Video / Film

Sanaz Mazinani: Threshold at the Asian Art Museum

AAM Threshold_Still10

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Nancy Garcia reviews Sanaz Mazinani: Threshold at the Asian Art Museum in San Francisco. Currently on view at the Asian Art Museum is Threshold, a[…..]

Awst & Walther: Ground Control, An Interdisciplinary Forum at PSM Gallery

Awst & Walther. Ground Control: An interdisciplinary forum, 2015 (still); digital animation; infinite loop. Courtesy of the Artists and PSM Gallery, Berlin. Photo: André Wunstorf.

In the dark at PSM Gallery in Berlin, a digital animation is silently breathing. It appears as an inverted landscape split in equal parts by land and sky. A field recedes into the horizon, with a mass of permafrost above and mostly clear blue atmosphere below. Green shrubs flop and slide loosely on the screen, wriggling and dismorphic, moving as they would in an acid[…..]

Street View / Road to Mecha by Jonathan Zawada, and Drone directed by Tonje Hessen Schei

Jonathan Zawada, Street View / Road to Mecha, 2013; screen shot, Brooklyn, NY. Photo: Amelia Rina

O bitter is the knowledge that one draws from the voyage! The monotonous and tiny world, today, Yesterday, tomorrow, always, shows us our reflections, An oasis of horror in a desert of boredom! —Charles Baudelaire, Le Voyage (1861)[1] Despite the seemingly endless portrayal in the media of increased violence around the world, statistical analysis suggests that, as a species, humans have become less violent.[2] I wonder,[…..]

Trevor Paglen at Altman Siegel Gallery

Trevor Paglen. Circles, 2015 (video still); video; 12:00. Courtesy of the Artist and Altman Siegel, San Francisco.

From our partners at Art Practical, today we bring you a review of Trevor Paglen’s current exhibition at Altman Siegel Gallery in San Francisco. Author John Zarobell writes, “[The work] represents both a bit of art-historical posturing and an active response to government surveillance that allows viewers to imagine an alternative to our current condition. Perhaps a gallery is as good a place as any to[…..]

Nate Boyce: Polyscroll at YBCA

Nate Boyce. Polyscroll II, 2015 (still); HD video. Courtesy of the Artist and Altman Siegel Gallery, San Francisco.

Today from our partners at Art Practical, we bring you a review of Nate Boyce’s solo show at Yerba Buena Center for the Arts in San Francisco. Author Monica Westin notes: “The overall effect is akin to walking around a sculpture in a completely unanchored plane in space that occasionally drifts into and out of alignment with other planes and other worlds.” This article was[…..]

Ragnar Kjartansson: The End at the Museum of Contemporary Art Detroit

Ragnar Kjartansson. The End, 2009; Video. Courtesy of MOCAD, the artist, Luhring Augustine, New York, and i8 Gallery, Reykjavik.

The Museum of Contemporary Art Detroit (MOCAD) presents Ragnar Kjartansson’s gorgeous and shrewd video installation The End (2009). On five rear projection screens, Kjartansson and his collaborator, Icelandic musician Davíð Þór Jónsson, play all of the parts of an unidentified country-music song on piano, banjo, drums, and acoustic and electric guitars. Shot in the Rocky Mountains in Canada, both men are bearded and dressed in[…..]

Jenni Olson: The Royal Road

Jenni Olson. The Royal Road; 2015 (still). 16mm/HD; 65:00 min. Courtesy of Jenni Olson Productions.

Today from our partners at Art Practical, we bring you Sean Uyehara’s review of The Royal Road by Jenni Olson. Uyehara notes that the film echoes “…dreams, those deferred and distorted forms of wish fulfillment, where the destination is never reached and that inevitably lead back to the thorny, tangled territory of the unconscious.” This article was originally published on March 12, 2015. Jenni Olson’s second feature-length narrative[…..]