Photography

Deana Lawson & Henry Lawson

Henry Taylor. 
Where Thoughts Provoke, Getting Deep In Shallow Water, 2015; acrylic on canvas; 36 × 36 inches. Courtesy of the Artist and Blum & Poe, Los Angeles/New York/Tokyo.

Today from our friends at BOMB Magazine, we bring you a conversation between artists Deana Lawson and Henry Lawson. They speak about the commonalities of their practices, their travels, and the importance of color in their work. Lawson says of her photographs, “I often think of Carrie Mae Weems’s titles in the Colored People series, in which she names the nuances of black and brown bodies[…..]

From the Archives – Malick Sidibé

Malick Sidibé. Untitled, 1969/2004; silver gelatin print, hand-painted wooden frame. Courtesy of the Artist and Jack Shainman Gallery.

This week at Daily Serving we’re remembering the life and work of photographer Malick Sidibé (1935–2016), whose studio portraiture and candid images of nightlife in Mali during the 1960s and ’70s recorded a powerful time for the recently liberated country. As author Lia Wilson comments in her 2014 review, Sidibé’s photographs “chronicle a flourishing of human hope, ambition, and newfound opportunity” while remaining timeless. This article[…..]

From the Archives – Wynne Neilly: Female to “Male” at Ryerson Image Centre

Wynne Neilly. January 24th 2014-24th Shot, 2014; Fuji Instax Film; 4 ¼ x 3 ¼ in. Courtesy of the Artist and Ryerson Image Centre. Photo: Wynne Neilly.

Although International Transgender Day of Visibility was over a week ago (March 31), the need to show support for the transgender community only increases in urgency with the recent passing of anti-LGBTQ laws in North Carolina and Mississippi. Today at Daily Serving we’re thinking about the importance of amplifying trans narratives, including visual stories of personal experiences. As Shauna Jean Doherty shares in this Shotgun Review of[…..]

Shiny Happy People: Interview with Reem Al Faisal

Reem Al Faisal. Zaheera.

From our friends at REORIENT, today we bring you an interview with the Saudi photographer, gallery owner, journalist, and princess Reem Al Faisal. Author Joobin Bekhrad talks with Faisal about her most recent solo exhibition, Nass [People], color, and being a woman photographer in “a man’s world.” This piece was originally published on March 1, 2016. It’s early in the morning, and, amidst news of escalating tensions between Iran[…..]

Question Bridge: Black Males in America

Question Bridge: Black Males in America (Aperture/Campaign for Black Male Achievement, 2015)

Today we bring you an excerpt from Art Practical’s Printed Matters column. Roula Seikaly reviews Question Bridge: Black Males in America, the published companion to a project, platform, and installation that regards identity and representation. Seikaly notes, “Asking a question […] can be difficult; it can imply lack of knowledge and experience, rendering the asker vulnerable. No one wants to be caught out, least of all when the questions address identity, community, and most urgently,[…..]

Five Emerging Artists from Bangladesh

Rasel Chowdhury. Railway Longings, 2011-2015. Courtesy of the Artist, Dhaka Art Summit, and Samdani Art Foundation. Photo: Jenni Carter

In Bangladesh, the 2016 Samdani Art Award exhibition (one of seven shows that was part of the Dhaka Art Summit) provided a survey of some of the most engaging young artists working there. Daniel Baumann, director of Kunsthalle Zürich, selected thirteen artists from over 300 applicants. In his introduction to the show, Baumann wrote that he had the sense that “something was going on there”[…..]

William Koone: 10:10 at City Limits

William Koone. 10:10, 2016; installation view, City Limits, Oakland. Courtesy of the Artist and City Limits. Photo: Kristine Eudey

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Colin L. Fernandes reviews William Koone’s solo exhibition 10:10 at City Limits gallery in Oakland, California. For his exhibition at City Limits[…..]