Posts Tagged ‘Akram Zaatari’

Summer Session – Akram Zaatari at SFMOMA

As part of this month’s Summer Session regarding the theme of labor, today we bring you a video clip from our friends at SFMOMA. Artist Akram Zaatari describes the work of Hashem el Madani, the first person to own a 35mm camera in Saïda, Lebanon. Zaatari calls Madani the “photographer of the working class,” whose studio both documented daily life in the city and became an important[…..]

From the Archives – Archive State at the Museum of Contemporary Photography, Columbia College

Akram Zaatari, Dance to the End of Love, 2011; four-channel video installation; 22 mins. Installation view at MUSAC. Courtesy the artist and Sfeir-Semler Gallery, Hamburg/Beirut.

Today from our archives, we bring you a (re)consideration of an exhibition about archives. Author Liz Glass analyzes the work that was on view at the Museum of Contemporary Photography in 2014 and notes, “By re-presenting these events from recent history through […] fragmentary views, the exhibition reaffirms the tension between the body politic and the individual body, while posturing toward a way of writing history that is aggregate, collective,[…..]

Archive State at the Museum of Contemporary Photography, Columbia College

David Oresick, Soldiers in Their Youth (still), 2009; digital video montage; 20 mins. Courtesy the artist and the Museum of Contemporary Photography, Chicago.

On view across three levels of the Museum of Contemporary Photography at Columbia College in Chicago, the exhibition Archive State presents five discrete bodies of work developed by six artists. (One of the installations is made by a duo.) Spatially expansive and ideologically packed, each of these five groups of works deserves individual attention. Likewise, the title of the exhibition itself is due some unpacking. Using the[…..]