Here at Daily Serving, we keep an eye on the ways an exhibition’s impact changes depending on geographical location. With a recent editorial on what 30 Americans means in Detroit and December’s protest of omitting artists of color in Art AIDS America at the Tacoma Art Museum in mind, today we bring you Anuradha Vikram’s observations on shifting context, intended audiences, and racialized access to and[…..]
Today from our friends at Pelican Bomb, we bring you Meredith Sellers’ article examining reForm, Pepón Osorio’s installation project at Temple University’s Tyler School of Art. Sellers discusses reForm critically in the larger political context of Philadelphia school closures. She states, “The reForm project […] aims to create much-needed public discussion around the fate of the Philadelphia school system and to be a potential catalyst for change. But a classroom,[…..]
The gallery hums with screechy sounds resembling acoustic feedback, punctuated by random bursts of bass and cartoonish sound effects. The soundscape is queasily amorphous and disorienting, built on dissonance and the chaotic rhythms resonating from a handful of arachnids that have woven fine, thick webs around delicate wire frames. Featuring a plethora of spiderweb sound installations, Tomás Saraceno’s latest show Arachnid Orchestra. Jam Sessions is[…..]
Walking into Lorena Wolffer’s Registros Públicos at the Museum of Modern Art in Mexico City is a deeply unsettling experience. The space is tiny, just a few meters across, and the ceiling height is far closer to a bedroom than a gallery. Written in large red letters along the walls are a series of insults and threats from husbands and lovers to their partners–although using[…..]
From our partners at Art Practical, today we bring you a review of Makeover at Southern Exposure in San Francisco. Author Mary Anne Kluth notes: “At a time of massive change in the demographics and urban shape of the Mission District […] the works in Makeover collectively acknowledge that life can be messy, but encourage or demonstrate ideals of exchange and openness, and emphasize approaching problems with a sense[…..]
Today from our friends at MN Original, we bring you an inspiring video on Greta McLain and her work with murals and communities. The artist says, “The mural is not making the change. The mural is making the connections and the relationships, and standing as a suggestion of where this neighborhood or community is going.” The video was originally published on February 14, 2014.