Performance

Connecting Intentionally: The Beginning of Blights Out

Blights out began in 2014 during Prospect.3: Notes for Now with Artist Lisa Sigal’s nstallations on houses in New Oreleans’ mid-city neighborhood. Courtesy of the Artist and Blights Out, New Orleans.

From our friends at Pelican Bomb, today we bring you an interview with Blights Out, a New Orleans project that “prioritizes transparency, interdisciplinary collaboration, community involvement, and creativity.” Blights Out is New York–based artist Lisa Sigal, New Orleans artist Carl Joe Williams, and arts activist Imani Jacqueline Brown. Author Rosemary Reyes says, “Blights Out looks to ignite conversations around the rapid economic development in New Orleans by ‘performing[…..]

He Yunchang: Water Forming Stone at Ink Studio

He Yunchang. Inner Sanctuary, 2015. Courtesy of INK Studio.

A clear and joyful light floods the inner gallery of Ink Studio in Beijing, where He Yunchang performed a series of three grueling new works in his exhibition Water Forming Stone. Light dances through candy-colored drinking glasses that are suspended in midair over a pedestal of simulated crystals and jade. It radiates off of the warm white walls cleverly composed of cardboard shipping boxes and[…..]

From the Archives – Women’s Work at Smith College Museum of Art

Carolee Schneeman. Eye Body #1, 1963–79; gelatin-silver print with hand coloring and scratching; 14 in x 11 1/2 in. Courtesy of Smith College Art Museum, purchased with the Judith Plesser Targan, class of 1953, Fund.

We were delighted to see art-world activists the Guerrilla Girls on the Late Show with Stephen Colbert to promote their exhibition at the Walker, which opened last week (on view until December 31, 2016). To round out the historical context of second-wave feminism from which the Guerrilla Girls emerged, today we bring you Lia Wilson’s review of Women’s Work: Feminist Art From the Collection at[…..]

Marilyn Arsem: 100 Ways to Consider Time at MFA Boston

Marilyn Arsem: 100 Ways to Consider Time at the Museum of Fine Arts Boston, performance still. Image Courtesy the artist and the Museum of Fine Arts Boston.

I visited the Museum of Fine Arts in Boston on the 68th day of Marilyn Arsem’s 100-day-long performance exhibition, 100 Ways to Consider Time. The premise behind Arsem’s exhibition (which exists, it seems, as one piece or work) is that the artist will be on-site, situated in a gallery inside the museum, for each of the 100 days of the show. As the museum is[…..]

Body Politic: Jill J. Tan interviews Eiko Otake

Photo: William Johnston. Courtesy of the Artist.

Eiko notes in the following interview, “I am using my body as a constant.”

From the Archives – #Hashtags: Whose Museum Is It Anyway?

Installation view of Mike Kelley at MoMA PS1, 2013. Photo: Matthew Septimus.

Here at Daily Serving, we keep an eye on the ways an exhibition’s impact changes depending on geographical location. With a recent editorial on what 30 Americans means in Detroit and December’s protest of omitting artists of color in Art AIDS America at the Tacoma Art Museum in mind, today we bring you Anuradha Vikram’s observations on shifting context, intended audiences, and racialized access to and[…..]

Best of 2015 – Interview with Johanna Hedva

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For today’s installment of our Best of 2015 series, Art Practical editor Jen Stager writes, “Stills from Johanna Hedva’s Medea offer up intimate views so at odds from sitting with other audience members in an outer ring of the Theater of Dionysos in Athens. I am always drawn to adaptations of Greek plays for what they choose to change. Medea is often described as a[…..]