Posts Tagged ‘Art Practical’

Artist Project: Live Radio Auction

5.5_Wonderment_LRA_Kids_Crafts1024

From our partners at Art Practical, today we bring you Live Radio Auction, a project by Wonderment Consortium—the artist team of Packard Jennings, Steuart Pittman, and Scott Vermeire. This essay was commissioned by guest editor Jonn Herschend as part of Issue 5.5, Slapstick and the Sublime, and originally published on July 10, 2014. Live Radio Auction appropriates a format from rural American radio stations in which the DJ auctions[.....]

Dawn Weleski

Dawn Weleski. Conflict Kitchen, 2010-present; Pittsburgh, PA. Courtesy of the Artists.

From our partners at Art Practical, today we bring you a profile of artist Dawn Weleski and her project Conflict Kitchen. Author Matthew Harrison Tedford notes, “…the sorry state of public knowledge about foreign cultures makes even a brief, thoughtful conversation between cashier and customer a monumental achievement…” This article was originally published on May 7, 2014. A recent poll of Americans asked a variety of foreign-policy[.....]

Precarity as Profession

Participation ≠ Compensation workshop, Valuing Laboring in the Arts practicum, April 19, 2014, UC Berkeley Art Museum. Courtesy of the Arts Research Center, UC Berkeley. Photo: Joseph del Pesco

From our partners at Art Practical, today we bring you Lane Relyea‘s commissioned response to Stephanie Syjuco’s “Participation ≠ Compensation” workshop at the Valuing Labor in the Arts practicum at the Arts Research Center at UC Berkeley. Relyea notes, “[...] art venues will often claim to treat artists as professionals by rewarding their research with exposure more than cash. But who then pays the bills?” This article was originally[.....]

Geof Oppenheimer: Monsters at Ratio 3

Geof Oppenheimer. The Embarrassing Statue, 2014; electroplated steel, Husqvarna 150BT, marble, Brooks Brothers pants, plaster bandages, and MDF; 101 x 33 x 33 in. Courtesy of the Artist and Ratio 3, San Francisco.

From our partners at Art Practical, today we bring you author Danica Willard Sachs‘ review of Geof Oppenheimer‘s Monsters at Ratio 3 in San Francisco. This article was originally published on June 18, 2014.   Geof Oppenheimer’s current solo exhibition at Ratio 3, Monsters, continues his investigation of the physical markers of violence. In previous exhibitions, such as Inside Us All There Is a Part That Would Like to[.....]

Valuing Labor in the Arts: Can We Talk About the Audience?

Introduction, Valuing Laboring in the Arts practicum, April 19, 2014, UC Berkeley Art Museum. Courtesy of the Arts Research Center, UC Berkeley. Photo: Joseph del Pesco.

From our partners at Art Practical, today we bring you an excerpt of author Michael O’Hare’s response after participating in the “Big Soft (BS) Contract” workshop. This workshop was part of  the practicum “Valuing Labor in the Arts” at the Arts Research Center at UC Berkeley, a daylong series of artist-led workshops that explored questions of art, labor, and economics. O’Hare, who is a Professor of Public Policy at[.....]

Valuing Labor in the Arts: Reigniting Public Art Policy as Social Practice

Jeremy Deller, Scott King and William Morris. A poster in response to the British government’s 2010 proposal to cut funding for the arts by 25 percent.

From our partners at Art Practical, today we bring you Jeffrey Skoller’s response to the workshop “Appropriate Technologies,” which was part of the practicum Valuing Labor in the Arts hosted by the Arts Research Center at UC Berkeley. Skoller asserts, “Given how many young artists today are making art as social practice, relational aesthetics, and cultural activism, and who are devoting their careers to social activism, it is striking that there is[.....]

Valuing Labor in the Arts: Negotiating Terms and Setting Precedents

Gauging the Grey Area workshop, Valuing Laboring in the Arts practicum, April 19, 2014, UC Berkeley Art Museum. Courtesy of the Arts Research Center, UC Berkeley. Photo: Joseph del Pesco.

From our partners at Art Practical, today we bring you Patricia Maloney’s response to the workshop “Gauging the Gray Area: Standards for Artistic Labor,” which was part of the practicum Valuing Labor in the Arts hosted by the Arts Research Center at UC Berkeley. Maloney notes, “…negotiation is the most demonstrable and effective means of creating agency.” This article was originally published on May 22, 2014. “Gauging the[.....]