Video / Film

The Power of Pictures: Early Soviet Photography and Film at Frist Center for the Arts

Arkady Sheikhet. Assembling the Globe at the Moscow Telegraphic Central Station, 1928; Gelatin silver print; 17 ¾ x 13 3/8 in. Collection of Alex Lachmann. Courtesy of Nailya Alexander Gallery.

The Power of Pictures: Early Soviet Photography and Film presents a dynamic portrait of one of the most significant narratives in the history of 20th-century avant-garde art, and examines the vital place of still and moving images in the creation of early Soviet history and national identity. Originally organized by the Jewish Museum in New York under the curatorial vision of Jens Hoffmann, this exhibition[…..]

Young Blood: Noah Davis, Kahlil Joseph, the Underground Museum at Frye Art Museum

Noah Davis and Kahlil Joseph. The Sacred Garden, 2016; installation view. Design and production: Commonwealth Projects. Photo: Mark Woods.

Currently on view at Frye Art Museum, Young Blood is a large-scale exhibition of two prominent contemporary artists and brothers, painter Noah Davis and filmmaker Kahlil Joseph. The most elaborate display of their individual works to date, Young Blood includes painting, film, sculpture, and installation, weaving varied mediums together with precision and fluidity. Through the tone and cadence of their depicted world—one of beauty, mystery,[…..]

Paola Pivi: Ma’am at Dallas Contemporary Museum

Paola Pivi. Installation view of Ma'am, 2016. Photo by Kevin Todora. Image courtesy Dallas Contemporary.

Paola Pivi’s exhibition, Ma’am, at the Dallas Contemporary Museum fills the galleries with colorful creatures and inflatables, coffee beans, feathers, and faux pearls. Visual tricks and gags, sensorial puns, and oddities—these are the territory of Pivi’s sculptures, photographs, films, and interventions. Her monumentally scaled, untitled airplane work—a small Fiat G-91 placed upside-down on the floor—guards the entrance into the space. Around the corner, a swath of[…..]

Interview with Carlos Motta

Carlos Motta. Patriots, Citizens, Lovers..., 2015; installation view.  PinchukArtCentre, Kiev. Courtesy of Instituto de Visión, Bogotá, Mor Charpentier Galerie, Paris, and Galeria Filomena Soares, Lisbon.

Today from our friends at BOMB Magazine, we bring you an interview with artist Carlos Motta. Author Cat Tyc writes, “Motta’s research-based practice is constituted by discursive spaces, presented in a variety of different spatial forms, which create—in his own words—’counter-narratives that recognize suppressed histories, communities, and identities.’” This article was originally published May 6, 2016. Cat Tyc: At your artist talk at Pratt Institute, you[…..]

Alec Soth: Summer Nights at the Dollar Tree at Colby College Museum of Art

Alec Soth. Summer Nights at the Dollar Tree, 2012 (video still); single-channel video; 6:23. Courtesy of the Artist.

Alec Soth’s video, Summer Nights at the Dollar Tree, concludes with an excerpt from the Allen Ginsberg poem “A Supermarket in California.”    What thoughts I have of you tonight, Walt Whitman, for I walked down the sidestreets under the trees with a headache self-conscious looking at the full moon.    In my hungry fatigue, and shopping for images, I went into the neon fruit[…..]

Flavr Savr* at the Pit

Lynn Hershman Leeson. GMO Animals, Crops, Labs (The Infinity Engine), 2014; wallpaper; dimensions variable. Courtesy of the Artist and the Pit.

The Pit, a small artist-run gallery, sits semi-hidden in a commercial and industrial neighborhood north of Los Angeles. Artists Devon Oder and Adam Miller founded the gallery in 2014, exhibiting emerging artists in tightly curated group shows alongside at least one well-established artist. The Pit, located in a converted car mechanic’s garage, has the same anonymously beige exterior as the neighboring businesses. But its out-of-the-way[…..]

From the Archives – Time After Time: The Clock at SFMOMA

Christian Marclay, video still from The Clock, 2010; single-channel video with stereo sound, 24 hours; courtesy the artist and Paula Cooper Gallery, New York. All photos from Christian Marclay: The Clock; San Francisco Museum of Modern Art

In June 2013, the San Francisco Museum of Modern Art closed its doors to begin a massive expansion project. This weekend is the first public reopening of the museum, which now holds the status of the largest museum (by square footage) dedicated to modern art. Today we bring you a flashback to those last few hours at SFMOMA three years ago, when Christian Marclay’s The Clock[…..]