Performance

Interview with Johanna Hedva

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Johanna Hedva is a Los Angeles-based artist and writer whose recent piece She Work was performed at d e e p s l e e e p, a private apartment in Los Angeles, from July 11­–26, 2015. She Work is a queer adaptation of Euripides’ play Medea, in which Jason abandons Medea and their children, marrying a Greek princess to advance his political position. Medea[…..]

Makeover at Southern Exposure

Members of Mutant Salon, 2015. Courtesy of the Artists.

From our partners at Art Practical, today we bring you a review of Makeover at Southern Exposure in San Francisco. Author Mary Anne Kluth notes: “At a time of massive change in the demographics and urban shape of the Mission District […] the works in Makeover collectively acknowledge that life can be messy, but encourage or demonstrate ideals of exchange and openness, and emphasize approaching problems with a sense[…..]

From the Archives: Pierre Huyghe at LACMA

Pierre Huyghe. Untitled (Human Mask), 2014. Film. Courtesy of the artist; Hauser and Wirth, London; Marian Goodman Gallery, New York; Esther Schipper, Berlin; Anna Lena, Paris. © Pierre Huyghe

This month marks the opening of the first major Australian solo exhibition of Pierre Huyghe’s work at the TarraWarra Museum of Art, so today we revisit this review by Alex Bigman, who assesses the humor and mythology of Huyghe’s retrospective at the Los Angeles County Museum of Art. This article was originally published on January 21, 2015. There is a scene in Pierre Huyghe’s shadowy, dreamlike film The Host and[…..]

Disguise: Masks & Global African Art at Seattle Art Museum

Brendan Fernandes. As One, 2015; HD video loop; 22:54 minutes. Courtesy of the artist.

Museums are constantly devising new platforms to present their permanent collections. Interventions and mining-the-museum have become commonplace curatorial strategies, and institutions frequently turn to contemporary artists to animate, recontextualize, and bring visibility to canonized cultural objects. Disguise: Masks and Global African Art is Seattle Art Museum’s latest attempt to draw connections across temporal, geographic, and cultural lines. Leveraging the museum’s collection of African masks, the[…..]

Evan Calder Williams: T-1 at Artists Space

Evan Calder Williams. T-1, 2015; performed at Artist Space on July 21, 2015.

Ice, compromised vision, and colonial geography: These formed the conceptual scaffolding that supported Evan Calder Williams’ live essay, T-1, performed at Artists Space on July 21, 2015.[1] Despite the three subjects’ ostensibly divergent histories, Calder Williams wove them into a complex web that expanded into several narratives that highlighted epiphanic and unexpected connections. The dynamic multimedia event—comprising video, text, and images projected on perpendicular screens,[…..]

Radical Presence: Black Performance in Contemporary Art at YBCA

Senga Nengudi. R.S.V.P., 1975–78; nylon, sand, and mixed media; dimensions variable. Courtesy of the Artist and Thomas Erben Gallery, New York.

From our partners at Art Practical, today we bring you a review of Radical Presence: Black Performance in Contemporary Art at Yerba Buena Center for the Arts in San Francisco. Author Brian Karl notes: “The urgent need to collect and re-present this work—not in a static archive but in a living arena—stems from the continuing conditions of marginalization, oppression, and worse that black people have suffered over[…..]

The James & Audrey Foster Prize at ICA Boston

Sandrine Schaefer. Acclimating to Horizontal Movement (Wandering with the Horizon), 2015; performance. Courtesy of the Artist. Photo: Nisa Ojalvo.

Until now, the ICA Boston’s Foster Prize has been relatively traditional. It begins with the museum’s announcement of a short list of artists who participate in its biennial. From there, an independent panel of judges selects one winner, who walks away with a cash prize. This year’s Foster Prize is different. The ICA’s Associate Director of Performing Arts, John Andress, and Senior Curator, Jenelle Porter,[…..]