Today from our friends at Kadist Art Foundation, we bring you a talk by Pablo de Ocampo after a recent double-feature screening at their site in San Francisco. De Ocampo, Exhibitions Curator at Western Front in Vancouver, BC, discusses Chris Marker and Alain Resnais’ 1953 film, Les Statues Meurent Aussi (Statues Also Die) (1953) and Duncan Campbell’s Turner Prize-winning film It for Others (2013).
Video / Film
Teresa Hubbard and Alexander Birchler’s multidimensional practice is currently on view in their expansive Sound Speed Marker at the Blaffer Art Museum. The duo’s range of collaborative skills and cinematic investments is present in three video installations—Grand Paris Texas, Movie Mountain (Méliès), and Giant—and in the related photographs and an outdoor sculpture. Using as a backdrop the arid terrain of three Texas towns, Ryan, Paris,[…..]
Spread about a large rear gallery at the Bronx Museum, this exhibition surveys various bodies of work by the Argentine American artist Jaime Davidovich. At the entrance of the show, alongside the explanatory wall text, a small monitor atop a pedestal plays the video that lends the exhibition its title, Adventures of the Avant-Garde. In this 1981 short loop, Davidovich takes on a role that[…..]
Today from our partners at Art Practical, we bring you a review of Doug Hall’s The Terrible Uncertainty of the Thing Described, currently on view at the Walter and McBean Galleries of the San Francisco Art Institute. Author Maria Porges notes: “Perhaps the most fascinating thing about Hall’s seminal work is its quality of timelessness.” This article was originally published on May 21, 2015. In 1989, the San Francisco[…..]
Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. For the next five Sundays, our Shotgun Reviews will come from the finalists for the Daily Serving/Kadist Art Foundation Writing Fellowship in Mexico City. In today’s edition, author Leslie Moody Castro reviews the work of Mexico City–based artist Mario García Torres at the Modern Art[…..]
While walking through her retrospective Botched Execution, Portland-based artist Heidi Schwegler recounted a story about a lost baby boy. He disappeared during the night—last seen falling asleep in bed between his grandparents. In the morning, he was gone. The police arrived to search the home and surrounding area, and they turned up no trace. Hours later, in the bedroom, an officer heard a small cough—a[…..]