Bekhrad’s conversation with artist Anahita Razmi. Bekhrad and Razmi discuss identity, underwear, and the Pakyan. Razmi states, “I like the idea than an identity is something that one constructs, something that is at all times flexible and changing.” This article was originally published January 3, 2017. What was I doing near Trafalgar Square? I don’t know.[…..]

Odd Jobs: Jade Gordon/My Barbarian

Odd Jobs is a column exploring artists’ varied and untraditional career arcs. For this installment, I spoke with Jade Gordon. She earned an MA in Applied Theater from University of Southern California (USC), has taught at California Institute of the Arts (CalArts) and the Stella Adler Academy, and is a co-owner of Wombleton Records. In 2000, with Malik Gaines and Alexandro Segade, she formed My[…..]