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Fan Mail: Rachel Foster

Rachel Foster. Smoke Signals, 2015; screen-print; 12.5 x 19 inches. Courtesy of the Artist.

Rachel Foster’s work inhabits an enigmatic territory in which image and object merge. Her screen prints are composed with subtle colors, unexpectedly cropped images, and positive and negative space. Her prints float at the edge of representation, showing just enough detail to be recognizable while retaining a sense of mystery. Smoke Signals (2015) achieves a ghostly afterimage effect by leaving space for the viewer to[…..]

Entang Wiharso: Never Say No at Singapore Tyler Print Institute

Entang Wiharso. Shelter: Forest of Eyes, 2015; Aluminium sheet, laser cut, C-type print; 127 × 184 × 3 cm. Courtesy of STPI.

Set in profile, a man casts a doleful eye on a smaller figure that perches on his forehead and pulls insistently at his tongue, while a miniature chainsaw balances threateningly on his head. The palm of his hand is pierced with a plant-like dagger, and little bodies tumble out feet-first from the bottom of his torso, already bearing knives and swords in preparation for a skirmish.[…..]

William Larson: Fireflies at Gitterman Gallery

William Larson. Untitled, 1971; electro-carbon print; 11 x 8 ½ in. © William Larson. Courtesy Gitterman Gallery.

The constant stream of digital information traveling around us over wires and airways is an increasingly recognized phenomenon. Over the past two decades, many artists have begun exploring the seemingly limitless possibilities of digital communication. However, long before the integration of once-mysterious electronic media into the art world in the 1990s, William Larson used a Graphic Sciences DEX 1 Teleprinter to produce some of the[…..]

Ewa Stackelberg: Fotogram at Fotografiska

Ewa Stackelberg. Divan Grottan, 2011; photogram; Divan series. Courtesy of Ewa Stackelberg and Fotografiska.

In October 1997, Ewa Stackelberg’s husband died in a plane accident in Costa Rica. Among the belongings sent to her after the tragedy was her husband’s camera, which had been smashed to pieces in the crash—almost like a foreshadowing of the turn that Stackelberg’s life and practice would take in the years to come. In the search for a new artistic language to express her grief,[…..]

Ding Yi: Ivory Black at ShanghArt

Ding Yi. Appearance of Crosses-13, 2013; acrylic on canvas; 140 cm x 200 cm. Photo: Courtesy of the Artist and ShanghArt gallery Singapore.

“Grids punctured with crosses in varying patterns” is perhaps the best—and admittedly, the most simplistic—way of summing up Ding Yi’s oeuvre. Ivory Black at the ShanghArt gallery is his latest iteration of these basic, severely geometric forms, in varying shades of blue, black, and white hues, distinguished only by date and serial number. Like an astronomer’s chart of the night sky, Ding’s gridded, ordered forms[…..]

Ann Hamilton: The Common S E N S E at Henry Art Gallery

Ann Hamilton, the common S E N S E, 2014, courtesy of Henry Art Gallery, Seattle. Photo: Jonathan Vanderweit.

I was instantly drawn to the Siberian Rubythroat. It must have been the vibrant red flash of exposed underbelly that first caught my eye, but it was the bird’s placement that focused my attention, a diminutive creature adrift in a mauve fog. The Rubythroat is just one of 200 animal specimens that have been scanned, printed in multiple, and hung in a mosaic of thick[…..]

Everything is Intertwined: Jay Kinney’s Gnosis Magazine

left to right: Bijou Funnies #1 (Fall 1968), illustration Jay Lynch;
page from Bijou Funnies #1 (Fall 1968) [all images courtesy Jay Kinney]

On Wednesday, the forty-eight-year-old San Francisco Bay Guardian announced that it would shut its doors, effective immediately. A report on the Bay Area blog SFist quotes SFBG publisher Glenn Zuehls as saying, “Unfortunately, […] the obstacles for a profitable Bay Guardian are too great to overcome.” This, despite the SFBG’s wide popularity and the vast wealth that exists in the region.  The circumstances of this terminus are echoed in an interview between Art Papers‘ Editor/Artistic Director[…..]