Posts Tagged ‘Altman Siegel Gallery’

Sara VanDerBeek: Ancient Objects, Still Lives at Altman Siegel Gallery

Sara VanDerBeek. Chorerra, 2014; Digital c-print, 24 x 18 1/4 in; Edition of 6 plus 2 AP. Image courtesy of the Artist and Altman Siegel, San Francisco.

From our partners at Art Practical, today we bring you Danica Willard Sachs’ assessment of Sara VanDerBeek’s solo show Ancient Objects, Still Lives at Altman Siegel Gallery in San Francisco. Willard Sachs notes that the work “…suggest[s] that the past and present are not so easily partitioned when placed under VanDerBeek’s careful aesthetic watch.” This article was originally published on July 21, 2014. Sara VanDerBeek’s photographs in her latest exhibition Ancient Objects, Still[…..]

New Year’s Day Swimmers

The first time I saw New Year’s Day Swimmers, the current exhibition at Altman Siegel Gallery in San Francisco, I didn’t mean to. I intended to pop into the gallery to drop something off, but as soon as I crossed the threshold I was completely captivated by the works and forgot everything else I was supposed to accomplish by my visit. Floating through the gallery,[…..]

Seeing is Believing: An Interview with Trevor Paglen

Recent advancements in technology such as Google Earth and street-view, has given anyone with a computer and an internet connection the ability to collapse time and space. It is easy to sit in the comfort of your home and within just a few seconds, virtually place yourself anywhere in the world, that Google has imaged. This uniquely 21st century way of seeing may be relatively[…..]

Stay Home: Will Rogan at Altman Siegel Gallery

In 1980, French theorist and critic Roland Barthes published the book Camera Lucida, addressing the nature of photography and its inherent relationship with the mechanics of time. Barthes deconstructs this correlation and the concept of memento mori, roughly translated to mean “remember your mortality,” and how photography exposes the vulnerable temporality of life. Will Rogan’s exhibition, Stay Home, now at the Altman Siegel Gallery in[…..]

They Knew What They Wanted

This year, there has been a laundry list of artist curated group shows, from David Salle’s exhibition, Your History is not our History, at Haunch of Venison, to Jeff Koon’s Skin Fruit at the New Museum and the upcoming Walead Beshty curated show, Picture Industry (Goodbye to All That), at Regen Projects. Each exhibition has its hits and misses in terms of content, style and[…..]