Today from our friends at Machine Project in Los Angeles, we bring you a video excerpt of artist Kamau Patton’s project The Sky Above, part of Pacific Standard Time Presents: Modern Architecture in L.A. While flying above L.A. in a chartered helicopter, Patton performed a responsive sound piece; the visual and sonic experiences were streamed live to Machine Project’s storefront space and the web. The project was originally[…..]
Ragnar Kjartansson’s Take Me Here by the Dishwasher: Memorial for a Marriage, a mixture of live performance and film, transforms the New Museum’s fourth floor into something like a college movie night sent adrift. The darkened gallery, one wall of which serves as projector screen, becomes a makeshift den—modestly furnished but amply stocked with beer—for ten shaggy troubadours with acoustic guitars. Their ambling, unbroken melody[…..]
I’ve recently been introduced to the term prairie madness. It’s fictional—not founded in medicine—but it captured my imagination all the same. Artist Josh Short laughed as he explained it to me: The gist is that one can be driven to psychosis by the far-flung expansiveness of the Midwest. Characters in novels have been driven to tears by the isolation, the seemingly never-ending wind, and their[…..]
Schwoop. Bap. Tschk-tschk. Dom. Dung. No, the start to this review isn’t full of typos; it’s my attempt at onomatopoeia to capture the sounds that greet viewers at Nobuo Kubota’s YYZ exhibit Sonic Scores. Kubota is a Canadian multimedia artist who often uses sound in his work. His practice is inspired by an interest in jazz and Zen Buddhism, and Sonic Scores presents elements attributed[…..]
Premised on the obliquely hypothetical question “What if the world changed?”, the Singapore Biennale 2013 (SB2013) is presented as a deconstructed entity centered on allusive keywords—or “tags” in internetspeak—such as “histories,” “intervention,” and “materiality” in order to highlight the transmutative and the transformative qualities of the art produced in the region. With a collaborative team of 27 curators instead of an artistic director helming the show,[…..]
Today we bring you a video excerpt of Richard T. Walker‘s recent performance the security of impossibility, part of the Summer Music Series at Kadist San Francisco. Originally performed on July 10, 2013, the security is composed of layered harmonies, live and recorded music, multiple projections, and participant-operated tape players.
Upon entering Toronto’s Power Plant Contemporary Art Gallery to see Postscript: Writing After Conceptual Art, the viewer is immediately confronted by a raucous wash of sonorous elements. Over fifty artists and conceptual writers occupy the gallery space; canonical works from Andy Warhol, Sol LeWitt, Marcel Broodthaers, Carl Andre, and Dan Graham are nestled among pieces by contemporary practitioners, contributing to the sense of saturation. Originally curated[…..]