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Chun Kwang Young: Assemblage

Chun Kwang Young. Aggregation 07 DE146, 2007 (detail); mixed media with Korean mulberry paper; 250 x 205 cm. Image courtesy of Michael Culme-Seymour and Art Plural gallery.

Chun Kwang Young’s Assemblage at Art Plural Gallery is a series of three-dimensional sculptural works wrapped with Korean mulberry paper and assembled within the two-dimensional frame of a canvas. Taking the ubiquitous use of the mulberry paper in Korea—also known as hanji—as a material point of reference, the Assemblage series explores a desolate landscape of depressions, protrusions and coloured spots, all of which seem to reference abstract painting’s visual language of prioritising[…..]

Aesthetics of the Spectacle

Kate Bonner

In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into representation. —Guy Dubord, Society of the Spectacle, 1967 The Bay Area is the social media capital of the world; with headquarters for Google, Facebook, Twitter and Instagram, it is no surprise that everywhere you go, people are[…..]

Tracey Emin at Lehmann Maupin: The Carry

Tracey Emin’s work presents an unfiltered and often embarrassingly personal view of emotional pain. It reflects the kind of desperate or careless narcissism that is the territory of the depressed. Emin is concerned with the primacy of her own experience—and the narrative of her own sadness is the unabashed subject of her work. Emin’s oeuvre has always felt most valuable to me in terms of[…..]

Sunshine, Lollipops and Rainbows

The very first thing you see when visiting Stefan Stagmeister’s “The Happy Show” at MOCA’s Pacific Design Center is wall text boldly declaring: “THIS EXHIBITION WILL NOT MAKE YOU HAPPIER.” While the text may seem like a cheeky and sarcastic pre-summarization of the content, Stagmeister sets the stage for his internal conflicts.  The information presented on the walls ranges from dry, yet poignant data, to[…..]

Fan Mail: Sandra Erbacher

For this edition of Fan Mail, Sandra Erbacher of Madison, Wisconsin has been selected from our worthy reader submissions. Two artists are featured each month—the next one could be you! If you would like to be considered, please submit your website link to info@dailyserving.com with ‘Fan Mail’ in the subject line. At first, Sandra Erbacher’s sculptures and installations seem simple, dealing with space, geometry, and[…..]

SEE/SAW :Collective Practice in China Now

Today, we are excited to bring you coverage of SEE/SAW: Collective Practice in China Now at The Ullens Center for Contemporary Art (UCCA) in Beijing, from our partner ArtSpy, a website based in Beijing, P.R.China that is committed to establishing a platform for global artistic information. This article has been translated from Chinese to English. SEE/SAW :Collective Practice in China Now was an exhibition held at Ullens Center[…..]

#Hashtags: What Is Reflected/Where We Meet

Watching “Five Broken Cameras” and “How to Survive a Plague”—two outstanding documentaries nominated for yesterday’s Academy Awards—it’s easy to be reminded of what a gift this kind of attention can be for the community or person being featured. Yet watching Emad Burnat’s young son Gibreel stand center stage with his own camera, filming the Docuday audience during Saturday’s question-and-answer session, it’s also hard to shake[…..]