Posts Tagged ‘Art Practical’

Walter Robinson: Home Grown at the Palo Alto Art Center

Walter Robinson. Spin, 2008; wood, epoxy, steel, and metal flake; 52 x 26 x 22 in. Collection of Donald Kushner. Courtesy of the Palo Alto Art Center.

From our partners at Art Practical, today we bring you a review of Walter Robinson: Home Grown at the Palo Alto Art Center. Author Maria Porges notes: “The cumulative effect here is one of nostalgia—sometimes for things that never really existed—mixed with a strange kind of déjà vu. Not only have we been here before, but we will be here again, over and over, as we[…..]

Night Begins the Day: Rethinking Space, Time, and Beauty at the Contemporary Jewish Museum

Katie Paterson. The Dying Star Letters, 2010–present; ink on paper; dimensions variable; installation view, Mead Gallery, University of Warwick, 2013. Courtesy of the Artist and James Cohan Gallery, New York / Shanghai.

Today from our partners at Art Practical, we bring you Vanessa Kauffman’s review of Night Begins the Day at the Contemporary Jewish Museum in San Francisco. The author notes, “The many pieces in the exhibition […] do not mimic the sublimity of the universe in its raw state—a view that is impossible to achieve in a practical sense. Instead, these are revelations of the Earth and its ethers[…..]

Do It & Do It (Archive) at the Napa Valley Museum

Alison Knowles. Homage to Each Red Thing, 1996. Photo: Glen Helfand.

Today from our partners at Art Practical, we bring you Glen Helfand‘s review of Do It & Do It (Archive), a survey of relational aesthetics now on view at the Napa Valley Museum. The author notes that this iteration of the exhibition “…seems a bit more community-minded, offering an entertaining and edifying entry to conceptualism for locals and adventurous, well-heeled visitors who have a little[…..]

Van Gogh on Demand: China and the Readymade

How to Paint van Gogh’s “Sunflowers.” Photos of Zhao Xiaoyong and apprentice, eight states of two van Gogh Sunflowers, oil on canvas, 20 × 24 in., 28 Oct.–6 Nov. 2008. Photos: Winnie Wong.

Today from our partners at Art Practical, we bring you an excerpt from their Printed Matters column, a review of Winnie Won Yin Wong’s book Van Gogh on Demand: China and the Readymade. The review’s author, Jing Cao, makes note of the ramifications of Wong’s analysis: “In order to welcome ‘Chinese art’ into the global contemporary, the struggles within Chinese society for artistic legitimacy and the on-the-ground complexities of[…..]

Jason Kalogiros: The Measure, The Weight, The Ground, The Scale at CAPITAL

Jason Kalogiros. Untitled (Drawing), 2015; unique gelatin silver photograph; 24 x 20 in. Courtesy of the Artist and Capital, San Francisco.

 Today from our partners at Art Practical, we bring you a review of Jason Kalogiros’ current solo show at Capital in San Francisco. Author Danica Willard Sachs notes, “[T]he artist employs the methodology of photography to interrogate the discrete boundaries between media.” This article was originally published on July 2, 2015. The process of making a photograph bears striking resemblance to the process of making a bronze sculpture.[…..]

Portraits and Other Likenesses from SFMOMA at the Museum of the African Diaspora

Mickalene Thomas. Sista Sista Lady Blue, 2007; chromogenic print; 40 3/8 x 48 1/2 in. Collection of SFMOMA; gift of Campari USA. © Mickalene Thomas/Artists Rights Society (ARS), New York. Photo: Katherine Du Tiel.

“…In reimagining traditions of portraiture, the artists featured not only reinsert black subjects into the pictorial frame, they also redefine these creative traditions as inherently mutable and, as such, capable of representing complex subjectivities that exist beyond the boundaries of race, gender, sexuality, and class.” From our partners at Art Practical, today we bring you Anton Stuebner’s review of Portraits and Other Likenesses from SFMOMA. This article was[…..]

28 Chinese at the Asian Art Museum

Zhang Huan. To Raise the Water Level in a Fishpond, 1997; chromogenic print on Fuji archival paper; 40 ¾ in x 60 ½ in. Courtesy of the Rubell Family Collection, Miami. © Zhang Huan.

From our partners at Art Practical, today we bring you a review of 28 Chinese at the Asian Art Museum in San Francisco. Author Jing Cao notes: “The best works in 28 Chinese take as their subject [a] tension between material conditions and ideological constructs—between things and meanings—to offer new ways of observing the contemporary condition.” This article was originally published on June 25, 2015. 28 Chinese at the Asian[…..]