Posts Tagged ‘Art Practical’

Jay DeFeo/Alter Ego at Hosfelt Gallery

Jay DeFeo, Untitled, 1973; gelatin silver print, 7 3/4 x 9 9/16 in., Estate no. P0778A. May not be reproduced in any form without permission of The Jay DeFeo Trust, © 2015 The Jay DeFeo Trust/Artists Rights Society (ARS), New York.

Today from our partners at Art Practical, we bring you a review of Jay DeFeo/Alter Ego at Hosfelt Gallery in San Francisco. Author Anton Stuebner notes, “In reconceptualizing the forms of her everyday life, DeFeo’s work suggests the importance of embracing the imaginary and the real as necessary complements.” This article was originally published on October 1, 2015. Shadows suffuse Jay DeFeo’s work. In her gelatin silver prints,[…..]

Makeover at Southern Exposure

Members of Mutant Salon, 2015. Courtesy of the Artists.

From our partners at Art Practical, today we bring you a review of Makeover at Southern Exposure in San Francisco. Author Mary Anne Kluth notes: “At a time of massive change in the demographics and urban shape of the Mission District […] the works in Makeover collectively acknowledge that life can be messy, but encourage or demonstrate ideals of exchange and openness, and emphasize approaching problems with a sense[…..]

Chris Fraser: Animated at Gallery Wendi Norris

Chris Fraser. Mobile | 0˚, 90˚, 90˚ | Argon and Neon, 2015; powder-coated steel, gas discharge tubes, transformer, argon, and neon; 42 x 21 x 12 in. Courtesy of the Artist and Gallery Wendi Norris, San Francisco.

In addition to their current special issue on the legacy of punk rock, our partners at Art Practical are also blasting into the new season with their annual Shotgun series—ten short reviews by regular contributors that cover the Bay Area art scene. This review, by Danica Willard Sachs, investigates the works of artist Chris Fraser, currently on view at Gallery Wendi Norris. This article was originally published on September[…..]

Mechanized Bodies: Anxiety and Healing in a Global Economy

Vicky Funari and Sergio De La Torre. Maquilapolis (City of Factories) (still by David Maung), 2006; film; 68:00. Courtesy of the Artists.

Today from our partners at Art Practical, we bring you an essay on art, manufacturing, and workers’ bodies. Author Genevieve Quick explains, “Whether in the U.S., Mexico, or India, workers endure the same cycle: becoming part of a larger network of production that can be disassembled and relocated, rendering them redundant. Assembly-line production has taken its toll on workers’ bodies since the beginning of industrialization, and its absence[…..]

Juan Carlos Quintana: Retrospectives at Jack Fischer Gallery

Juan Carlos Quintana. Reflections on Exile Part I (Entering the Forest), 2014-15; oil and acrylic on canvas; 84 x 192 in. Courtesy of the Artist and Jack Fischer Gallery, San Francisco.

From our partners at Art Practical, today we bring you a review of Juan Carlos Quintana: Retrospectives at Jack Fischer Gallery in San Francisco. Author Maria Porges quotes the artist at the end of the review: “And who is to say what is failure and what is success? As an artist you just need to trust and listen to yourself and keep moving forward.” This article was[…..]

Summer Reading – Finding Value in a Flattened Field

Anna Gray + Ryan Wilson Paulsen. 100 Posterworks, 2009–2013; printed poster; 11 x 17 in. Courtesy of the Artists.

Today for our Summer Reading series we bring you Patricia Maloney’s recent op-ed from our partners at Art Practical. The author notes, “The commitment to paying contributors must be acknowledged as only the most visible link in a long chain of interlocking, concrete exchanges distributed throughout the ecosystem. Paying a writer or artist is not a unidirectional transaction; it is part of a public health policy.” This[…..]

Summer Reading – (Un)doing (Un)compensation

Caroline Woolard. cards, 2010. Courtesy of the Artist.

In selecting the articles for our Summer Reading series—ones that we think exemplify current issues in the field of contemporary art—we would be remiss if we did not include Caroline Woolard’s consideration of “[the] seven ways in which I attempt to navigate inequity within institutions and collective projects.” This article was originally published in Art Practical’s special issue “Valuing Labor in the Arts” on April 3, 2014.[…..]