Posts Tagged ‘advice’

Help Desk: Why Your Show Wasn’t Reviewed

John Divola. As Far As I Could Get (R02F09), 10 Seconds, 1996-7; pigment print;
60 x 40 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. None of my shows have ever been reviewed, even though I’ve been exhibiting my work in solo and group shows for almost six years. Press releases, personal emails, and newsletters have[…..]

Help Desk: Establishing Installations

Olafur Eliasson. Seu corpo da obra (Your body of work), 2011. Installed at Moderna Museet, Stockholm. Photo: Anders Sune Berg.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. How do I get started as an installation artist? Large, site-specific pieces don’t lend themselves well to collectors, or even to me developing a body of work without knowing what space it[…..]

Help Desk: Critic or Collector?

On Kawara. Paris–New York Drawing no. 144, 1964; Graphite and colored pencil on paper, perforated top edge, 4 9/16 x 18 1/16 in. Photo: David Zwirner, New York/London.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. What are the ethics around a critic collecting art? I want to write a review of a dazzling painting show. While I can’t afford one of the paintings, I would like[…..]

Help Desk: Institutional Bias

Robert Rauschenberg. White Painting [three panel], 1951; latex paint on canvas; 72 x 108 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I freelance in a museum in a major metropolitan area with a diverse population, but the racial demographics of the institution’s staffing seem glaringly segregated. The white​-​collar office employees are mostly[…..]

Help Desk: Conceptual Conundrum

Andy Warhol. Triple Elvis [Ferus Type], 1963; silkscreen ink and silver paint on linen, 82 x 69 in.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I just finished the first semester of my MFA at [a well-regarded East Coast school]. At the end of last term, I had a disappointing review and my professors said that[…..]

Help Desk: Self-Promotion

Andy Warhol, People on the Street, ca. 1980. © Andy Warhol. Gift of The Andy Warhol Foundation for the Visual Arts, Inc. RISD Museum, Providence, RI.

Help Desk is where I answer your queries about making, exhibiting, finding, marketing, buying, selling–or any other activity related to contemporary art. Submit your questions anonymously here. All submissions become the property of Daily Serving. I’m an artist in [redacted city] and I just got a solo show at a little gallery. I have no idea how to promote it. I didn’t go to art school[…..]

Best of 2015 – Help Desk: Selling Out

Installation view: Tony Conrad. Two Degrees of Separation, Kunsthalle Wien 2014, Photo: Stephan Wyckoff: Grommet Horn, ca. 1970, Replik 2014, Courtesy the artist and Galerie Buchholz, Berlin/Cologne

Today we kick off our annual Best Of series with a selection from senior editor Vivian Sming: “Bean Gilsdorf hits the nail on the head once again in her Help Desk article on ‘selling out.’ As an artist, there will always be certain opportunities that come knocking on your door that cause you to raise an eyebrow. In part, we may carry some sort of guilt[…..]