Sculpture

Hao Ni: Ghost Hit Wall at Yellow Peril Gallery

Hao Ni. window IV, 2015 (detail); windows, stickers, tape, paper, spray paint on glass, acrylic paint on plastic; 48 x 60 x10 in. Courtesy of the Artist.

To enter Hao Ni’s exhibition Ghost Hit Wall, currently on view at Yellow Peril Gallery in Providence, Rhode Island, is to step into a space where the familiar becomes strange and the strange becomes eerily, disconcertingly familiar. Bracingly present yet vaguely surreal, the works—ranging from painting and sculpture to video and mixed-media installation—are installed as a cohesive whole. Yet, as this incisive exhibition makes clear, cohesion[…..]

Leo Saul Berk: Structure and Ornament at Frye Art Museum

Leo Saul Berk. Structure and Ornament, 2014; plywood, acrylic; 120 x 213 x 59 in. Courtesy of the Artist. Photo: Mark Woods.

Can architecture transform lives? Can it transform us? These questions lay the foundation for Structure and Ornament, a solo exhibition of work by Seattle-based artist Leo Saul Berk, on view at Frye Art Museum. Presented in a meandering array of multimedia sculpture, site-specific installation, and video with sound, Berk’s ongoing series is a reflection on his childhood home in Aurora, Illinois—a site formative to his personal and artistic growth. In the[…..]

Ryan Wallace: LD50 at Romer Young Gallery

Ryan Wallace. LD50, 2015; installation view. Courtesy of the Artist and Romer Young Gallery, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Forrest McGarvey reviews Ryan Wallace: LD50 at Romer Young Gallery in San Francisco.  In his first solo show at Romer Young Gallery, New York[…..]

Simon Denny: The Innovator’s Dilemma at MoMA PS1

Simon Denny. New Management, 2014; installation view, Portikus, Frankfurt. Photo: Helena Schlichting. Courtesy of the Museum of Modern Art.

Startup culture is ripe for satire. The tech industry’s social and economic dominance makes it a necessary target, and its penchant for jargon-heavy, wildly inflated rhetoric makes it an easy one. Mike Judge’s HBO sitcom, Silicon Valley, deftly picks the low-hanging fruit, but it hardly needs to. The elevator pitches of most weak-to-average startups on the venture-capital trail, quixotically ascribing revolutionary potential to the most[…..]

Interview with Erica Prince

Some Sense of Comfort With Some Sense of Confusio​​n​, 2014​, (performance still). Courtesy of AUX Performance Space, Philadelphia​.​

Canadian artist Erica Prince would not appreciate the Mattel playhouse I had as a kid, filled with floral furniture, plastic appliances, and female dolls to ensure that the household was running smoothly. Prince’s version, recently on view in Philadelphia, is my playhouse’s conceptual opposite—and that’s a wonderful thing. Prince is more inspired by science fiction than by domesticity. Her sculptures, installations, and drawings have a[…..]

Crafting a Continuum: Rethinking Contemporary Craft at the Houston Center for Contemporary Craft

Sonya Clark. Thread Wrapped in Blue and Brown. 2008. Combs and thread. 45 x 1 x 60 inches. Image courtesy of the Houston Center for Contemporary Craft.

Since the rise of conceptual art practices within the ever-changing terrain of contemporary art, one often encounters the silly assertion that art making has become a market of ideas as opposed to objects. This is, of course, ridiculous: A walk through any art fair or biennial reveals that there are more objects in circulation than ever before, some more thoughtful than others. While dematerialization continues,[…..]

Marte Eknæs and Sean Raspet: Calculus of Negligence at Room East

Sean Raspet. Layer Adjustment (Accident Probability Adjustment), 2015; alterations made to the physical location to increase the probability of an accident while remaining within the scope of existing insurance coverage (May 5–June 21, 2105). Image courtesy of Room East.

True catastrophes cannot be foreseen… True catastrophes are new information. They are, by definition, surprising adventures.—Vilém Flusser, Into the Universe of Technical Images, 1985 With the exception of a small community of daredevils, most people try to avoid disasters. There are, of course, various degrees of risk associated with everything we do that drive our precautions as well as the insurance industry. In general, the[…..]