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Marie Orensanz: Works from the ‘70s at Alejandra von Hartz Gallery

Marie Orensanz. Marie Orensanz: Works from the ‘70s, 2014; installation view, Alejandra von Hartz Gallery, Miami. Courtesy of Alejandra von Hartz Gallery.

“Fragmentism searches for the integration of a part into a whole, transformed by its multiple readings, into an unfinished and unlimited object.” So declares Argentinian artist Marie Orensanz’s Manifesto Fragmentismo, which appears on a 1978 print in her current exhibition at Alejandra von Hartz Gallery in Miami. The print exists both as a work itself and as a framework in which to view the various[.....]

Mixed Messages.4 at Antenna Gallery

Jave Yoshimoto. Bear My Shame, 2010; Gouache on Paper; 14" x 17". Courtesy of Antenna Gallery and the Artist. Photo: Jerald White.

Just over forty-seven years ago this month, it was illegal for interracial couples to marry in sixteen states throughout the United States. Richard and Mildred Loving, the serendipitously named couple, were married in 1958 and then promptly arrested under anti-miscegenation laws. The legacy of Loving v. Virginia, the landmark decision of the Supreme Court to strike down race-based restrictions on marriage, reverberates clearly on the[.....]

Rirkrit Tiravanija: Time Travelers Chronicle (Doubt): 2014 – 802,701 A.D at Singapore Tyler Print Institute

Rirkrit Tiravanija. Sixth chapter: take the spin off, unwind, reverse directions, and shatter the bonsai, on the way back don't forget to smile, 2013; screen print, metal foil, cast paper, STPI handmade cotton paper, stainless steel pedestal, 3D printed object; 259.5 x 259.5 cm; 4 sheets. Image courtesy of Singapore Tyler Print Institute.

“There is no difference between Time and any of the three dimensions of Space except that our consciousness moves along it.”—H.G. Wells, The Time Machine (1895) In 1992, Rirkrit Tiravanija converted the spaces of 303 Gallery in New York into a kitchen where he served rice and Thai curry to a crowd that became unwitting participants in a hybrid installation titled Untitled (Free). Seven years[.....]

Isa Genzken: Retrospective at MCA Chicago

Installation view, Isa Genzken: Retrospective, MCA Chicago. April 12-August 3, 2014. Photo: Nathan Keay, © MCA Chicago.

Perhaps the most striking aspect of Isa Genzken: Retrospective—an expansive four-decade survey of the German artist’s work at MCA Chicago featuring sculpture, film, installation, painting, and photography—is the fact that it was all made by the same person. Over the course of her career, Genzken has successfully assimilated a wide array of styles without losing sight of a handful of core concerns: architectural structure, the[.....]

Remembering the Dead

Joseph Grigely. The Gregory Battcock Archive, 2009-2014; Installation view, Whitney Museum of American Art.
Courtesy of Air de Paris, Paris. Photo: Andrés Ramírez.

From our friends at Bad at Sports, today we bring you another assessment of the Whitney Biennial, which closes this coming Sunday. Author Jessica Cochran examines the archival nature of the current exhibition and notes, “…as the art world grows ever bigger in size and speed, one can only hope that the Whitney Biennial continues to make room for the discursive, textual, and ‘tossed-aside particulars.’” This[.....]

Michael Craig-Martin: Objects of our Time at Alan Cristea Gallery

(from left to right) Michael Craig-Martin. Objects of our Time: Takeaway coffee, 2014; Objects of our Time: Memory stick, 2014; both works, series of 12 screenprints, edition of 50; 50.0 x 50.0 cm. Courtesy the Artist and Alan Cristea Gallery. NPC.

Is a glass of water just a glass of water? Consider it for a fraction of a second and suddenly the glass of water carries a lot of Kosuthian baggage—the mind attaches a label to it, compares it to an ideal, then judges its function, and its value changes. Deconstruct the contextual outcome of that mental layering, and the glass of water not only offers[.....]

Borna Sammak: All Dogs Are Pets at JTT

Borna Sammak. All Dogs Are Pets, 2014; installation view, JTT, New York. Courtesy of the artist and JTT.

All Dogs Are Pets, Borna Sammak’s current solo exhibition at JTT, presents sculpture, painting, and video full of glowing references to 1990s American suburbia. Trafficking in the humorous young boys’ fare of canceled Nickelodeon cartoons, Sammak’s pieces are composed of sometimes repurposed, sometimes refabricated objects you might find at a Wal-Mart or strip-mall store. His work draws from the cultural garbage can, creating an aesthetic[.....]