Street Art / Public Art

Reformation: Public Art and the Philadelphia School Closures

Pepón Osorio. reForm, 2015; installation view, Temple University's Tyler School of Art. Photo: Constance Mensh.

Today from our friends at Pelican Bomb, we bring you Meredith Sellers’ article examining reForm, Pepón Osorio’s installation project at Temple University’s Tyler School of Art. Sellers discusses reForm critically in the larger political context of Philadelphia school closures. She states, “The reForm project […] aims to create much-needed public discussion around the fate of the Philadelphia school system and to be a potential catalyst for change. But a classroom,[…..]

Interview with Robin Rhode

Robin Rhode. Chalk Bicycle (detail), 2011-2015; chalk and steel bicycle. Courtesy of the Artist and Lehmann Maupin, New York. Photo: Max Yawney.

Today from our friends at BOMB, we bring you an interview with artist Robin Rhode. Author Lee Ann Norman talks with Rhode about his upcoming performance Erwartung: A Street Opera for Performa 15, growing up in South Africa, and “what it means to make art in an increasingly globalized world.” This article was originally published on August 13, 2015. Cape Town-born and Berlin-based multidisciplinary artist[…..]

MN Original: Greta McLain


Today from our friends at MN Original, we bring you an inspiring video on Greta McLain and her work with murals and communities. The artist says, “The mural is not making the change. The mural is making the connections and the relationships, and standing as a suggestion of where this neighborhood or community is going.” The video was originally published on February 14, 2014.

2BENAMED at Naming Gallery in Oakland

Art Party Collective.  2BENAMED, installation view, 2015;  Courtesy of the Artists and Naming Gallery. Photo: Wilson Linker and Lisa Aurora.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Takeema Hoffman reviews 2BENAMED at Naming Gallery in Oakland.  2BENAMED, an exhibition currently at Naming Gallery in the heart of downtown Oakland, is an electrifying showcase of[…..]

Molly Dilworth: 2421 Miles at ALL RISE

Molly Dilworth. 2421 Miles, 2015; Courtesy of ALL RISE. Photo: Max Cleary

“When I worked for the Seattle Times fifteen years ago, our building overlooked this lot,” remarked Molly Dilworth during a recent artist talk. Her project, 2421 Miles, is a 52,000-square-foot earthwork (organized in collaboration with ALL RISE) located on a vacant city block in the heart of downtown. Returning to the site this spring was a homecoming of sorts for the Brooklyn-based artist. The ALL[…..]

Graffiti and Pictorial Actions for Ricardo Cadena


Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. For the next three Sundays, our Shotgun Reviews will come from the finalists for the Daily Serving/Kadist Art Foundation Writing Fellowship in Mexico City. In today’s edition, author Jorge Gomez del Campo reviews the Graffiti and Pictorial Actions for Ricardo Cadena on June 9, 2015, in[…..]

Rirkrit Tiravanija: Time Travelers Chronicle (Doubt): 2014 – 802,701 A.D at Singapore Tyler Print Institute

Rirkrit Tiravanija. Sixth chapter: take the spin off, unwind, reverse directions, and shatter the bonsai, on the way back don't forget to smile, 2013; screen print, metal foil, cast paper, STPI handmade cotton paper, stainless steel pedestal, 3D printed object; 259.5 x 259.5 cm; 4 sheets. Image courtesy of Singapore Tyler Print Institute.

“There is no difference between Time and any of the three dimensions of Space except that our consciousness moves along it.”—H.G. Wells, The Time Machine (1895) In 1992, Rirkrit Tiravanija converted the spaces of 303 Gallery in New York into a kitchen where he served rice and Thai curry to a crowd that became unwitting participants in a hybrid installation titled Untitled (Free). Seven years[…..]