Text

If the World Changed: Singapore Biennale 2013

Teamlab. Peace Can Be Realized Even Without Order, 2012; interactive digital installation; dimensions variable. Courtesy of the Artist and Singapore Art Museum.

Premised on the obliquely hypothetical question “What if the world changed?”, the Singapore Biennale 2013 (SB2013) is presented as a deconstructed entity centered on allusive keywords—or “tags” in internetspeak—such as “histories,” “intervention,” and “materiality” in order to highlight the transmutative and the transformative qualities of the art produced in the region. With a collaborative team of 27 curators instead of an artistic director helming the show,[.....]

The Fun of the Fair: Sydney Contemporary

Kim Joon, Bird Land - Chrysler, 2008, digital print, 47 x 83 inches, Sundaram Tagore Gallery, Hong Kong, New York, Singapore

Depending on who you ask, anywhere between eight thousand and thirteen thousand people attended the vernissage of the world’s newest art fair, Sydney Contemporary. By the end of three and a half days, the fair had attracted almost twenty-nine thousand visitors eager to see the offerings from eighty-three Australian and international galleries, presenting the work of more than three hundred artists. The physical scale was[.....]

Lick ’Em by Smiling: Jeremy Deller and Shary Boyle at the Venice Biennale

If the Venice Biennale is the United Nations of contemporary art, then the Giardini is its Security Council. The park’s stately pavilions belong to the (mostly European) nations that were best situated to claim them in the early- to mid-twentieth century. National pavilions are organized by state entities and can be counted on to present a government-sanctioned view of art, which tends toward the conceptually[.....]

Avenging Ancestors, Failing Spectacularly: Wisconessee at Kasia Kay Projects

Daniel Bruttig. Nick with Monster Mask, 2013. Colored pencil on paper. Courtesy of Kasia Kay Projects.

If you’re at all interested in seeing Wisconessee, Duncan R. Anderson and Daniel Bruttig’s semi-collaborative two man show at Kasia Kay Projects, I can tell you right now there’s a good chance you’ve already seen it. Typically, I’m not one to write a negative review for the sake of teeing off on artists who are just trying to get some work out there. But this[.....]

Deeply Concentric: An Interview with Yael Kanarek

Yael Kanarek. Installation view (l-r): Sanctify Thyself No. 1; Deeply Concentric; Perpetual Dream Catcher; all 2013. Photo by John Berens. Image courtesy bitforms gallery nyc.

Yael Kanarek is interested in the signs and systems that we use to quantify and communicate knowledge, specifically words and numbers. She focuses on the spaces where meaning is conveyed or lost as it passes through cultural and disciplinary frameworks, while her work fluctuates between painting, sculpture, and time-based interactivity. She has exhibited at The Drawing Center and in the 2002 Whitney Biennial and has received numerous awards,[.....]

Postscript: An Ambitious Take on Conceptual Art and Writing at the Power Plant

Kenneth Goldsmith, Soliloquy, 1996.

Upon entering Toronto’s Power Plant Contemporary Art Gallery to see Postscript: Writing After Conceptual Art, the viewer is immediately confronted by a raucous wash of sonorous elements. Over fifty artists and conceptual writers occupy the gallery space; canonical works from Andy Warhol, Sol LeWitt, Marcel Broodthaers, Carl Andre, and Dan Graham are nestled among pieces by contemporary practitioners, contributing to the sense of saturation. Originally curated[.....]

AFRICOBRA: Philosophy at the Logan Center

Barbara Jones-Hogu, "Unite," 1968-71; screenprint; 25.5 x 35 in. Courtesy of the artist and Logan Center for the Arts.

The assembly of works by AFRICOBRA (African Commune of Bad Relevant Artists), a collective of African American Chicago-based artists active during the 1960s and 1970s, now on display at the Logan Center for the Arts could fairly be described as a time capsule; it is more important for the moment it captures than for its contents. In addition to this exhibition, titled AFRICOBRA: Philosophy, the collective currently has two other[.....]