Sculpture

Fan Mail: Willie Stewart

Willie Stewart. The Love You Withhold is the Pain that You Carry, 2014. Installation view kijidome, Boston, MA. Courtesy of kijidome and the Artist.

Willie Stewart incorporates a broad range of complex, mundane, strange, and dark subject matter and cultural references into his work. His interests and references include extraterrestrials, biker gangs and punk rock groups, German artist Kurt Schwitters’s Merzbau (1931–33), Mike Kelley’s book The Uncanny, and cult films such as Lloyd Kaufman’s Toxic Avenger (1984). Stewart’s sculptures, installations, videos, photographs, and photocollages are all individual works, but each[…..]

Room Full of Mirrors: The Dazzling Life And Legacy Of Monir Shahroudy Farmanfarmaian

Monir. Lightning for Neda, 2009; Courtesy the Artist and The Third Line

Today from our friends at REORIENT, we bring you an excerpt from Nicola Baird‘s feature on the life and work of artist Monir Shahroudy Farmanfarmaian. Baird explains, “Monir’s works present a world wherein everything is moving to transformative effect.” This article was originally published on January 5, 2015; an exhibition of Monir’s works will open in New York at the Guggenheim on March 13, 2015. The artist[…..]

From the Archives – Sarah Lucas: SITUATION Absolute Beach Man Rubble at Whitechapel Gallery

Sarah Lucas. Installation view, 2013 Courtesy Whitechapel Gallery, London, Photo: Stephen White

Here at Daily Serving, we’re excited that Sarah Lucas will represent the UK at the 2015 Venice Biennale. Gregor Muir, a member of the selection panel, was quoted in a recent article, saying, “Having consistently pushed the limits of her practice, there’s a sense that Lucas—seemingly more active than ever—is coming into her own.” We couldn’t agree more, and so today from our archives we’re sharing[…..]

Playing with Fire: Political Interventions, Dissident Acts, and Mischievous Actions at El Museo del Barrio

Adal Maldonado (ADAL). El Spanglish Sandwich, 2000; printed ceramic plate and stand; 8-inch diam. Courtesy of El Museo del Barrio.

Declarations of dissent can manifest in many ways. Playing with Fire: Political Interventions, Dissident Acts, and Mischievous Actions, currently on view at El Museo del Barrio, surveys a range of Latin American and Caribbean artists who through their art practices have voiced their dissent from oppressive cultural forces. The curator, Nicolás Dumit Estévez, frames these artistic impulses as foundational to the history and spirit of[…..]

Loris Gréaud: The Unplayed Notes Museum at Dallas Contemporary

Loris.

From our friends at Glasstire, today we bring you Christina Rees’ review of Loris Gréaud’s current solo exhibition at Dallas Contemporary. Rees describes the choreographed destruction of the work and characterizes the show as “a partial and contrived ruin,” noting that neither the artist nor the visitors seem invested. This article was originally published on January 19, 2015.  I suppose in the event of a chemical attack[…..]

Amanda Turner Pohan: The Signals Are Caressing Us at A.I.R. Gallery

2.	Amanda Turner Pohan. The Signals Are Caressing Us, 2015; installation view, A.I.R. Gallery, Brooklyn. Courtesy of A.I.R. Gallery.

In the back room of A.I.R. Gallery in Brooklyn, a scent dispenser exhales once an hour. A meandering plastic tube connects the dispenser to a six-and-a-half-gallon jug on the floor near the center of the room. The jug contains the concentrated form of a custom-formulated perfume derived from sensors that measured the carbon dioxide exhaled by the artist Amanda Turner Pohan during thirteen unique orgasms.[…..]

Pierre Huyghe at LACMA

Pierre Huyghe. Untitled (Human Mask), 2014. Film. Courtesy of the artist; Hauser and Wirth, London; Marian Goodman Gallery, New York; Esther Schipper, Berlin; Anna Lena, Paris. © Pierre Huyghe

There is a scene in Pierre Huyghe’s shadowy, dreamlike film The Host and the Cloud (2010) in which a woman produces a black rabbit from an unmarked box. No magician, she handles the unexpected animal with a mixture of bewilderment and acute apprehension. Later in the film, she confronts the event during hypnotherapy; then, in a key conversion, she watches her own analysis session performed[…..]