Street Art / Public Art

#onartandpolitics — an interview with Matthew Harrison Tedford

Wafaa Yasin, 'Aesh (Livelihood),' 2008.

#Hashtags features writing about art at the intersection of both pop culture and politics, but what does it mean for a work of art to be political? #onartandpolitics will feature occasional interviews with writers, artists, and curators on this topic, kicking off with Matthew Harrison Tedford, an editor at Art Practical and a #Hashtags contributor. DS spoke with Tedford last year as he coordinated programming[…..]

Engaging a Community with Public Art on The High Line

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Running alongside Tenth Avenue for approximately twenty blocks in Chelsea, The High Line has become a household term amongst Manhattanites since 2009 when it first became accessible as a public park. Since then – and especially within the last year – The High Line has ignited widespread murmur relating to its breathtaking architecture, imaginative urban integration and more recently its emergence as the local gallery[…..]

Remnants of Revolution: Writing on the Wall in Barcelona

Cities are filled with innumerable details and a foreign land can be barrage of data. In Barcelona, on a walk, I drift from details of leafy building ornamentation to blank walls of flaking stucco, submerged in texture of all kinds. Man’s signs are everywhere, waiting to be decoded. Though I know nothing of graffiti, I am captivated by the drawing, the view of a flat[…..]

Architects on Bicycles

A version of this post was originally published on the Art21 blog a year ago, right after the second CicLAvia, a city-wide event that closes down seven miles of city streets. The fourth CicLAvia happens in L.A. this Sunday, April 15. L.A. Expanded: Notes from the West Coast A weekly column by Catherine Wagley Reyner Banham, a British architectural historian, had blatant enthusiasm for Los[…..]

Suspension

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Video art is forever haunted by the not-quite-dead specter of cinema. Whether favouring documentary or constructed modes, many contemporary video artists deliberately reference film or at least use it as a point of departure for screen based works. Others  prefer to align their video work with static two-dimensional forms such as painting and photography, insisting that the simple fact that the image is moving should[…..]

Abolishing War: A Conversation with Krzysztof Wodiczko

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Krzysztof Wodiczko’s work is powerful, politically charged and bears great momentum. Best-known for transforming architectural structures and monuments through loaded public projections, Wodiczko’s projects fight for the change he wants seen in the world – a global society free from the destructions of war. When the artist and professor was recently in London for the occasion of his exhibition The Abolition of War at WORK[…..]

Bigger is better: The first $100,000 that John Baldessari ever made.

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Today’s post is brought to you by our friends at Huffington Post Arts. Read below to learn about John Baldessari’s new public work in New York City. It’s no big shocker that we are not at our finest economic hour, but John Baldessari may have stumbled upon a solution to our money woes. All this time we have been trying to make more money, when[…..]