Posts Tagged ‘Art Practical’

Sculptures and People

Gordon Newell. Valley Landing, (date unknown); installation view, Fulton Mall (Fresno, CA). Photo: Elena Harvey Collins, 2016

Today we bring you an Elena Harvey Collins essay from our sister publication, Art Practical. Harvey Collins explores the genius loci of the Fulton Mall in Fresno, California, its history and redevelopment, and the public artworks that surround it. She says “The mall had the feeling of a permanent film set made for the performance of civic life—one steeped in magical realism. ‘I woke up feelin’[…..]

The Art of Citizenship: Mierle Laderman Ukeles at the Queens Museum

Mierle Laderman Ukeles. Sanitation Celebrations: Grand Finale of the First NYC Art Parade, Part I: The Social Mirror, 1983; garbage collection truck, tempered glass mirror, and acrylic mirror; 28 x 8 x 10 1⁄2 ft. Created in collaboration with DSNY. Courtesy of the Artist.
Mierle Laderman Ukeles. Sanitation Celebrations: Grand Finale of the First NYC Art Parade, Part I: The Social Mirror, 1983; garbage collection truck, tempered glass mirror, and acrylic mirror; 28 x 8 x 10 1⁄2 ft. Created in collaboration with DSNY. Courtesy of the Artist.

Today from our sister publication Art Practical we bring you Aruna D’Souza’s reflections on Mierle Laderman Ukeles at the Queens Museum. This article was published as part of Art Practical’s issue 8.1: Art + Citizenship. D’Souza states  “[Ukeles] work, and the role of the artist that her work inscribed, makes a powerful argument for the artistic possibilities of citizenship—and the responsibilities, obligations, and collective pleasures[…..]

10 Questions for Patricia Maloney

Patricia Maloney at Southern Exposure in San Francisco.

Happy birthday, Daily Serving! This month marks our tenth year of bringing you some of the smartest art writing around. To celebrate this momentous anniversary, we’re looking at our history—and our future. Today we bring you an excerpt from an interview with Daily Serving’s second publisher, Patricia Maloney (now the Executive Director of Southern Exposure). After starting the Bay Area-based journal Art Practical in 2009, Patricia[…..]

Happy Labor Day!

Ramiro Gomez. No Splash (after David
Hockney’s A Bigger
Splash, 1967), 2013.
Acrylic on canvas
96 x 96 inches.
Courtesy of the artist and Charlie James Gallery, Los Angeles. Photo: Osceola Refetoff.

Today is Labor Day in the United States, a day “dedicated to the social and economic achievements of American workers.” In honor of the day, we present you with links for further reading: More than a dozen articles on labor, artistic services, precarity, working for free, and related subjects are included in Art Practical’s Issue 5.4: Valuing Labor in the Arts Labor Arts ”presents powerful images[…..]

Summer Session: How We Read: Close, Hyper, Machine—Part 1

Catherine Wagner. Beloved, Toni Morrison from the series trans/literate, 2011; archival pigment print with braille; edition of five; 21.75 in. x 49.13 in. diptych. Courtesy of the Artist and Stephen Wirtz Gallery, San Francisco.

As part of our Back to School Summer Session we are exploring pedagogy and the state of learning in the arts. Today we bring you an article from our sister publication Art Practical by cultural scholar and author of How We Became Posthuman N. Katherine Hayles. Considering national studies observing a decline in general reading abilities across the United States, Hayles differentiates between key reading techniques employed by print versus digital texts.[…..]

Summer Session – On Kawara: Pure Consciousness at 19 Kindergartens

Pure Consciousness booklet image of kindergarteners in Bethlehem, Palestine, with seven Kawara date paintings from the Today series in background, laid over other booklets. Image courtesy of Walter and McBean Galleries, San Francisco Art Institute.

This month, our Back to School session addresses topics ranging from self-directed learning to formal pedagogy to the intersections of art and academics. Today from our sister publication Art Practical we bring you a review by Jessica Brier of On Kawara’s project Pure Consciousness. Brier draws connections between the malleability of Kawara’s conceptualist exploration of time and how the placing of his works within kindergartens across the globe challenges the[…..]

Summer Session – Pissarro’s People

Apple Harvest, 1888; oil on canvas; 24 x 29.13 in. Courtesy of the Artist and the Dallas Museum of Art.

For this Summer Session we’re thinking about going Back to School, musing on art education, pedagogy, and learning. From our sister publication Art Practical we bring you John Zarobell’s review of the San Francisco Legion of Honor’s 2011 Camille Pissarro exhibition. Zarobell finds that the show reveals a radical politic of Impressionism that is often overlooked in the works of some of the more famous artists. The author demonstrates[…..]