Video / Film

Flavr Savr* at the Pit

Lynn Hershman Leeson. GMO Animals, Crops, Labs (The Infinity Engine), 2014; wallpaper; dimensions variable. Courtesy of the Artist and the Pit.

The Pit, a small artist-run gallery, sits semi-hidden in a commercial and industrial neighborhood north of Los Angeles. Artists Devon Oder and Adam Miller founded the gallery in 2014, exhibiting emerging artists in tightly curated group shows alongside at least one well-established artist. The Pit, located in a converted car mechanic’s garage, has the same anonymously beige exterior as the neighboring businesses. But its out-of-the-way[…..]

From the Archives – Time After Time: The Clock at SFMOMA

Christian Marclay, video still from The Clock, 2010; single-channel video with stereo sound, 24 hours; courtesy the artist and Paula Cooper Gallery, New York. All photos from Christian Marclay: The Clock; San Francisco Museum of Modern Art

In June 2013, the San Francisco Museum of Modern Art closed its doors to begin a massive expansion project. This weekend is the first public reopening of the museum, which now holds the status of the largest museum (by square footage) dedicated to modern art. Today we bring you a flashback to those last few hours at SFMOMA three years ago, when Christian Marclay’s The Clock[…..]

Ghazel: Mea Culpa at Carbon 12

Today, from our friends at REORIENT, we bring you a review of Ghazel’s latest solo exhibition, Mea Culpa, on view at Carbon 12 in Dubai through May 9. Author Sayantan Mukhopadhyay says of the artist, “Her interventions—which start with materials and symbols inherently laden with meaning—speak about the itinerant lives in a manner that is refreshing when placed in conversation with the many other contemporaneous works[…..]

Interview with Sarah Rara

Sarah Rara is a Los Angeles–based artist who works with video, film, photography, and performance. She is also a contributing member of the band Lucky Dragons. Rara was most recently an artist in residence at Headlands Center for the Arts, where she worked on a new video, Broken Solar, and a libretto for a new opera, Neglected Treaty, that considers the sonic impacts of climate change[…..]

Equilibrium: A Paul Kos Survey at di Rosa

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Ángel Rafael Vázquez-Concepción reviews Equilibrium: A Paul Kos Survey at di Rosa in Napa. Currently at di Rosa, Equilibrium: A Paul Kos Survey features works by one[…..]

Irena Haiduk on Yugoexport

Today from our friends at Kadist Art Foundation, we bring you a video of artist Irena Haiduk on Yugoexport, a non-aligned oral-corporation. Yugoexport is a “productivist force extending the institutions of leisure and labor,” offering “release from the cruelty of waiting, wasting, transition, and sucking the life out of things” and operating with the tagline “Hope is the greatest Whore.” This video was originally published in[…..]

Edgardo Aragón: Mesoamerica – The Hurricane Effect at Jeu de Paume

Edgardo Aragón. Mesoamerica: The Hurricane Effect, 2015 (detail of map); HD video, color, sound; 16'20'' and 10 maps. Coproduction: Jeu de Paume, Paris, Fondation des Arts Graphiques et Plastiques and CAPC Musée d'Art Contemporain de Bordeaux. Courtesy of the Artist and Jeu de Paume.

In 1527, Olas Magnus drew the Carta Marina, the first detailed account of Nordic geography and the perils plaguing it by land and sea. In the image, life seems threatened mainly by ongoing human conflict and a perpetual battle with weather, but what haunted imaginations for centuries was its depiction of the monsters inhabiting the northern seas. Their presence was a documentary mix of fact[…..]