Sculpture

Locating Technology: Against Recognition

Zach Blas. Facial Weaponization Suite Communiqué: Fag Face, 2012 (video still); HD video; 08:10. Courtesy of the Artist. Photo: Zach Blas.

From our partners at Art Practical, today we bring you an essay by Emily K. Holmes, who analyzes the work of artist Zach Blas: “Blas creates space for facial-recognition technology to be not only strange, but dangerous and deserving of our critical questioning.” This article was originally published on April 16, 2014. Biometric technologies aim to “authenticate” and “verify” individuals by digitally scanning physical traits on[.....]

Fan Mail: Christopher Manzione

Christopher Manzione. Excavatum Installation View, 2011. Image courtesy of the artist.

Christopher Manzione works with a number of mediums: sculpture, video, performance, drawing, digital rendering, mobile- and web-based applications, digital imaging, and 3D rendering. Across this plethora of forms, Manzione explores the perceived and actual divisions and overlaps between notions of digital vs. analog and organic vs. inorganic, as well as combinations of these two sets. Manzione strives to unite two distant poles without placing a[.....]

Arlene Shechet: Meissen Recast at RISD Museum

Arlene Shechet, Overflow, 2012. © Arlene Shechet. Courtesy of the artist.

Today from our friends at Big Red & Shiny, we bring you a review of Arlene Shechet‘s new works in porcelain at the RISD Museum. Notes author Anya Ventura, “Shechet frees the medium from its servitude to the decorative, allows it to be matter again, draws it back to the body, and puts it in play as a sculptural element.” This article was originally published on April[.....]

International Women’s Day at Night Gallery

Lizzie Fitch. Reach, 2012; Wood, ink on paper, ink on canvas, stain, screws, staples; 71.5 x 48 x 3.25 inches. Courtesy of Night Gallery, Los Angeles. Photo: Lee Thompson.

Night Gallery’s current five-artist exhibition, International Women’s Day, celebrates the holiday by focusing on the legacy of one woman artist in particular, Camille Claudel. Although an accomplished sculptor on her own, she was often overshadowed by her mentor and lover Auguste Rodin, and after suffering a breakdown and destroying much of her work, she spent the last thirty years of her life in an asylum. International[.....]

Sarah Lucas: Nud Nob at Gladstone Gallery

Sarah Lucas.
Chicken Knickers, 2014;
Digitally printed wallpaper.
Photo: David Regen.
Copyright Sarah Lucas.
Courtesy Gladstone Gallery, New York and Brussels

The circulation of images from Sarah Lucas’ Nud Nob, now at Gladstone Gallery, on social media and elsewhere seems bound to be both blessing and curse. On the one hand, shots of enormous concrete penises resting on crushed automobiles, or a series of floor-to-ceiling photographs of a woman consuming a banana, really propagate themselves, which makes for great publicity. But those who encounter these images are[.....]

Art(ists) on the Verge at the Soap Factory

Katie Hargrave, In Poor Tastes Good, 2014; mixed media, dimensions variable. Courtesy The Soap Factory. Photo by Lillian Egner.

Now through April, the sprawling, rough-and-tumble brick spaces of Minneapolis’ Soap Factory are filled with installation projects by five artists—the Art(ists) on the Verge, as it were. It is not quite fair to consider Art(ists) on the Verge as a single exhibition, as there is no curatorial or artistic conceit to cement the various projects into a cohesive entity. The works on view are the[.....]

Fan Mail: Wendy Given

Wendy Given. On Myth and Magic No. 5: Eclipse, 2009; C-Print; 17.25” x 26” inches. Photo courtesy of the artist.

Mythos: fantasy, fiction, legend, saga, parable, fable, narrative, invention, fabrication, yarn. The conceptual distance between myth and the concrete manifestations of mythology is a potentially endless—yet meaningfully orderable—list of synonyms. But with each word the gap shrinks, as mental images of processes and then objects emerge, even if just as puns. Wendy Given is bridging the gaps between the abstract idea of a mythos and[.....]