Reviews

Feast: Radical Hospitality in Contemporary Art at the Weisman Art Museum

Red76. Occupy Yr. Home Dinner, 2012; performance and installation, Chicago.

The exhibition Feast: Radical Hospitality in Contemporary Art originated with the University of Chicago’s Smart Museum of Art in 2012. Since then, it has had stops at the Blaffer in Houston, SITE Santa Fe, the Gund Gallery at Kenyon College, and is now on view at the University of Minnesota’s Weisman Art Museum. Founded on the idea of examining artists’ invocations of food as a[…..]

Daniel Dallabrida: Building the Noble Ruin at the Anderson Art Ranch

Daniel Dallabrida. Upon Reflection (Life) Fraternitas Misericordia in pace prima del diluvio / At Peace Before the Deluge, 1964–2015; Edition of 15. 100 x 132 in. Courtesy of the Artist and Anderson Art Ranch.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Kristin Carlson reviews Building the Noble Ruin at the Patton-Malott and Gideon Gartner Galleries of Anderson Art Ranch in Snowmass Village, Colorado.  Excavated from iconic gay culture[…..]

(Im)materiel at Headlands Center for the Arts and The Marvelous Real at Mission Cultural Center for Latino Arts

Ingrid Rojas Contreras. Desdoblada, 2014. Mixed-media narrative collage. Courtesy the Artist and Mission Cultural Center for Latino Arts.

Today from our partner site Art Practical, we bring you Lea Feinstein’s review of two related shows now on view in the Bay Area. She remarks, “While many artists are mounting the barricades, engaging in social protest, the artists in these two exhibitions quietly comment on the ironic nature of human life on earth. Their endeavors memorably evoke worlds we cannot see and, in the process,[…..]

Nikita Kadan: Limits of Responsibility at Waterside Contemporary

Nikita Kadan. Protection of Plants, 2014; collage; 39.5 x 54.5 cm (15.5 x 21.46 in). Courtesy of the Artist and Waterside Contemporary, London. NFC.

Hope is a powerful catalyst for change, fueling courage and idealism in equal parts. It projects a vision of a future that is better than the present. Once people are moved with hope, extraordinary things can happen. But what happens to hope when a people are continuously subjugated for over six centuries? If Kiev-based artist Nikita Kadan’s quietly intense installation at Waterside Contemporary is an[…..]

Double Life at the Contemporary Arts Museum Houston

Jérôme Bel. Performance Still from Veronique Doisneau. 2004. Image courtesy of the artist.

In Double Life, now on view at the Contemporary Arts Museum Houston, it is clear that the city is in the midst of becoming one of the most interesting and significant locations for performance art in the southeast—a statement confirmed by the national attention given recently to the performance art collective DiverseWorks, the emergence of the Lone Star Explosion International Performance Art Biennale in 2012, and the[…..]

Oscar Muñoz: Sedimentaciones at the University of South Florida Contemporary Art Museum

Oscar Muñoz. Sedimentaciones, 2015; installation view. Courtesy of the Artist, the University of South Florida Contemporary Art Museum, Tampa, and the Ella Fontanals-Cisneros Collection, Miami.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Danny Olda reviews Oscar Muñoz: Sedimentaciones at the University of South Florida Contemporary Art Museum in Tampa.  The gallery is dark save for the surface of three[…..]

From the Archives – Coco Fusco: Observations of Predation in Humans at the Studio Museum in Harlem

Coco Fusco. Observations of Predation in Humans, 2013. Performance at the Studio Museum of Harlem.

Today, from the archives, we bring you Lia Wilson‘s review of Coco Fusco’s Observations of Predation in Humans, originally performed at the Studio Museum of Harlem in December 2013 for Radical Presence, a survey of performance work by black visual artists. This month, Fusco will be resuming her role as the legendary female chimpanzee psychologist Dr. Zira at Participant Inc., as part of the Performing[…..]