As part of our ongoing partnership with Art Practical, Daily Serving is sharing Patricia Maloney’s recent interview with photographer Rineke Dijkstra. Currently on view at the San Francisco Museum of Modern Art, the mid-career retrospective of work by the photographer Rineke Dijkstra lays out the argument she has built for more than twenty years for the intimacy and dignity of portraiture as a genre. Beginning with the portraits[.....]

As part of our ongoing partnership with Art Practical, Daily Serving is sharing Patricia Maloney’s article Making Events of Objects on [2nd floor projects] and THE THING Quarterly in San Francisco. A central tenet to emerge from Conceptual art in the 1960s was the perception of language as an object: a visual form of signification that requires us to negotiate its materiality in order to locate its meaning.[.....]

As part of our ongoing partnership with Art Practical, Daily Serving is republishing Patricia Maloney‘s article Architecture of Narrative on David Claerbout‘s exhibition at SFMOMA in San Francisco. Four video installations comprise Architecture of Narrative, the exhibition of work by Belgian artist David Claerbout, currently on view at the San Francisco Museum of Modern Art. The exhibition’s title underscores the presiding concerns in Claerbout’s study[.....]

As part of our ongoing partnership with Art Practical, Daily Serving is republishing Brian Andrews‘ article Marco Breuer: Line of Sight, featuring work on view now at the de Young Museum in San Francisco. Installation of Marco Breuer: Line of Sight from FAMSF on Vimeo. In 2005 when the de Young museum opened their new Herzog & de Meuron‑designed facility in Golden Gate Park, the[.....]

Today’s article is from our friends at Art Practical, where Christine Wong Yap discusses the group shows Under Deconstruction I & II at the Swiss Institute. Under Deconstruction III is open through August 7th. What if we thought of the substance of art not as media, but as matter? Matter exists continuously, whereas media must be elevated to the status of an art object. In[.....]

Today’s interview is from our friends at Art Practical, where Bean Gilsdorf gets a chance to chat with Glenn Adamson, deputy head of research and head of Graduate Studies at the Victoria and Albert Museum, where he leads a graduate program in the History of Design. My interest in Glenn Adamson’s work began in 2006 with his essay “Handy-Crafts: A Doctrine,” which is included in[.....]

Today’s article is from our friends at Art Practical, where Dominic Willsdon considers Brightworks, a newly opened K-12 private school in San Francisco designed around an alternative educational model guided by tenets typically associated with artistic practices. Brightworks is a new, unaccredited K–12 private school co-created by Gever Tulley and Bryan Welch somewhat in the tradition of anarchist-leaning Free Schools. The opening ceremony, held at the[.....]