Video / Film

From the Archives: Prospect.3 New Orleans

Camille Henrot. Grosse Fatigue, 2013 (film still). Video installation (color, sound) Courtesy of the artist, Silex Films and kamel mennour, Paris.

As President Obama visits New Orleans this week on the ten year anniversary of Hurricane Katrina, we bring you a look back at last year’s Prospect.3 New Orleans. Tori Bush contextualizes her review of the rocky history of this biennial in a city “suspended in time in space.” This article was originally published on November 11, 2014. Honoré de Balzac wrote: “Ideas are a complete[…..]

Summer Reading – MN Original: Mohamud Mumin

Today we’re taking a break from the “reading” portion of our Summer Reading series to bring you a video produced by our friends at MN Original. Artist Mohamud Mumin walks us through his practice in portrait photography:  “[…] It’s not just work to me—it’s stories, it’s lives, it’s trust that I’m given by the subjects. It’s not always, ‘This is a great shot.’ It’s always[…..]

From the Archives: Pierre Huyghe at LACMA

Pierre Huyghe. Untitled (Human Mask), 2014. Film. Courtesy of the artist; Hauser and Wirth, London; Marian Goodman Gallery, New York; Esther Schipper, Berlin; Anna Lena, Paris. © Pierre Huyghe

This month marks the opening of the first major Australian solo exhibition of Pierre Huyghe’s work at the TarraWarra Museum of Art, so today we revisit this review by Alex Bigman, who assesses the humor and mythology of Huyghe’s retrospective at the Los Angeles County Museum of Art. This article was originally published on January 21, 2015. There is a scene in Pierre Huyghe’s shadowy, dreamlike film The Host and[…..]

Vic at Insitu Berlin

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Carla Fernández reviews the group show Vic at Insitu Berlin. The group show Vic at Insitu Berlin presents a fictional persona whose effect on viewers oscillates between[…..]

Disguise: Masks & Global African Art at Seattle Art Museum

Brendan Fernandes. As One, 2015; HD video loop; 22:54 minutes. Courtesy of the artist.

Museums are constantly devising new platforms to present their permanent collections. Interventions and mining-the-museum have become commonplace curatorial strategies, and institutions frequently turn to contemporary artists to animate, recontextualize, and bring visibility to canonized cultural objects. Disguise: Masks and Global African Art is Seattle Art Museum’s latest attempt to draw connections across temporal, geographic, and cultural lines. Leveraging the museum’s collection of African masks, the[…..]

Tapping the Mirror at Royal NoneSuch Gallery

Brynda Glazier and Courtney Johnson. Tapping the Mirror, 2015. Installation view. Courtesy of the artists and Royal Nonesuch Gallery, Oakland. Photo Courtney Johnson

Today from our partners at Art Practical, we bring you Sarah Burke’s review of Tapping the Mirror at Royal NoneSuch Gallery in Oakland, California. The author notes, “As the fragments [of the video] continuously flicker into each other, [it] becomes less about the worlds imagined, and more about the modes by which we collectively imagine them.” This article was originally published on August 6, 2015. The curatorial statement for[…..]

Evan Calder Williams: T-1 at Artists Space

Evan Calder Williams. T-1, 2015; performed at Artist Space on July 21, 2015.

Ice, compromised vision, and colonial geography: These formed the conceptual scaffolding that supported Evan Calder Williams’ live essay, T-1, performed at Artists Space on July 21, 2015.[1] Despite the three subjects’ ostensibly divergent histories, Calder Williams wove them into a complex web that expanded into several narratives that highlighted epiphanic and unexpected connections. The dynamic multimedia event—comprising video, text, and images projected on perpendicular screens,[…..]