Print

From Minimalism into Algorithm at the Kitchen

From Minimalism into Algorithm, Phase 2; 2016; installation view, The Kitchen. Featuring works by John McCracken, Zoe Leonard, Andrea Crespo, and Cheyney Thompson. Courtesy of The Kitchen. Photo: Jason Mandella.

In a 1966 review, Rosalind Krauss described how one of Donald Judd’s “progression” wall reliefs pulled the rug from under her. Its intervallic sequence of supporting members suggested a Renaissance colonnade, but its variable spacing negated the compositional and spatial logic that this model prepared her to expect. “The work itself exploits and at the same time confounds previous knowledge to project its own meaning,”[…..]

Printed Matters – Daniel Coburn: The Hereditary Estate

Daniel Coburn. The Matriarch, from The Hereditary Estate, Kehrer Verlag, 2014.

Today from our partners at Art Practical, we bring you Larissa Archer’s review of the photography book The Hereditary Estate by Daniel Coburn. The author writes, “It’s the eyes of Coburn’s subjects that will haunt you. The elders seem to have seen everything, leaving them with marked brows and broken hearts. The younger adults seem by turns thoughtsick and mistrustful to downright hardboiled and malicious. The children, however,[…..]

Raiders and Empires

Stephanie Syjuco. Empire/Other: Morphset E, 2013 (video still); 3D animated video. Courtesy of the Artist and FLACC Workplace for Visual Artists, Belgium.

In these projects Syjuco harnesses technologies of distribution and reproduction—the web, photography, and 3D scanning and printing—to create objects that reveal the tangled history of colonization and cultural hybridization.

La Ceiba Gráfica: Stamps of a Decade at Museo Nacional de la Estampa

La Ceiba Gráfica's press. Courtesy of Museo Nacional de la Estampa. Photo: Museo Nacional de la Estampa.

On the outskirts of Coatepec—a small, foggy town, located in the forests of Veracruz and known for its coffee production—lies a former hacienda in the village of La Orduña. Built in the 16th century, this magnificent building currently fosters one of Mexico’s most interesting community printmaking centers, La Ceiba Gráfica, which was established in 2005. To commemorate the organization’s first decade, the Museo Nacional de[…..]

Manjunath Kamath: As Far As I Know at the SCAD Museum of Art

Manjunath Kamath. As Far As I Know, 2015; installation view, Savanna College of Art and Design Museum of Art, Savannah, Georgia. Courtesy of the SCAD Museum of Art.

The humorous pathos in the work is readily apparent, from the rabbits’ curiosity exposing them to deadly exhaust to a car dying and ascending to heaven.

Fan Mail: Ashley Pastore

Ashley Pastore. Real Women Make Their Mark; pen, tea, cut magazine; 40 x 32 in. Courtesy of the Artist.

Ashley Pastore has a thing for old science and life magazines. Poring over dated issues of National Geographic, Pastore has come to appreciate the visual aesthetic and color palette of print from the ’50s to ’80s, which she describes as being rich, deep, and full-bodied. After scouring Craigslist and rummaging through random thrift stores, the artist now has a sizable collection of vintage magazines that[…..]

Özlem Altin at Kiria Koula

Özlem Altin. Sleeping statue, 2013; print on litho paper; 27 ½ x 22 in. Courtesy of the Artist and Kiria Koula, San Francisco. Photo: John White.

From our partners at Art Practical, today we bring you a review of Özlem Altin’s current solo show at Kiria Koula in San Francisco. Author Zachary Royer Scholz declares: “Özlem Altin’s exhibition at Kiria Koula is a wonderful rarity. It does not present viewers with clear answers because it is not the finished result of an exploration. It is an exploration in progress, in which viewers participate—a generous[…..]