Sculpture

Juan Acha: Por una Nueva Problemática Artística at Museo de Arte Moderno

Hersúa. Model of Sculptoric Space (Maqueta del Espacio Escultórico) 1979. Photo: Ramiro Chaves.

Juan Acha is finally getting some recognition. Try searching for his texts in English and you will find a handful of articles about his importance, but little directly from the man who remains one of Latin America’s most relevant contemporary art critics and theoreticians twenty-two years after his death in 1995. As a remedy, Juan Acha: Por una Nueva Problemática Artística (Toward a New Artistic[…..]

Amy Reidel: Radar Home, 11.8.13 at the Sheldon Art Galleries

Amy Reidel. Tumor Storm, 2016; loose glitter and colored sand on printed vinyl; dimensions vary. Courtesy of the Artist. Photo: David Johnson Photography

Amy Reidel’s solo exhibition, Radar Home, 11.8.13, takes its name from the date her mother received a doctor’s call. A week later, she was diagnosed with multiple myeloma—an incurable though treatable blood cancer. Though her mother has since recovered and is now cancer-free, this decisive moment in Reidel’s personal life unifies the wide-ranging works of painting, digital prints, video, sculpture, and installation on view at[…..]

Ludovic Duchâteau: In Dreamland at A Stark Project

Ludovic Duchateau. In Dreamland, 2016; installation view, A Stark Project, Berkeley. Courtesy of the Artist and A Stark Project. Photo: Hillary Goidell.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Noah Sudarsky reviews Ludovic Duchâteau: In Dreamland at A Stark Project in Berkeley. French sculptor Ludovic Duchâteau’s first solo show in the[…..]

Best of 2009 – Moby Dick

Moby Dick at the Wattis Institute, 2009.

We are looking back on a decade of Daily Serving’s greatest hits, and today’s selection comes from Shotgun Reviews editor Jen Stager: “‘This great white interior was empty even when it was full, because most of what was in it didn’t belong in it and would soon be purged from it. This was people, mainly, and what they brought with them from outside,’ wrote David[…..]

Follicular: The Hair Stories of Sonya Clark at the Taubman Museum of Art

Sonya Clark. The Hair Craft Project: Hairstyles on Canvas, 2013; silk threads, beads, shells, and yarn on canvas; 29 x 29 inches. Courtesy of the Artist and the Taubman Museum of Art, Roanoke, VA.

Follicular: The Hair Stories of Sonya Clark at the Taubman Museum of Art highlights the historically rich and embodied power of Black hair, demonstrating that hair is a medium as well as a message.[1] For Clark, whose work holds a significant place in the burgeoning discourse of American contemporary craft, Black hair is an aesthetic language on par with the legacies of quilting and textile[…..]

John Buck at Robischon Gallery

John Buck. The Immigration, 2016; jelutong wood, acrylic paint, leather, motors; 114 x 268 x 168 in. Courtesy of Robischon Gallery.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Kate Nicholson reviews John Buck at Robischon Gallery in Denver. John Buck’s colossal kinetic sculptures draw passersby into Robischon Gallery, including families[…..]

Sculptures and People

Gordon Newell. Valley Landing, (date unknown); installation view, Fulton Mall (Fresno, CA). Photo: Elena Harvey Collins, 2016

Today we bring you an Elena Harvey Collins essay from our sister publication, Art Practical. Harvey Collins explores the genius loci of the Fulton Mall in Fresno, California, its history and redevelopment, and the public artworks that surround it. She says “The mall had the feeling of a permanent film set made for the performance of civic life—one steeped in magical realism. ‘I woke up feelin’[…..]