Raul Bussot was 5 years old when his family decided to escape Cuba, so he doesn’t remember the details very well. He remembers his father and two friends assembling a raft in a mangrove forest under the cover of darkness. He remembers pushing the raft to the beach while keeping an eye out for the Cuban Coast Guard. He remembers huddling together for warmth out on the ocean. He also remembers being most excited about watching cartoons without power interruptions. However, shortly after leaving they got caught in a torrential storm and blown off course into the open ocean. They drifted for days, not knowing their location, not knowing if they would survive. On the fifth day, running low on provisions as well as strength, they saw lights in the distance and were eventually rescued by the US Coast Guard. Now twenty years later, Raul is an artist living in Seoul, South Korea and along fellow artist Kim Hong-Rok sought to recreate that experience in a collaborative piece called A Clue to the Recovery of Authenticity: Bussot, Raul, which ran for five days at Khalifa Gallery in Cheongdam, Seoul.
In preparation of the piece, Bussot and Kim built a replica of the small, aluminum raft that his father had built back in Cuba and installed it in the gallery. They then “sailed” the raft for five days, living and sleeping on it for the entire duration, eating and drinking only the same provisions that the Bussot family had on their original journey: Spam, chocolate, and water.
On its surface, this work is an endurance piece, reminiscent of Tehching Hsieh’s Cage Piece (1978-79) or Chris Burden’s White Light/White Heat (1974), where the artists lived in isolation with little or no food. However, this work departs from those others in a significant way. Russot and Kim actively engaged the audience, sharing both the original experience as well as their current one. In this way, the interactions of the audience became as much a part of the piece as the performance itself.