Photography

Question Bridge: Black Males in America

Question Bridge: Black Males in America (Aperture/Campaign for Black Male Achievement, 2015)

Today we bring you an excerpt from Art Practical’s Printed Matters column. Roula Seikaly reviews Question Bridge: Black Males in America, the published companion to a project, platform, and installation that regards identity and representation. Seikaly notes, “Asking a question […] can be difficult; it can imply lack of knowledge and experience, rendering the asker vulnerable. No one wants to be caught out, least of all when the questions address identity, community, and most urgently,[…..]

Five Emerging Artists from Bangladesh

Rasel Chowdhury. Railway Longings, 2011-2015. Courtesy of the Artist, Dhaka Art Summit, and Samdani Art Foundation. Photo: Jenni Carter

In Bangladesh, the 2016 Samdani Art Award exhibition (one of seven shows that was part of the Dhaka Art Summit) provided a survey of some of the most engaging young artists working there. Daniel Baumann, director of Kunsthalle Zürich, selected thirteen artists from over 300 applicants. In his introduction to the show, Baumann wrote that he had the sense that “something was going on there”[…..]

William Koone: 10:10 at City Limits

William Koone. 10:10, 2016; installation view, City Limits, Oakland. Courtesy of the Artist and City Limits. Photo: Kristine Eudey

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Colin L. Fernandes reviews William Koone’s solo exhibition 10:10 at City Limits gallery in Oakland, California. For his exhibition at City Limits[…..]

Radiohalo at Blain|Southern

Michael Joo. Radiohalo, 2016; installation view. Courtesy of the Artist and Blain|Southern, London. Photo: Peter Mallet.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Adam Monohon reviews Michael Joo’s Radiohalo at Blain|Southern in London. At the center of debate between creationists and the scientific community over[…..]

From the Archives – Fan Mail: Wendy Given

Wendy Given. On Myth and magic No. 14: Chrysalis, 2010: C-print; 40” x 60” inches. Photo courtesy of the artist.

Today we’re looking back at our Fan Mail series to reconsider the work of artist Wendy Given, who “uses the component parts of a visual language used for telling folkloric tales that are, as the artist says, ‘inspired by narrative literature from all over the world.’” Given recently had work in an exhibition at the Autzen Gallery at Portland State University, and in April 2016[…..]

Printed Matters – Daniel Coburn: The Hereditary Estate

Daniel Coburn. The Matriarch, from The Hereditary Estate, Kehrer Verlag, 2014.

Today from our partners at Art Practical, we bring you Larissa Archer’s review of the photography book The Hereditary Estate by Daniel Coburn. The author writes, “It’s the eyes of Coburn’s subjects that will haunt you. The elders seem to have seen everything, leaving them with marked brows and broken hearts. The younger adults seem by turns thoughtsick and mistrustful to downright hardboiled and malicious. The children, however,[…..]

Mike Bray: Light Grammar/Grammar Light at Fourteen30 Contemporary

Mike Bray. ​The Necessity to Interfere with Movement​, 2016; light stands, ​acrylic, neon;​ 60​ x ​78​ x ​6​ inches. Courtesy of the Artist and Fourteen30 Contemporary.

The mechanics of grammar are the starter set of must-know rules for uniform speaking. They are the basic regulations without which language can be rendered clumsy beyond comprehension. Artist Mike Bray engages with these mechanics through his video, photographic, and sculptural works. At first concerned with the logistics of light and form on a fundamental level, Bray’s works expand to make visible their potential through[…..]