Posts Tagged ‘Art Practical’

The New Endurance of Linda Mary Montano, Part 1

Linda Mary Montano with Tehching Hsieh. Art/Life: One Year Performance 1983–1984 (Rope Piece), 1983-1984 (still); performance documentation. Courtesy of the Artist.

Today, from our partner site Art Practical, we bring you an excerpt of Patricia Maloney‘s conversation with artist Linda Montano, who says, “I am most authentic when I am performing. I am really 100 percent there. I can’t say that about any other aspect of my life.” This interview was originally published on January 19, 2015. Linda Mary Montano, born in 1942, is a seminal figure[…..]

Keith Haring: The Political Line at the de Young Museum

Keith Haring. A Pile of Crowns for Jean-Michel Basquiat, 1988; acrylic on canvas; 120 x 120 x 120 in. Courtesy of de Young Museum San Francisco. Collection of the Keith Haring Foundation. © 2014, Keith Haring Foundation.

From our partners at Art Practical, today we bring you Kara Q. Smith’s review of Keith Haring: The Political Line at the de Young Museum in San Francisco. Smith notes that the exhibition “…offers the chance not only to appreciate the artist’s work and iconic imagery from multiple perspectives (albeit sometimes dizzying at this scale), but most importantly the chance to bring new context to the work.”[…..]

On Collecting: Building a Better Me

Aurora Crispin, A Selection of Everything, 2012; installation view, Important Projects, Oakland. Courtesy of Important Projects. Photo: Important Projects.

From our partners at Art Practical, today we bring you a look back at Christina Catherine Martinez’s essay on collections, which she calls “an arrangement of language and objects toward a social purpose… the work of fencing off some discernible patch of belonging amid the wild landscape of existence.” This article was originally published on February 6, 2014. In 2005, Aurora Crispin set out to photograph every[…..]

Robert Frank in America at Cantor Arts Center

Robert Frank. Detroit, 1955; gelatin silver print, 8 ½ x 13 in. Courtesy of Cantor Arts Center at Stanford University. © Robert Frank.

From our partners at Art Practical, today we bring you a review of a new exhibition of Robert Frank’s photographs at the Cantor Arts Center at Stanford University. Though these photographs are now sixty years old, they are still surprisingly relevant; author Danica Willard Sachs remarks, “Through revealing details, Frank charts the uneasy political geography of a vast country on the verge of change.” This[…..]

On Collecting: Breaking the Borderlands of Function

Hans Coper. Vase without and with flowers; ceramic, 8 x 6 x 4 inches. Courtesy of Jeffrey Spahn Gallery.

Today from our partners at Art Practical, we bring you Djinnaya Stroud‘s recent profile of three collectors whose acquisitions include functional works. Stroud explains, “The need to understand an object through its use drives many people who would never have been art collectors to amass functional work.” This essay was originally published on December 10, 2014. The term “non-functional art” isn’t satisfying as an antonym for functional[…..]

Context Is Everything: Visiting di Rosa

Viola Frey. Studio View— One Man Splitting, 1983; alkyd oil on canvas; 72 x 96 in. Courtesy of di Rosa collection, Napa.

Today from our partners at Art Practical, we bring you an excerpt from author Maria Porges’ essay on the di Rosa in Napa, California. Porges explains: “Other museums may bear the name of a founder, but as far as I know, there really is no place quite like this one—historic home museum, contemporary white-walled space, and sculpture park rolled into one.” This article was originally published on December 4, 2014.[…..]

But What You Want Is Far Away at the Oakland Museum of California

Phoebe Osborne. God Sees Everything, November 7, 2014 (performance still); Courtesy of the Artist and the Oakland Museum of California. Photo: Charlie Villyard.

In God Sees Everything, directed and choreographed by Phoebe Osborne, a complex weave of everything Californian coalesces.