Posts Tagged ‘abstraction’

Camaraderie on canvas

When I think of Jackson Pollock, I picture him working alone in his studio in East Hampton slinging paint across a canvas on the ground, oblivious to the art world around him. It’s easy to forget that the personal lives and relationships of artists deeply influenced their work, a topic brought to the forefront in Angels, Demons and Savages: Pollock, Ossorio, Dubuffet on view now[…..]

A Sense of Noir: Bill Armstrong at ClampArt

Untitled (Film Noir #1414), Type-C print, 2012.

Standing before the photographs from Bill Armstrong’s Infinity series, resistance is futile. Intense washes of color and uncertain, alluring forms beckon yet elude one’s grasp, and the encounter between viewer and work becomes a question not of looking but, more powerfully, of experiencing. Critical distance is collapsed, vision becomes a channel for sensation, and image expands into an all-encompassing, alternative reality. Such is the effect[…..]

Revelations in Paint

Prior to this exhibition, I associated Jules Olitski with his stained color field canvases from the early 1960s. But like my experience of most solo exhibitions, I was pleasantly surprised to discover the dramatic range of paintings he produced throughout his nearly fifty-year career. Revelation: Major Paintings by Jules Olitski at American University Museum walks the viewer through Olitski’s creative evolution as an abstract artist,[…..]

Macho Boogie-Woogie in Mexico

Adrian S. Bara sculpture installation, Cafe Benito, 2012

It’s a rainy summer night in Guadalajara. Zooming through the dark, the jeep I’m riding in feels more like a powerboat as it leaves a black wake in the flooded streets. This ain’t no British rain – and thank God for that. (I’ve had enough drizzle for two lifetimes.) Palm fronds shake and the heavy rain suddenly turns to hail. The frothy water in the[…..]

Just Say Yes

dailyserving

Looking at Zachary Buchner’s one-man show of mixed media plaster paintings at Andrew Rafacz Gallery entitled, Just Say Yes, I couldn’t help but think of Julian Schnabel’s sculptural plate paintings from the 80’s. In both cases, the dense treatment of the surface straddles the line between sculpture and image while exploring painting as an idiomatic language. Unlike Schnabel, Buchner doesn’t go in for representation or introduce[…..]

Fan Mail: Lee Yujin

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For this edition of Fan Mail, Berlin-based artist Lee Yujin has been selected from a group of worthy submissions. If you would like to be considered, please submit to info@dailyserving.com a link to your website with ‘Fan Mail’ in the subject line. One artist is featured each month—the next one could be you! Fire has always mesmerized me; as a child, I was frequently chastised for[…..]

Best of PULSE LA

There is another art fair in Los Angeles. Art fairs are synonymous with crowded, cavernous booths, prepackaged artwork, and most of all: money. But, this new art fair in Los Angeles does what very few art fairs have managed in the past; PULSE has combined a strong, experimental group of galleries and project spaces with actual money making. Combining gallery booths with project spaces for[…..]