Posts Tagged ‘Art Practical’

Take This Hammer: Art + Media Activism from the Bay Area at Yerba Buena Center for the Arts

Take This Hammer: Art + Media Activism from the Bay Area, installation view, Yerba Buena Center for the Arts. Left: Oree Originol. Justice for Our Lives, 2014-ongoing. Right: Cat Brooks with Black Lives Matter. Anti Police-Terror Project, ‘Tasha,’ 2015. Courtesy of Yerba Buena Center for the Arts, San Francisco. Photo: Charlie Villyard.

Today from our sister publication Art Practical we bring you editor Emily Holmes’ review of Take This Hammer at YBCA in San Francisco. Holmes notes, “Although there is crossover between works, particularly in regard to the social issues they address, violence is perhaps the single thread running through all of Take This Hammer. […] It takes many forms, but the exhibition particularly exposes systemic inequities and state-sanctioned[…..]

Virtual Absence and Presence in the Museum of Stolen Art

Ziv Schneider. Art Detective: The Museum of Stolen Art, 2015; Android VR app. Courtesy of the Artist.

Today from our partners at Art Practical, we bring you the most recent edition of their popular “Locating Technology” column, a consideration of the Museum of Stolen Art (MOSA). Author Genevieve Quick notes that “MOSA capitalizes on the unknown: the whereabouts of the artworks, sometimes the conditions of their theft or looting. Rather than explaining the significance of given artworks as conventional museums do, MOSA poses questions about their[…..]

Question Bridge: Black Males in America

Question Bridge: Black Males in America (Aperture/Campaign for Black Male Achievement, 2015)

Today we bring you an excerpt from Art Practical’s Printed Matters column. Roula Seikaly reviews Question Bridge: Black Males in America, the published companion to a project, platform, and installation that regards identity and representation. Seikaly notes, “Asking a question […] can be difficult; it can imply lack of knowledge and experience, rendering the asker vulnerable. No one wants to be caught out, least of all when the questions address identity, community, and most urgently,[…..]

Anthony Discenza Presents A Novel: An Exhibition by Anthony Discenza at Catharine Clark Gallery

Today from our partners at Art Practical, we bring you Maria Porges’ review of Anthony Discenza Presents A Novel: An Exhibition by Anthony Discenza at Catharine Clark Gallery in San Francisco. The author notes, “Achieving a successful understanding of the many layers [of the exhibition] yields a devious satisfaction.” This article was originally published on March 22, 2016. When or why does art become the idea of art:[…..]

Bring It Home: (Re)Locating Cultural Legacy Through the Body at San Francisco Arts Commission Gallery

Zeina Barakeh. Homeland Insecurity, 2015; single channel animated video, 6:00. Courtesy of the Artist. Photo: Scott Chernis.

Today from our partners at Art Practical, we bring you an excerpt from Brian Karl’s review of Bring It Home: (Re)Locating Cultural Legacy Through the Body at the newly reopened San Francisco Arts Commission Gallery. The author notes, “Given the particularly intense struggles in the Bay Area today, where citizens are denied access to civil rights and basic resources by the structural discriminations of racialist and upward-funneling[…..]

Printed Matters – Daniel Coburn: The Hereditary Estate

Daniel Coburn. The Matriarch, from The Hereditary Estate, Kehrer Verlag, 2014.

Today from our partners at Art Practical, we bring you Larissa Archer’s review of the photography book The Hereditary Estate by Daniel Coburn. The author writes, “It’s the eyes of Coburn’s subjects that will haunt you. The elders seem to have seen everything, leaving them with marked brows and broken hearts. The younger adults seem by turns thoughtsick and mistrustful to downright hardboiled and malicious. The children, however,[…..]

DSAP Executive Director Patricia Maloney to Join Southern Exposure

Southern Exposure in San Francisco, California.

Hail and farewell! Today we are both pleased and sad to announce that our executive director, Patricia Maloney, will be leaving us to become the new executive director of Southern Exposure in San Francisco. Below is her valediction to our readers. We hope you will join us in thanking her for her years of service to the publication, and in wishing her the best of[…..]