Sculpture

Andrew Birk: Callejero at Anonymous Gallery

Andrew Birk. Callejero, 2016; installation view, Anonymous Gallery, Mexico City. Courtesy the artist and Anonymous Gallery, Mexico City.

Andrew Birk is a gringo. I don’t mention this as an insult—I’m one too, after all—but to give some context to his work. The Portland, Oregon, native has lived in Mexico City since 2011 and has a clear affinity for the cacophony and vibrancy of this dense, sprawling metropolis. It is with the fresh eyes of an outsider that Birk is able to translate the[…..]

The Carnival, The City, and The Sea at Louisiana State University Museum Of Art

Volvick Almonor. Le Bal. 1976. Oil on panel. Image courtesy of the New Orleans Museum of Art and the LSU Museum of Art.

Curated by Xavier University professor Dr. Sarah Clunis, The Carnival, The City, And The Sea seeks to introduce the university’s community to the rich history of 20th-century Haitian painting as it evolved within the Centre d’Art of Cap-Haitien in the 1940s and ’50s, and to the eclectic constellation of styles and aesthetic intentions that continue to shape cultural production in the region.[1] Comprising works on[…..]

Mike Bray: Light Grammar/Grammar Light at Fourteen30 Contemporary

Mike Bray. ​The Necessity to Interfere with Movement​, 2016; light stands, ​acrylic, neon;​ 60​ x ​78​ x ​6​ inches. Courtesy of the Artist and Fourteen30 Contemporary.

The mechanics of grammar are the starter set of must-know rules for uniform speaking. They are the basic regulations without which language can be rendered clumsy beyond comprehension. Artist Mike Bray engages with these mechanics through his video, photographic, and sculptural works. At first concerned with the logistics of light and form on a fundamental level, Bray’s works expand to make visible their potential through[…..]

Noam Rappaport: Dogleg at Ratio 3

Noam Rappaport. Dogleg, 2015; oil, acrylic, high-density foam, paper, canvas; 90 x 55 in. Courtesy of the Artist and Ratio 3, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Justin Mata reviews Noam Rappaport: Dogleg at Ratio 3 in San Francisco. Noam Rappaport’s artwork exists in a continuum of modernist object-making, a growing history of formal exploration.[…..]

John Outterbridge: Rag Man at Art + Practice

John Outterbridge. Case in Point, c. 1970 (from the Rag Man Series); mixed media; 12 x 12 x 24 inches. Collection of the Hammer Museum. Photo: Andrew Zermeño.

In the South Central Los Angeles neighborhood of Leimert Park, an art and social movement is gaining steam. Art + Practice is a community outreach and education center as well as a gallery in partnership with UCLA’s Hammer Museum. Founded by artist Mark Bradford, philanthropist Eileen Harris Norton, and social activist Allan Di Castro, Art + Practice aims to educate and prepare disadvantaged foster youth[…..]

David Ireland at Walter and McBean Galleries

David Ireland. David Ireland, 2016; installation view, Walter and McBean Galleries, San Francisco Art Institute. Courtesy of San Francisco Art Institute. Photo: Gregory Goode.

Wry humor, mystery, and entropy: Today from our partners at Art Practical, we bring you Danica Willard Sachs’ review of David Ireland’s work at the Walter and McBean Galleries at the San Francisco Art Institute. The author notes, “Throughout, Ireland draws our attention repeatedly to the material conditions of each object, the where and how of every action, rooting them in real time and space.” This article was[…..]

Terra Incognita at Art@Archer

Brian Lucas. Seventh Sense, 2015; mixed media on canvas; 36 x24 in. Courtesy of the Artist and Art@Archer, Oakland. Photo: Garrett Caples.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Garrett Caples reviews Terra Incognita at Art@Archer in Oakland. In Terra Incognita at Art@Archer, Derek Fenner, Ava Koohbor, and Brian Lucas—who exhibited together last year at now-defunct Emerald[…..]