Reviews

Robert Frank in America at Cantor Arts Center

Robert Frank. Detroit, 1955; gelatin silver print, 8 ½ x 13 in. Courtesy of Cantor Arts Center at Stanford University. © Robert Frank.

From our partners at Art Practical, today we bring you a review of a new exhibition of Robert Frank’s photographs at the Cantor Arts Center at Stanford University. Though these photographs are now sixty years old, they are still surprisingly relevant; author Danica Willard Sachs remarks, “Through revealing details, Frank charts the uneasy political geography of a vast country on the verge of change.” This[…..]

Best of 2014 – Shotgun Reviews: From Two Arises Three at the Asian Art Museum

Michael Cherney and Arnold Chang. After Huang Gongwong 4, 2009 (detail); photographic inkjet print and ink on paper. From the collection of Akiko Yamazaki and Jerry Yang. Courtesy of the Artist and Asian Art Museum. Photo: Jing Cao.

As we continue our look back over the year, today’s Best of 2014 selection comes from Kara Q. Smith, who writes, “Shotgun Reviews are one of my favorite ways to hear about exhibitions from near and far. They are a way for those who aren’t regular contributors to Art Practical and Daily Serving to publish with us. Jing’s review lucidly weaves descriptions with analysis, allowing[…..]

Best of 2014 – Fan Mail: Wendy Given

Wendy Given. On Myth and Magic No. 5: Eclipse, 2009; C-Print; 17.25” x 26” inches. Photo courtesy of the artist.

For today’s installment of our Best of 2014 series, we have a selection from executive director Patricia Maloney, who writes, “Reading A. Will Brown’s twice-monthly ‘Fan Mail’ series over the past year, one gets a distinct sense of how much fun he has in making his selections and thinking about the work. The opening sentences are often the giveaway: an introduction to the artist by way[…..]

Best of 2014 – Jeff Koons: A Retrospective at the Whitney Museum of American Art

Jeff Koons, Michael Jackson and Bubbles, 1988. Porcelain; 42 x 70 1⁄2 x 32 1⁄2 in. (106.7 x 179.1 x 82.6 cm). Private collection. © Jeff Koons

Today we continue our countdown to the New Year with a selection by regular contributor Matt Stromberg, who explains, “The Whitney’s Koons Retrospective was one of the most talked-about shows of the year. Few write-ups, however, went beyond lauding him as a populist Pop perfectionist, or lambasting him as the personification of a bloated, speculative art market. Alex Bigman’s review offers a more nuanced appraisal, thoughtfully[…..]

Best of 2014 – #Hashtags: Sweet and Low

Kara Walker. A Subtlety, 2014. Site-specific installation at Domino Sugar Factory, Brooklyn, NY. Commissioned by Creative Time. Photo by Rajath Vikram.

Here at Daily Serving we count down the days to the New Year by presenting you with our best writing from the outgoing year. Our first selection, from our 2014 #Hashtags column, comes from Lia Wilson: “Anuradha Vikram’s investigation of Kara Walker’s The Marvelous Sugar Baby is an incredibly deft navigation of the entanglement of race, gender, class, labor, capitol, and representation operating within the work[…..]

Moving Walls 22 / Watching You, Watching Me at Open Society Foundations-New York

Mishka Henner. Dutch Landscapes, 2011;
Archival pigment print.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Mary Coyne reviews Watching You, Watching Me at Open Society Foundations in New York City. Edward Snowden’s revelatory findings of pervasive surveillance by the NSA fundamentally changed[…..]

Howard Fried: The Decomposition of My Mother’s Wardrobe at The Box

Howard Fried. The Decomposition of My Mother's Wardrobe, 2014-2015. Courtesy of the Artist and The Box Gallery. Photo: Fredrik Nilsen Studio.

Carefully orchestrated yet unpredictable, the project has no predetermined solution, only possible actions.