Our partners at Art Practical are celebrating their sixth annual Shotgun! issue, so today we bring you Monica Westin’s review of Misako Inaoka: Fractured Fauna at Johansson Projects. This article was originally published on September 25, 2014. Misako Inaoka’s menagerie of upholstered animal sculptures, exquisite quasi-taxidermy, and delicate collage works is immediately alluring. It only becomes clear after spending time with the objects that their beguiling quality critiques our own desires for[…..]
Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Melissa Miller reviews Mungo Thomson’s Wall, Window, or Bar Signs at Kadist Art Foundation in San Francisco. In Mungo Thomson’s solo exhibition[…..]
Photographer AnnieLaurie Erickson has spent a lot of time lately being watched by law enforcement. In her recent trip this year to Oklahoma, she stood on public property, taking photographs while security guards, local officers, and state police looked on. One might ask, what has she been photographing that requires so much surveillance? The answer is: big data centers throughout the Southern United States, the[…..]
Doug Aitken is a quintessential Los Angeles artist. Working across multiple platforms—“photography, sculpture, publications, sound, and single- and multi-channel video installations”—he employs the high production values and superficial slickness of Hollywood. His art is all about spectacle, whether it’s Electric Earth (1997), his multi-screen video in which a solitary protagonist dances his way through a pulsing, nocturnal urban landscape, or his recent endeavor Station to[…..]
At the heart of Lisa Wicka’s artwork is a set of keenly nuanced spatial and visual adaptations. Her work transforms motifs, compositions, and ideas—human figures, abstract shapes, and reinterpretations of physical and perceived spaces—into unified bodies. Her small canvases, combine-like sculptures, and large-scale installations all mark their spaces of display with striking gravity. Most arresting is Wicka’s ability to create compositions that profoundly alter visual[…..]
In Made by Whites for Whites, Nick Cave’s new show at Jack Shainman Gallery, the artist continues to exhibit works characteristic of his making process, in which the reclamation of found objects functions as a catalyst. “It’s always the object that provides me the impulse,” he said in a recent talk at the gallery. “It’s always one thing that sort of sets it up. It[…..]
Today we bring you a video of artist Erick Beltrán at the Museo Tamayo in Mexico City, discussing his work Atlas Eidolon, a sculpture that addresses the question of memory, or “what lives in our heads and how things appear in the world.” This video was produced by our friends at Kadist Art Foundation.