Reviews

Men in L.A.: Three Generations of Drawings at The Box

Paul McCarthy & Benjamin Weissman, Quilting Sessions, 1997-2008 (installation view)

Men in L.A.: Three Generations of Drawings at The Box features a massive collection of over 400 drawings created by artists Naotaka Hiro, Benjamin Weissman, and Paul McCarthy, individually and in collaboration with one another. The title of the exhibition overreaches somewhat—there are not really three generations, but rather three artists separated by less than thirty years in age. Yet what the exhibition does accomplish is[.....]

Sze Tsung Leong: Horizons at Yossi Milo Gallery

Sze Tsung Leong. Lake Michigan, 2012; Chromogenic Color Print; 28” x 48”. Courtesy of Yossi Milo Gallery.

Mexican-born, British-American photographer Sze Tsung Leong photographs vast, spare landscapes from around the world in his ongoing series, Horizons, on view at Yossi Milo Gallery. The arrangement of photos hops from place to place while remaining visually cohesive due to the shots’ shared composition: The horizon line bisects the image at the same point in each photograph, producing the perception of a single line unrolling along the[.....]

William Cordova: Ceiba: Reconsidering Ephemeral Spaces at MDC Museum of Art + Design

Installed in the Freedom Tower in downtown Miami, William Cordova’s exhibition Ceiba: Reconsidering Ephemeral Spaces shares a geopolitical bond with the building in which it is located. Now a venue for Miami-Dade College’s Museum of Art and Design, the Freedom Tower’s original tenant was the Miami News & Metropolis newspaper. After a period of vacancy, it served as an immigration center for Cuban refugees fleeing[.....]

Report from Philadelphia

Cindy Stockton Moore. Installation view, Other Absences, 2014;
Eastern State Penitentiary, Philadelphia

The third-most-popular visitor destination in Philadelphia is a ruined prison: the Eastern State Penitentiary (ESP). Based on the concept of the Panopticon, in which all inmates are housed in a circular building and under the surveillance of guards in a central tower, ESP opened in 1829 and closed in 1971. At the time of its completion, the fourteen-acre complex was the largest construction in the[.....]

From the Archives – Raymond Pettibon: Hard in the Paint at David Zwirner

Raymond Pettibon. No Title (Where's the green...) 2010; 30 x 22 1/8 in.

Today we bring you a treat from our archives, Michael Tomeo’s review of Raymond Pettibon’s 2010 show at David Zwirner in New York. The reprinting of this review is occasioned by Pettibon’s upcoming conversation with Sonic Youth’s Kim Gordon at Strand Book Store on June 25, 2014, in which they’ll chat about his new book Raymond Pettibon: To Wit. This article was originally published on November 17,[.....]

Eric Yahnker: Sticks and Drones at Paradise Row Gallery

Eric Yahnker. Crimea River, 2014, charcoal, graphite and ink on paper, 40 x 30 in. Courtesy of the Artist.

The cleverly titled Sticks and Drones at Paradise Row Gallery is Los Angeles-based artist Eric Yahnker’s London debut. On entering the gallery, viewers are confronted with Daddy Issues (2014), a crudely carved wooden cobra with the words “Daddy Issues” lovingly wood-burned into its hood. With a sequined magenta bow on the middle of its head, it’s the Honey Boo Boo of county-fair handicrafts. “Daddy Issues”[.....]

From the Archives – Post-Fordlândia: A Critical Look at a Failed Development

Factory

Today we bring you a look back at the videos and photographs of Tom Flanagan and Megs Morley, whose project Post-Fordlândia explored the famous village created by Henry Ford in 1928. Author Tori Bush draws parallels between this forsaken 20th-century urban planning project in the Amazon and its counterpart in present-day New Orleans. This article was originally published on September 6, 2012. Post-Fordlândia, the new exhibit[.....]