Posts Tagged ‘apocalypse’

Ludovic Duchâteau: In Dreamland at A Stark Project

Ludovic Duchateau. In Dreamland, 2016; installation view, A Stark Project, Berkeley. Courtesy of the Artist and A Stark Project. Photo: Hillary Goidell.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Noah Sudarsky reviews Ludovic Duchâteau: In Dreamland at A Stark Project in Berkeley. French sculptor Ludovic Duchâteau’s first solo show in the[…..]

Tales of Our Time at the Guggenheim Museum

Sun Yuan & Peng Yu. Can’t Help Myself, 2016; Kuka industrial robot, stainless steel and rubber, cellulose ether in colored water, lighting grid with Cognex visual-recognition sensors, and polycarbonate wall with aluminum frame. Solomon R. Guggenheim Museum, New York, The Robert H. N. Ho Family Foundation Collection © Sun Yuan & Peng Yu. Photo: David Heald.

Let’s talk about the apocalypse. It looms over Tales of Our Time, an exhibition of newly commissioned works by contemporary Chinese artists at the Guggenheim Museum in New York, from a video installation literally called In The End Is The Word to the 10-foot robotic arm that violently moves blood-red ink in Sun Yuan and Peng Yu’s Can’t Help Myself. Curators Xiaoyu Weng and Hou[…..]

Thomas Hirschhorn: In-Between at South London Gallery

Thomas Hirschhorn. In-Between, 2015; installation view, South London Gallery, London. Courtesy Thomas Hirschhorn. Photo: Mark Blower.

Thomas Hirschhorn’s show at the South London Gallery is a precarious, postapocalyptic mess. Collapsing floors are propped up with broken posts, and adjoining walls are held together by packing tape, which creates a foreboding sense that the installation could come down on the viewers at any moment. Yet the actual threat of fabricated precariousness is quite different than the threat posed to the viewer who[…..]

Alex Lukas: These Are The Days of Miracle and Wonder

Due to the ubiquity of image and video today, we have become accustomed to witnessing disasters, both man made and natural, unfold in front of our very eyes. Because of the easy access of imagery and news media, it seems as if these disasters are growing at an exponential rate and are perhaps starting to spiral out of control. The recent onslaught of crisis’, be[…..]