Video / Film

William Kentridge’s Poetic Cinema

William Kentridge. Drawing for the film Other Faces, (Crowds in city streets), 2011;
Charcoal and colored pencil on paper, 27.5 x 48 in.

“Other Faces” assumes the feel of reportage, as if we are witnessing certain events from the struggle against colonialism in South Africa’s turbulent past.

José León Cerrillo and Ilja Karilampi at Kiria Koula

José León Cerrillo and Ilja Karilampi, 2014; installation view, Kiria Koula, San Francisco. Courtesy of the Artists and Kiria Koula.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Marion Cousin reviews  José León Cerrillo and Ilja Karilampi at Kiria Koula in San Francisco. Founded by Colombian curator Juana Berrío and Mexican duo Leticia Vilalta and Rodrigo[…..]

Interview with Asha Schechter

Schechter-Tabari

From our friends at Kadist Art Foundation in San Francisco, today we bring you a conversation between artist Asha Schechter and Kadist’s director of collections, Devon Bella. This unique interview also features an animation by Yashar Tabari underscoring Schechter’s discussion of “the simultaneity of images… You can’t really see one image without seeing another.”

LA Department of Cultural Affairs Arts Development Fee Temporary Intervention!

Machine Project Still from LA Department of Cultural Affairs Arts Development Fee Temporary Intervention!

Today we bring you Machine Project’s video documentation of LA Department of Cultural Affairs Arts Development Fee Temporary Intervention!, a day-long series of performances conducted on or near the sidewalk in front of 11750 W. Olympic Boulevard in West Los Angeles. Machine Project describes the lineup as including, “synchronized group walking, improvised music, turkey blessings, professional sign twirlers, dance, experimental burden carrying, and non-traditional use of[…..]

Landscape City at Center for the Arts Eagle Rock

Jennifer Juniper Stratford. Still from Program Vista, 2014, video projection. Courtesy of the Artist. Photo by the author.

A crowd gathered under the rafters and art-deco chandeliers of the Eagle Rock Center for the Arts, and the fifteen-piece Aaron Olson Ensemble began with the low strum of a bass guitar, continued into a bright piano melody that later became the distorted sound of a nightmare, and finally moved into a powerful brassy conclusion without ever losing its warm aural undercurrents. Aaron M. Olson’s[…..]

The Black Radical Imagination II at REDCAT

Jeannette Ehlers. Still from Black Bullets, 2012; 4:33 min.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Noé Gaytán reviews The Black Radical Imagination II at REDCAT in Los Angeles. The notion of the black radical imagination stems from the writing of Robin D.G. Kelley,[…..]

From the Archives – Psychopaper at Piktogram

Ewa Ciepielewska (Luxus), untitled, 1984, watercolor, 99 x 68 cm. Courtesy of Piktogram/BLA, photo:

Today we bring you a look back at a small but remarkable exhibition in Warsaw that sought to expose the psychological effects of martial law in Poland in the 1980s. Though the political, intellectual, and emotional conditions that produced the artwork have a complicated background, author Bean Gilsdorf notes that, “viewers of this work needn’t have all the historical details to know that something is[…..]