Posts Tagged ‘Art + Citizenship’

Border Crossings: From Palestine to Mexico

Khaled Jarrar. Khaled’s Ladder, 2016; made from parts of the Mexico/USA border. Courtesy of CULTURUNNERS.

From our sister publication Art Practical today we bring you an article published in Issue 8.1: Art & Citizenship. Author Genevieve Quick considers Khaled Jarrar’s ongoing project Live and Work, which interrogates the borders between Palestine and Israel, and Mexico and the United States. Quick states, “As larger geopolitical issues are debated between international politicians, Jarrar uses art to enact seemingly small gestures that empower himself as an individual,[…..]

Citizenship, the Body, and the Ethics of Exposure

Felix Gonzalez-Torres. "Untitled" (Portrait of Ross in L.A.), 1991; Candies individually wrapped in multicolored cellophane, endless supply; Overall dimensions vary; Installation view: More Love: Art, Politics and Sharing Since the 1990s. Ackland Art Museum, University of North Carolina, Chapel Hill. 1 Feb. - 31 Mar. 2013. Courtesy of Andrea Rosen Gallery, New York. © The Felix Gonzalez-Torres Foundation

From our sister publication, Art Practical, today we bring you Michelle Weidman’s piece from “Issue 8.1: Art + Citizenship.” Weidman excavates the ethics of exposure, and the violation and consumption of black bodies, brown bodies, women’s bodies. She asserts, “We live in a society that relishes exposure—see nude photo leaks; the Kardashians; interest in diaries and private correspondence cloaked with the pretense of literary or political[…..]

Between Citizenry and Privilege: Ai Weiwei and Bouchra Khalili

Ai Weiwei and Rowlit Chawla. Weiwei on Lesvos Beach, 2016. Photo: Rowlit Chawla for India Today.

Today from our sister publication Art Practical we bring you Jordan Amirkhani’s article from 8.1: Art + Citizenship. Amirkhani discusses the recent work of artists Ai Weiwei and Bouchra Khalili as they respond to global crises. Amirkhani quotes Hannah Arendt, who speaks to citizenship and  those who lack the “rights to rights,” saying, “If a human being loses his political status, he should, according to the implications of the inborn[…..]

Breaking Point: Accessibility and the Cummer Museum

A 2004 meeting of Women of Vision. The group of low-vision and blind women meet monthly at the Cummer Museum to make art, go on touch-tours of the museum, and write their memoirs. Photo courtesy of Hope McMath.

Today we bring you Calder Yates’s essay from our sister publication, Art Practical; originally published in Issue 8.1: Art + Citizenship. Yates retraces the history of the Cummer Museum in Jacksonville, Florida, and its journey towards accessibility and inclusivity under former museum director Hope McMath. Calder states “In Jacksonville, with all of the residual bigotry that comes with its legacy as a city in the South, the creation of[…..]

Sculptures and People

Gordon Newell. Valley Landing, (date unknown); installation view, Fulton Mall (Fresno, CA). Photo: Elena Harvey Collins, 2016

Today we bring you an Elena Harvey Collins essay from our sister publication, Art Practical. Harvey Collins explores the genius loci of the Fulton Mall in Fresno, California, its history and redevelopment, and the public artworks that surround it. She says “The mall had the feeling of a permanent film set made for the performance of civic life—one steeped in magical realism. ‘I woke up feelin’[…..]

The Art of Citizenship: Mierle Laderman Ukeles at the Queens Museum

Mierle Laderman Ukeles. Sanitation Celebrations: Grand Finale of the First NYC Art Parade, Part I: The Social Mirror, 1983; garbage collection truck, tempered glass mirror, and acrylic mirror; 28 x 8 x 10 1⁄2 ft. Created in collaboration with DSNY. Courtesy of the Artist.
Mierle Laderman Ukeles. Sanitation Celebrations: Grand Finale of the First NYC Art Parade, Part I: The Social Mirror, 1983; garbage collection truck, tempered glass mirror, and acrylic mirror; 28 x 8 x 10 1⁄2 ft. Created in collaboration with DSNY. Courtesy of the Artist.

Today from our sister publication Art Practical we bring you Aruna D’Souza’s reflections on Mierle Laderman Ukeles at the Queens Museum. This article was published as part of Art Practical’s issue 8.1: Art + Citizenship. D’Souza states  “[Ukeles] work, and the role of the artist that her work inscribed, makes a powerful argument for the artistic possibilities of citizenship—and the responsibilities, obligations, and collective pleasures[…..]