Sculpture

Wael Shawky: Cabaret Crusades at MoMA PS1

Wael Shawky. Wael Shawky: Cabaret Crusades, 2015; installation view, MoMA PS1, New York, featuring marionettes from Cabaret Crusades: The Secrets of Karbala, 2015. Courtesy of MoMA PS1, New York, and Sfeir Semler Gallery, Beirut and Hamburg.

Wael Shawky’s gorgeous cinematography, sets, and marionettes fuse a child-like play with the horrors and complications of war and history.

100° City at City Limits

Joel Dean. Untitled, 2015; Solarbotics Photopopper Photovore V5.0, glass jar; 11" x 7" x 7". Courtesy of the Artist and City Limits, Oakland.

Today from our partners at Art Practical, we bring you Jackie Im‘s review of 100° City, a three-person show at City Limits Gallery in Oakland that “…seeks to challenge, to draw people into these messy conversations about anxiety, about the effects we have on the Earth.” Today is your last chance to see the exhibition, which features works by Jason Benson, Joel Dean, and Erin Jane[…..]

Sequence’s Travels Into Several Notions of the Museum

Richard Serra. Sequence, 2006; weatherproof steel; 153 x 488 x 782 3/17 in. overall and 2 in. thick; installation views at New York MoMA (top left) Photo: Lorenz Kienzle, collection of the artist, © 2007 Richard Serra / Artists Rights Society (ARS), New York, LACMA (top right) Courtesy of the Artist, the Cantor Arts Center (bottom left) Photo: Saul Rosenfield, © 2014–15, with permission of Cantor Arts Center at Stanford University, and SFMOMA’s 85-foot wide by 55-foot long Howard Street gallery (bottom right) Photo: Henrik Kem © 2015.

From our partners at Art Practical, today we bring you an excerpt from Rob Marks’ consideration of Richard Serra’s Sequence, recently moved from the Cantor Arts Center to SFMOMA. Marks notes, “Sequence is massive, particularly when seen from afar. But it becomes something completely different up close.[…] For Jonathan Swift, too, size stood as much for difference as it did for power. The Lilliputians start by seeing[…..]

Heidi Schwegler: Botched Execution at the Art Gym

Heidi Schwegler. Separation Anxiety_04, 2014; concrete; 16 x 16 x 6 in. Courtesy of the Artist and the Art Gym at Marylhurst University.  Photo: Stephen Funk

While walking through her retrospective Botched Execution, Portland-based artist Heidi Schwegler recounted a story about a lost baby boy. He disappeared during the night—last seen falling asleep in bed between his grandparents. In the morning, he was gone. The police arrived to search the home and surrounding area, and they turned up no trace. Hours later, in the bedroom, an officer heard a small cough—a[…..]

Fan Mail: Nicola Dale

Nicola Dale. Model for Ideology VI, 2015; durational performance. Courtesy of Mark Devereux Projects.

Webster’s definition of ideology is: “A system of ideas and ideals, especially one that forms the basis of economic or political theory and policy.” Artist Nicola Dale’s sculptures, performances, and installations are interpretations of this definition of ideology—one of many subjects that Dale explores in her work. Dale often works on one subject or idea for an extended period, in distinctive bodies that incorporate various[…..]

Interview with Ian McMahon

Cascade, 2014; Freestanding cast plaster, used pallets; 40’ x 6’ x 21’ (each side).

Artist Ian McMahon is a material purist who makes monumental sculptures from raw clay and industrial plaster. The resulting works are contradictory in impression—domineering but fragile, familiar while avoiding redundancy. In his most recent exhibitions he has introduced an element of controversy for anyone who has ever engaged with the tedium of delicate materials—the work is made to be broken. Ashley Stull Meyers: Let’s talk[…..]

Diedrick Brackens: This Is Real Life at Johansson Projects

Diedrick Brackens. 10-79, 2015; hand-woven fabric, nylon, chenille, hand-dyed cotton, bleach; 66 x 14 in. Courtesy of the Artist and Johansson Projects, Oakland.

Today from our partners at Art Practical, we bring you a review of This Is Real Life, artist Diedrick Brackens’ current solo show at Johansson Projects in Oakland. Author Anton Stuebner notes, “By invoking […] histories and their associations, Brackens acknowledges that seemingly innocuous devices can produce real and violent effects.” This article was originally published on March 31, 2015. Diedrick Brackens’ show at Johansson Projects, This Is Real[…..]