Reviews

Beverly Buchanan: And You May Find Yourself… at Andrew Edlin Gallery

Beverly Buchanan. Old Colored School, 2010; wood and paint; 20.25 x 14.75 x 18.5 in (51.4 x 37.5 x 47 cm). Courtesy Andrew Edlin Gallery.

Though certainly no stranger to the art world, Beverly Buchanan has followed an unusual trajectory in her career and public profile as an artist. Born in 1940 in North Carolina, and raised in South Carolina, she spent much of her childhood accompanying her father, an agricultural scientist, while he visited sharecroppers in far-flung locations throughout the rural South, observing the lives and structures they made[…..]

Teresa Hubbard/Alexander Birchler: Sound Speed Marker at Blaffer Art Museum

Teresa Hubbard/Alexander Birchler. Sunrise Filmset Sunset. 2012. Two Digital Archival Prints, Diptych. 43.5 x 54.5 inches. Courtesy: The Artists, Tanya Bonakdar (New York), and Lora Reynolds Gallery (Austin).

Teresa Hubbard and Alexander Birchler’s multidimensional practice is currently on view in their expansive Sound Speed Marker at the Blaffer Art Museum. The duo’s range of collaborative skills and cinematic investments is present in three video installations—Grand Paris Texas, Movie Mountain (Méliès), and Giant—and in the related photographs and an outdoor sculpture. Using as a backdrop the arid terrain of three Texas towns, Ryan, Paris,[…..]

Jorge Méndez Blake: Topographic transferrals from the Biblioteca Nacional at MUAC

Jorge Méndez Blake. The Topographer. (Marking a Series of Points from the National Library to the University Museum of Contemporary Art), Still, 2015. Courtesy Museo Universitario de Arte Contemporáneo (MUAC).

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. For the next five Sundays, our Shotgun Reviews will come from the finalists for the Daily Serving/Kadist Art Foundation Writing Fellowship in Mexico City. In today’s edition, author Tania Puente reviews the work of Jorge Méndez Blake at the Museo Universitario de Arte Contemporáneo in Mexico City.[…..]

Matt Siegle: Eddie’s Gulch at Park View

Matt Siegle. I wear denim and soiled ripstop. In the canyon I sport white athletic socks, hiking boots bought used from REI parking lot sale—no cheap Reeboks actually. My t-shirt shaded gray with lightly brassy pit stains. The sweat collects at my hairline at the top of my head. Drips the SPF 30 off the tip of my nose. Chem-UVA-UVB droplets collecting on my chest hair, slithering down my core and abdomen and each notch of my spine. With every passing sun-minute my cotton shirt clings to my torso, closely now. The shirt darkening with perspiration, through the weave of the belt and soaking the 501s, dampens my athletic compression shirts, quads, junk, grime, 2015. Acrylic on FSC-certified plasticized bags mounted to acrylic on linen; 43 x 43 in. Image courtesy of Park View and the Artist.

From our friends at Contemporary Art Review Los Angeles, today we bring you a review of Matt Siegle’s solo show at Park View. Author Lindsay Preston Zappas notes, “Maybe this show would’ve been more successful as a book.” This article was originally published on May 26, 2015. The wall pieces presented in Eddie’s Gulch, a new solo show by Matt Siegle at Park View, are very[…..]

Molly Dilworth: 2421 Miles at ALL RISE

Molly Dilworth. 2421 Miles, 2015; Courtesy of ALL RISE. Photo: Max Cleary

“When I worked for the Seattle Times fifteen years ago, our building overlooked this lot,” remarked Molly Dilworth during a recent artist talk. Her project, 2421 Miles, is a 52,000-square-foot earthwork (organized in collaboration with ALL RISE) located on a vacant city block in the heart of downtown. Returning to the site this spring was a homecoming of sorts for the Brooklyn-based artist. The ALL[…..]

Yang Zhichao: Chinese Bible at the Sherman Contemporary Art Foundation

Yang Zhichao
Chinese Bible 2009 (detail)
3,000 found books
Dimensions variable
Image courtesy: The Gene & Brian Sherman Collection, and Sherman Contemporary Art Foundation, Sydney
Photo: Jenni Carter, AGNSW

“Historical experience is written in iron and blood,” said Mao Zedong. In Yang Zhichao’s monumental performance/installation project Chinese Bible at Sydney’s Sherman Contemporary Art Foundation, historical experience is written in thousands of humble, mass-produced notebooks once owned by ordinary Chinese people, their worn covers testament to the weathering of time and the vicissitudes of social change. Ai Weiwei says, “Everything is art. Everything is politics,”[…..]

Theaster Gates: Freedom of Assembly at White Cube Gallery

Ground Rules (Scrimmage), 2015; wood flooring; 100 3/16 x 147 2/16 in. Courtesy of White Cube. Photo: Ben Westoby.

Freedom of Assembly is Theaster Gates’ second solo exhibition with London’s White Cube Gallery. Having won the Artes Mundi prize in January, Gates is currently receiving praise for his installation at this year’s Venice Biennale. Freedom of Assembly comes at a high point in the artist’s career, showing a new tendency to reflect and reconfigure, though by way of a comparatively conventional sculpture and painting show[…..]