Video / Film

Kota Ezawa: Gardner Museum Revisited at Christopher Grimes Gallery

Kota Ezawa. Gardner Museum Revisited, installation view, 2016. Courtesy of the artist and Christopher Grimes Gallery.

In 2013, Kota Ezawa once gave a presentation at the California College of the Arts about a man in Japan. As he explained it, Ezawa saw a man talking on CNN, with the name of “Kota Ezawa” printed in the bumper graphic at the bottom of the screen. This onscreen Ezawa was a scientist, and as Ezawa watched the interview, he became intrigued. The name[…..]

Chen Qiulin: One Hundred Names at 4A Centre for Contemporary Asian Art, Sydney

Chen Qiulin carves tofu

What’s in a name? In ancient China, surnames represented clans and ancestral lineage, a highly significant aspect of identity and filial obligation. In contemporary parlance, the Chinese phrase “Lao Bai Xing” (literally, “the old hundred names”) translates as “the ordinary people” or “the common folk.” It often refers to the voiceless, those who are most powerless in the face of social forces. For many years, Chen Qiulin[…..]

Daniela Libertad: Empujo Puertas que Debería Jalar, Jalo Puertas que Debería Empujar at MARSO

Daniela Libertad. Diagrama 46 [Diagram 46], 2015; graphite on paper. Courtesy of MARSO.

In her solo show at MARSO, Empujo Puertas que Debería Jalar, Jalo Puertas que Debería Empujar [I Push Doors I Should Pull, I Pull Doors I Should Push], Mexican artist Daniela Libertad presents her latest works of sculptures, drawings, videos, objects, and photography. Libertad’s practice has been characterized by her explorations of space and material through relations, rituals, and repetitions. In her exhibition, every piece[…..]

Mike Kelley: Single Channel Videos at REDCAT

Mike Kelley. Extracurricular Activity Projective Reconstruction #1 (Domestic Scene), 2000 (film still); black and white, 29:44 min. Art © Mike Kelley Foundation for the Arts. All Rights Reserved/Licensed by VAGA, New York, NY.

Nearing the fourth anniversary of Mike Kelley’s death, REDCAT presented a theatrical screening of six of his video works, curated by Steve Anker and Bérénice Reynaud as part of the Jack H. Skirball Series. The selection of works in Mike Kelley: Single Channel Videos included a one-act melodrama based on a black-and-white yearbook photograph, a hammy and melancholic Superman reciting Sylvia Plath, an invocation of power through[…..]

Laurie Anderson: Heart of a Dog

Laurie Anderson, Heart of a Dog, 2015 (still). Courtesy the artist and Abramorama Entertainment.

Artist Laurie Anderson opens Heart of a Dog by recounting a rather bizarre dream. Illustrated on the screen through sketchy black-and-white drawings and narrated in Anderson’s calm, comely voice, the artist gives birth to her dog, Lolabelle, the spectral rat terrier who becomes in some ways (though in others not) the star of the film. After being presented with her bundle, Anderson’s dream self feels very[…..]

Otobong Nkanga in Conversation with Clare Molloy at Kadist Paris

From our friends at Kadist Art Foundation in Paris, today we bring you a video of Clare Molloy in conversation with Nigerian artist Otobong Nkanga. They discuss Nkanga’s exhibition Comot Your Eyes Make I Borrow You Mine, which was on view from September 27 through December 20, 2015. Nkanga says, explaining the title, “In a way, traveling and going through all these places, I had only the eyes of others.” 

Cold Storage: James Cordas and Rhonda Holberton

Rhonda Holberton, Knights of the Sky, Digital video projection, 3:24 (looping), Edition 1/1, 2015. Courtesy of City Limits Gallery.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Elena Gross reviews Cold Storage: James Cordas and Rhonda Holberton at City Limits Gallery in Oakland. A chilly, overcast afternoon seemed like the perfect[…..]