Street Art / Public Art

18th Biennale of Sydney Part I: ‘all our relations’

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Initially I suspected the title of the 18th Biennale of Sydney, the trendily lower case ‘all our relations’, might be one of those curatorial conceits that work better as an intellectual device in the abstract than in the physical reality of the exhibition. I was wrong.  Joint artistic directors Catherine de Zegher and Gerald McMaster have successfully created a coherent and evocative series of narratives[…..]

James Turrell’s Wedgework V

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In Beau Lotto’s 2009 TED Talk, he takes the audience through a small series of examples and visual exercises to illustrate the gap between reality and perception. Colors are created through layers of shaded panes, films, shadows, and the positioning of objects. Scientifically speaking, the mind collects and stores these visual images, creating patterns so that images in the physical world are readily discerned: a[…..]

#onartandpolitics — an interview with Matthew Harrison Tedford

Wafaa Yasin, 'Aesh (Livelihood),' 2008.

#Hashtags features writing about art at the intersection of both pop culture and politics, but what does it mean for a work of art to be political? #onartandpolitics will feature occasional interviews with writers, artists, and curators on this topic, kicking off with Matthew Harrison Tedford, an editor at Art Practical and a #Hashtags contributor. DS spoke with Tedford last year as he coordinated programming[…..]

Engaging a Community with Public Art on The High Line

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Running alongside Tenth Avenue for approximately twenty blocks in Chelsea, The High Line has become a household term amongst Manhattanites since 2009 when it first became accessible as a public park. Since then – and especially within the last year – The High Line has ignited widespread murmur relating to its breathtaking architecture, imaginative urban integration and more recently its emergence as the local gallery[…..]

Remnants of Revolution: Writing on the Wall in Barcelona

Cities are filled with innumerable details and a foreign land can be barrage of data. In Barcelona, on a walk, I drift from details of leafy building ornamentation to blank walls of flaking stucco, submerged in texture of all kinds. Man’s signs are everywhere, waiting to be decoded. Though I know nothing of graffiti, I am captivated by the drawing, the view of a flat[…..]

Architects on Bicycles

A version of this post was originally published on the Art21 blog a year ago, right after the second CicLAvia, a city-wide event that closes down seven miles of city streets. The fourth CicLAvia happens in L.A. this Sunday, April 15. L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley Reyner Banham, a British architectural historian, had blatant enthusiasm for Los[…..]

Suspension

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Video art is forever haunted by the not-quite-dead specter of cinema. Whether favouring documentary or constructed modes, many contemporary video artists deliberately reference film or at least use it as a point of departure for screen based works. Others  prefer to align their video work with static two-dimensional forms such as painting and photography, insisting that the simple fact that the image is moving should[…..]