Hammer Projects: Simone Leigh

Simone Leigh. "Althea", 2016; Terra-cotta, India ink, porcelain, cobalt and epoxy. Courtesy of the Artist and the Hammer Museum. Photo: Brian Forrest.

Colony Little explores Simone Leigh’s first West Coast solo exhibition at the Hammer in Los Angeles.

If You Don’t Know Me By Now, You Will Never Never Never Know Me at Fundacja Arton


In light of Monday’s women-led strike in Poland, in which thousands of people in over sixty cities gathered to protest the government’s proposal to completely ban abortion, If You Don’t Know Me By Now, You Will Never Never Never Know Me at Fundacja Arton seems exceptionally prescient. The exhibition brings together seven works of film or video made by women between the years of 1973[…..]

From the Archives – Sharon Lockhart: Lunch Break at SFMOMA

Still image from Sharon Lockhart, “Lunch Break (Assembly Hall, Bath Iron Works, November 5, 2007, Bath, Maine),” 2008; 35mm film transferred to HD, 80 min.; courtesy the artist and Blum & Poe, Los Angeles; © Sharon Lockhart.

Today from our archives we bring you a review of Sharon Lockhart’s most recent solo exhibition at the San Francisco Museum of Modern Art: “The beauty of Lunch Break is that its attenuated moments make it difficult to lock onto a single interpretation,” wrote author Rob Marks. This evening Lockhart is presenting a lecture at California College of the Arts in San Francisco as part of[…..]

Sophia Al-Maria: Black Friday at the Whitney Museum of American Art

Sophia Al-Maria. Black Friday (still), 2016; digital video projected vertically, color, sound; 16:36. Collection of the Artist. Courtesy of Anna Lena Films, Paris, and The Third Line, Dubai.

In George Romero’s Dawn of the Dead (1978), a character posits that the zombies are flocking to the mall because of “[s]ome kind of instinct. Memory. It’s what they used to do. This is an important place in their lives.” As Romero’s zombies siege the mall, the filmmaker critiques consumerism and how it has penetrated the human condition. The mall acts as a refuge, housing[…..]

Fiamma Montezemolo: The Secret at Kadist, San Francisco

Fiamma Montezemolo. Neon Afterwords (The Secret installation view), 2016; LED lights and text. Courtesy of the Artist and Kadist, San Francisco. Photo: Jeff Warrin.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Leila Easa reviews Fiamma Montezemolo: The Secret at Kadist in San Francisco. Like many other fascinating thought exercises, artist and anthropologist Fiamma[…..]

Paul Stephen Benjamin: God Bless America at Poem 88

Paul Stephen Benjamin. God Bless America, 2016; 3-channel video installation, sixty-five video monitors, DVDs, cables, and cords; installation shot. Courtesy of Poem 88, Atlanta, GA. Photo: Robin Bernat.

Paul Stephen Benjamin’s current video installation at Poem 88 in Atlanta, Georgia, God Bless America (2016), is a monument to the ambiguous relations between cultural achievement and state patriotism within the contemporary African American political experience.[1] Read against the traumatic history—and current iterations—of racial terror, state violence, and surveillance leveled systematically at Black Americans throughout our nation’s history, God Bless America’s synthesis of flickering and[…..]

From the Archives – Anthony Discenza Presents A Novel: An Exhibition by Anthony Discenza at Catharine Clark Gallery

Anthony Discenza.

Fiamma Montezemolo’s The Secret just opened at Kadist SF, and Montezemolo’s solo show has us thinking about books, selves, and Borges. Just as Montezemolo deploys redaction of and extraction from Jorge Luis Borges’ short story “The Anthropologist” to draw us into The Secret, so did Anthony Discenza create what has been described as a Borgesian universe (that leads off with a quotation from Borges) of[…..]