Posts Tagged ‘Art Practical’

Doug Hall: The Terrible Uncertainty of the Thing Described at SFAI

Doug Hall. The Terrible Uncertainty of the Thing Described, 1987; video still, San Francisco Art Institute, Walter and McBean Galleries. Collection of SFMOMA, purchased through a gift of the Modern Art Council and the San Francisco Art Dealers Association. © Doug Hall. Photo: Gregory Goode.

Today from our partners at Art Practical, we bring you a review of Doug Hall’s The Terrible Uncertainty of the Thing Described, currently on view at the Walter and McBean Galleries of the San Francisco Art Institute. Author Maria Porges notes: “Perhaps the most fascinating thing about Hall’s seminal work is its quality of timelessness.” This article was originally published on May 21, 2015. In 1989, the San Francisco[…..]

Richard Misrach: Being(s) 1975–2015 at Fraenkel Gallery

Richard Misrach. Kodak, Donna, Debra, Jake, Oregon Coast, 1984; pigment print; 61 1/2 x 76 1/2 in. © Richard Misrach. Courtesy of Fraenkel Gallery, San Francisco.

From our partners at Art Practical, today we bring you Brian Karl’s review of Richard Misrach: Being(s) 1975–2015 at Fraenkel Gallery in San Francisco. Karl notes: “Misrach’s technical and compositional treatments produce a distancing effect that imbues the human figures with a kind of impotence.” This article was originally published on May 19, 2015. This Fraenkel Gallery survey of more than thirty years of Richard Misrach’s photography primarily[…..]

100° City at City Limits

Joel Dean. Untitled, 2015; Solarbotics Photopopper Photovore V5.0, glass jar; 11" x 7" x 7". Courtesy of the Artist and City Limits, Oakland.

Today from our partners at Art Practical, we bring you Jackie Im‘s review of 100° City, a three-person show at City Limits Gallery in Oakland that “…seeks to challenge, to draw people into these messy conversations about anxiety, about the effects we have on the Earth.” Today is your last chance to see the exhibition, which features works by Jason Benson, Joel Dean, and Erin Jane[…..]

Sequence’s Travels Into Several Notions of the Museum

Richard Serra. Sequence, 2006; weatherproof steel; 153 x 488 x 782 3/17 in. overall and 2 in. thick; installation views at New York MoMA (top left) Photo: Lorenz Kienzle, collection of the artist, © 2007 Richard Serra / Artists Rights Society (ARS), New York, LACMA (top right) Courtesy of the Artist, the Cantor Arts Center (bottom left) Photo: Saul Rosenfield, © 2014–15, with permission of Cantor Arts Center at Stanford University, and SFMOMA’s 85-foot wide by 55-foot long Howard Street gallery (bottom right) Photo: Henrik Kem © 2015.

From our partners at Art Practical, today we bring you an excerpt from Rob Marks’ consideration of Richard Serra’s Sequence, recently moved from the Cantor Arts Center to SFMOMA. Marks notes, “Sequence is massive, particularly when seen from afar. But it becomes something completely different up close.[…] For Jonathan Swift, too, size stood as much for difference as it did for power. The Lilliputians start by seeing[…..]

Beta Space: Diana Thater at San Jose Museum of Art

Diana Thater. Science, Fiction, 2015; two video projectors, media player, and lights; dimensions variable. Courtesy of the Artist; San Jose Museum of Art, San Jose; and David Zwirner, London/New York.

From our partners at Art Practical, today we bring you a review of Diana Thater’s current solo exhibition at the San Jose Museum of Art. Author Genevieve Quick notes that this exhibition is remarkably similar to ones the artist has already presented: “I am unconvinced that Thater’s minor changes constitute new works or the experimentation that the series seeks to support.” This article was originally published on April 28,[…..]

Josh Greene: Bound to Be Held at the Contemporary Jewish Museum

Josh Greene. Bound to Be Held: A Book Show, 2015; installation view. Courtesy of the Artist and the Contemporary Jewish Museum, San Francisco. Photo: Johnna Arnold.

From our partners at Art Practical, today we bring you a Shotgun Review of Josh Greene’s Bound to Be Held at the Contemporary Jewish Museum. Author Adriana Rabinovitch notes that the exhibition “allows for visitors to grasp, and possibly reciprocate, a relationship that a stranger has with a literary work.” This review was originally published on April 18, 2015. Josh Greene’s Bound to Be Held: A Book Show[…..]

Miriam Böhm: At On at Ratio 3

Miriam Böhm. Equally III, 2015; chromogenic print; 23 x 29 in. Courtesy of the Artist and Ratio 3, San Francisco.

From our partners at Art Practical, today we bring you a review of Miriam Böhm’s current solo show at Ratio 3 in San Francisco. Author Danica Willard Sachs notes that the work has “a surreal dimensionality, with lines and planes that intersect in unusual ways, suggesting a simultaneous depth and flatness that refuses to resolve neatly into one or the other.” This article was originally published on April 14,[…..]