Street Art / Public Art

SEE/SAW :Collective Practice in China Now

Today, we are excited to bring you coverage of SEE/SAW: Collective Practice in China Now at The Ullens Center for Contemporary Art (UCCA) in Beijing, from our partner ArtSpy, a website based in Beijing, P.R.China that is committed to establishing a platform for global artistic information. This article has been translated from Chinese to English. SEE/SAW :Collective Practice in China Now was an exhibition held at Ullens Center[.....]

Breakfast with Roberto and Rosario

As a part of our ongoing partnership with Art Practical, today we bring you a conversation between writer Kara Q. Smith and R & R Studios, the collaborative office of Roberto Behar and Rosario Marquardt. This conversation is published on the occasion of Art Practical’s Miami Issue, the product of a two-month residency at LegalArt earlier this fall. I met with Roberto Behar and Rosario Marquardt of R&R Studios, which[.....]

ALLEYS AND PARKING LOTS Joel Ross in collaboration with Jason Creps at moniquemeloche

In the foreground of one of Joel Ross and Jason Creps’ photographs, the artists installed a sign that reads “At the beginning of the story I will say to you ‘This is how it happened’ and then we will proceed, okay?” This statement could be the thesis for the artists’ exhibition of cinematic photographs titled “Alleys and Parking Lots” at moniquemeloche, a show in which[.....]

We Like STATIC

Static, Luxury Vandals MMXI, 2011. Five color screen print , 220 gsm Mirriboard, 46 x 46 cm. Edition: 35 (per color variant).

Long entrenched in British literary tradition, parody, pastiche and caricature have, more recently, been revived in contemporary British urban art. Street artist Banksy’s foray into social criticism of war, art world commercialism and totalitarianism (just to name a few) or Mau Mau’s sprawling colourful murals, elaborately scrawled on public surfaces are such notable instances of irreverent commentaries that satirise and caricaturise. A more domestic, less[.....]

Profile: ISHKY

As a part of our ongoing partnership with Art Practical, today we bring you a profile of ISHKY by Alex Bigman. On the afternoon of Wednesday, September 12, 2012, a string of digits appeared across the Bay Area sky. Produced by five skywriting planes equipped with dot-matrix software, the gaseous markings looped around the bay, beginning over San Jose, then circling up to the East[.....]

Fan Mail: Adam Void

Adam Void, Old Home

For this edition of Fan Mail, Adam Void of North Carolina has been selected from our worthy reader submissions. Two artists are featured each month—the next one could be you! If you would like to be considered, please submit your website link to info@dailyserving.com with ‘Fan Mail’ in the subject line. The tape fourtrack brought multi-tracking into the bedroom studio and accessing the tools for making okay-sounding[.....]

Musing on Street Art vis-à-vis Icy and Sot

Icy and Sot, Duel

The other day, in a somewhat drowsy effort to shake my late-summer torpor, I decided to poke around online in search of some intriguing, under-the-radar gallery shows.  Rather quickly, and despite (or perhaps because of) the aimless, unfocused nature of my ramblings, I happened upon the just-concluded show Icy and Sot: Made in Iran, which ran August 23-25 at New York’s Openhouse Gallery. As I[.....]