Posts Tagged ‘Art Practical’

Sequence’s Travels Into Several Notions of the Museum

Richard Serra. Sequence, 2006; weatherproof steel; 153 x 488 x 782 3/17 in. overall and 2 in. thick; installation views at New York MoMA (top left) Photo: Lorenz Kienzle, collection of the artist, © 2007 Richard Serra / Artists Rights Society (ARS), New York, LACMA (top right) Courtesy of the Artist, the Cantor Arts Center (bottom left) Photo: Saul Rosenfield, © 2014–15, with permission of Cantor Arts Center at Stanford University, and SFMOMA’s 85-foot wide by 55-foot long Howard Street gallery (bottom right) Photo: Henrik Kem © 2015.

From our partners at Art Practical, today we bring you an excerpt from Rob Marks’ consideration of Richard Serra’s Sequence, recently moved from the Cantor Arts Center to SFMOMA. Marks notes, “Sequence is massive, particularly when seen from afar. But it becomes something completely different up close.[…] For Jonathan Swift, too, size stood as much for difference as it did for power. The Lilliputians start by seeing[…..]

Beta Space: Diana Thater at San Jose Museum of Art

Diana Thater. Science, Fiction, 2015; two video projectors, media player, and lights; dimensions variable. Courtesy of the Artist; San Jose Museum of Art, San Jose; and David Zwirner, London/New York.

From our partners at Art Practical, today we bring you a review of Diana Thater’s current solo exhibition at the San Jose Museum of Art. Author Genevieve Quick notes that this exhibition is remarkably similar to ones the artist has already presented: “I am unconvinced that Thater’s minor changes constitute new works or the experimentation that the series seeks to support.” This article was originally published on April 28,[…..]

Josh Greene: Bound to Be Held at the Contemporary Jewish Museum

Josh Greene. Bound to Be Held: A Book Show, 2015; installation view. Courtesy of the Artist and the Contemporary Jewish Museum, San Francisco. Photo: Johnna Arnold.

From our partners at Art Practical, today we bring you a Shotgun Review of Josh Greene’s Bound to Be Held at the Contemporary Jewish Museum. Author Adriana Rabinovitch notes that the exhibition “allows for visitors to grasp, and possibly reciprocate, a relationship that a stranger has with a literary work.” This review was originally published on April 18, 2015. Josh Greene’s Bound to Be Held: A Book Show[…..]

Miriam Böhm: At On at Ratio 3

Miriam Böhm. Equally III, 2015; chromogenic print; 23 x 29 in. Courtesy of the Artist and Ratio 3, San Francisco.

From our partners at Art Practical, today we bring you a review of Miriam Böhm’s current solo show at Ratio 3 in San Francisco. Author Danica Willard Sachs notes that the work has “a surreal dimensionality, with lines and planes that intersect in unusual ways, suggesting a simultaneous depth and flatness that refuses to resolve neatly into one or the other.” This article was originally published on April 14,[…..]

Derek Jarman: Super 8

Derek Jarman. My Very Beautiful Movie, 1972 (contact sheet of film stills); Super 8mm; 17:13. Courtesy of Thames & Hudson and LUMA Foundation.

Today from our partners at Art Practical, we bring you Anton Stuebner’s consideration of Derek Jarman: Super 8, a recent monograph from Thames & Hudson. Steubner notes, “[The book] shows an artist fully coming into his own at a social and historical moment when his distinct creative voice would become more needed than ever.” This article was originally published on April 9, 2015. In his lifetime, Derek Jarman (1942–1994) was[…..]

Diedrick Brackens: This Is Real Life at Johansson Projects

Diedrick Brackens. 10-79, 2015; hand-woven fabric, nylon, chenille, hand-dyed cotton, bleach; 66 x 14 in. Courtesy of the Artist and Johansson Projects, Oakland.

Today from our partners at Art Practical, we bring you a review of This Is Real Life, artist Diedrick Brackens’ current solo show at Johansson Projects in Oakland. Author Anton Stuebner notes, “By invoking […] histories and their associations, Brackens acknowledges that seemingly innocuous devices can produce real and violent effects.” This article was originally published on March 31, 2015. Diedrick Brackens’ show at Johansson Projects, This Is Real[…..]

Alec Soth: Songbook at Fraenkel Gallery

Alec Soth. Bree, Liberty Cheer All-Stars, Corsicana, Texas, 2012; pigment print; 39 x 52 in. Courtesy of Fraenkel Gallery, San Francisco. © Alec Soth.

Today we bring you a review of Alec Soth: Songbook at Fraenkel Gallery in San Francisco. Writing for Art Practical, author Danica Willard Sachs notes that “The project marks a departure from [Soth’s] usual reliance on narrative annotations to explain his images; it’s a more free-flowing, less didactic viewing experience.” This article was originally published on March 26, 2015. In twenty-one black-and-white pigment prints from the larger photobook Songbook,[…..]