Posts Tagged ‘Art Practical’

Summer Session – Punk Thing

Still from the X-Ray Spex performing "Oh Bondage! Up Yours!" circa 1977. From the documentary Punk in London (Metrodome, 1977).

For this month’s Summer Session we’re thinking about celebrity, and today we bring you an article by Brandon Brown from our sister publication Art Practical on perhaps one of the most iconic and enduring cultural genres: punk. Simultaneously existing as both an infamously commercialized stylization and a sincere, perennial style, punk remains an inexhaustible testament to the inextricability of power and aesthetics. This article was originally published on September[…..]

Summer Session – Bad at Sports: Interview with Kehinde Wiley

Kehinde Wiley, Leviathan Zodiac (The World Stage: Israel), 2011; oil and gold enamel on canvas, 115 x 79.75 in. (framed). Collection of Blake Byrne. Courtesy of Roberts & Tilton, Culver City, CA.

This Summer Session we’re thinking about celebrity, and today we bring you an interview from the podcast Bad at Sports with artist Kehinde Wiley, courtesy of our sister publication Art Practical. Wiley, a highly celebrated artist himself, is best known for his large Orientalist paintings of men of color, utilizing the immaterial visual vernacular of authority and the materiality and scale of wealth to reframe his anonymous, systemically disenfranchised subjects[…..]

Summer Session – Art and Film

Harmony Korine. Spring Breakers, 2013 (film still); 01:34:00. Courtesy of Spring Breakers LLC and A24 Films.

This Summer Session we’re thinking about celebrity, and today we bring you a piece by celebrity James Franco from our sister publication Art Practical on his role in various art films, especially Spring Breakers (2013). Here, Franco attempts to tease out the intersections of commercial and art film projects from the inside, simultaneously offering a meta-narrative on the self-referentiality of his collaborations while enacting it himself. This article was originally published on July[…..]

Summer Session – Exposed: Voyeurism, Surveillance, and the Camera Since 1870

Alison Jackson. The Queen plays with her Corgies, from the series Confidential, 2007; chromogenic print; 16 x 12 in. Courtesy the Artist and M+B Gallery, Los Angeles. © Alison Jackson.

For today’s Summer Session topic of celebrity, we bring you Genevieve Quick’s review from our sister publication Art Practical of the 2010 SFMOMA exhibition Exposed, a show on the history of photography and the camera. Our contemporary fascination with celebrities is heavily shaped by the photographic medium, and Exposed explored some of the earliest iterations of the iconic paparazzi shot that is a quintessential celebrity experience. This review was originally published[…..]

Summer Session – Kid Fridge Prince

Illustration by Anne McGuire. Courtesy of the Artist.

For this month’s Summer Session we’re thinking about celebrity, and the ways in which the ideas and connotations of celebrity impact our lives and our art. Today, we bring you three interwoven stories from our friends at Art Practical by Lindsey Boldt, Anne McGuire, and Steve Orth, who take the late, great Prince as the inspiration and guide for their surreal, collaborative project. This article was[…..]

Summer Session – My Grandfather Met Liberace and I’ve Never Been to Burning Man

For this month’s Summer Session we’re thinking about celebrity, and today from our sister publication Art Practical we bring you Sean Uyehara’s exploration of celebrity’s affective underpinnings. Uyehara locates the tension between earnestness and irony as perhaps the core dynamic of celebrity experience, with the audience constantly vacillating between these two poles as they consider stories and lives outside of their own. This article was originally published July[…..]

Summer Session – Reskill Now!

Suzanne Lacy. Still from the making of The Roof Is on Fire, 1992–94. To make this work, a collaborative performance directed by Lacy and documented in photos, videos, and a film, 220 inner-city teens in 100 cars came together on the garage roof of Oakland’s Federal Building to talk openly, with predetermined topics but no script, in front of “eavesdropping” audiences and cameras.

Today’s installment of our Summer Session considering labor comes from our sister publication Art Practical. Author Celeste Connor contributes an Op-Ed that claims, “To fetishize style trends, as institutions do, as singular models for development of cultural ideas and actions is tragicomically flattening. If we makers are serious about the goal of a growing, inclusive public, reskilling is a crucial antidote.” This article was originally published on June[…..]