Video / Film

Ghazel: Mea Culpa at Carbon 12

Today, from our friends at REORIENT, we bring you a review of Ghazel’s latest solo exhibition, Mea Culpa, on view at Carbon 12 in Dubai through May 9. Author Sayantan Mukhopadhyay says of the artist, “Her interventions—which start with materials and symbols inherently laden with meaning—speak about the itinerant lives in a manner that is refreshing when placed in conversation with the many other contemporaneous works[…..]

Interview with Sarah Rara

Sarah Rara is a Los Angeles–based artist who works with video, film, photography, and performance. She is also a contributing member of the band Lucky Dragons. Rara was most recently an artist in residence at Headlands Center for the Arts, where she worked on a new video, Broken Solar, and a libretto for a new opera, Neglected Treaty, that considers the sonic impacts of climate change[…..]

Equilibrium: A Paul Kos Survey at di Rosa

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Ángel Rafael Vázquez-Concepción reviews Equilibrium: A Paul Kos Survey at di Rosa in Napa. Currently at di Rosa, Equilibrium: A Paul Kos Survey features works by one[…..]

Irena Haiduk on Yugoexport

Today from our friends at Kadist Art Foundation, we bring you a video of artist Irena Haiduk on Yugoexport, a non-aligned oral-corporation. Yugoexport is a “productivist force extending the institutions of leisure and labor,” offering “release from the cruelty of waiting, wasting, transition, and sucking the life out of things” and operating with the tagline “Hope is the greatest Whore.” This video was originally published in[…..]

Edgardo Aragón: Mesoamerica – The Hurricane Effect at Jeu de Paume

Edgardo Aragón. Mesoamerica: The Hurricane Effect, 2015 (detail of map); HD video, color, sound; 16'20'' and 10 maps. Coproduction: Jeu de Paume, Paris, Fondation des Arts Graphiques et Plastiques and CAPC Musée d'Art Contemporain de Bordeaux. Courtesy of the Artist and Jeu de Paume.

In 1527, Olas Magnus drew the Carta Marina, the first detailed account of Nordic geography and the perils plaguing it by land and sea. In the image, life seems threatened mainly by ongoing human conflict and a perpetual battle with weather, but what haunted imaginations for centuries was its depiction of the monsters inhabiting the northern seas. Their presence was a documentary mix of fact[…..]

Freestyle: Interview with Rashaad Newsome

Rashaad Newsome. King of Arms, 2013 (performance still); live procession in City Park, New Orleans. Courtesy of the Artist. Photo: Jena Cumbo.

Today, from our friends at Guernica, we bring you curator Laura Blereau in conversation with artist Rashaad Newsome. Newsome says, “I’m playing with gender and roles that are shifting as this elaborate allegory for transformation. The body can change. That’s ultimate emancipation, to just completely change your body, to change your physicality.” This article was originally published on March 17, 2014. Guernica: The kind of art that you create[…..]

Question Bridge: Black Males in America

Question Bridge: Black Males in America (Aperture/Campaign for Black Male Achievement, 2015)

Today we bring you an excerpt from Art Practical’s Printed Matters column. Roula Seikaly reviews Question Bridge: Black Males in America, the published companion to a project, platform, and installation that regards identity and representation. Seikaly notes, “Asking a question […] can be difficult; it can imply lack of knowledge and experience, rendering the asker vulnerable. No one wants to be caught out, least of all when the questions address identity, community, and most urgently,[…..]