The Palm Island riot and its aftermath are the focus of Indigenous artist Vernon Ah Kee’s latest exhibition Tall Man, held in conjunction with the Melbourne International Arts Festival and Gertrude Contemporary. Comprising three segments – a video installation, a portrait and text – the series is an examination of the ongoing cruelty and official indifference toward the Aboriginal Community in Australia. In 2004, indigenous[.....]

Anna Nazzari’s exhibition Horse Play at Turner Galleries presents the losing game, and the dogged impulse to try again, as an inescapable aspect of the human condition. With a nod to the absurdist existentialism of Albert Camus, Nazzari’s games, which are impossible to win, allude to the futile quest for meaning in an inherently meaningless world. For Nazzari, this nightmarish scenario provides the ground to[.....]

Alex Spremberg’s current exhibition at Perth Institute of Contemporary Arts is an exploration of the limits of painting and a meditation upon the throwaway materials that pervade contemporary life, specifically the omnipresent cardboard box and the printed newspaper. Wrong Angles is, ostensibly, a painting exhibition, but despite the polychromatic riot of surfaces dripped and marbled with industrial paint, Spremberg reveals a preoccupation with the formal[.....]

Stadium, the ten-year retrospective of collaborative duo Tarryn Gill and Pilar Mata Dupont at Perth Institute of Contemporary Art, looks back on a body of work that investigates connections between nationalism, aesthetics and performance. While Gill and Mata Dupont primarily focus on Australian nationalism, their work has its genesis in the global cultural shifts – in particular the increasingly ring-wing politics – that occurred in[.....]

Before I enter the gallery space I hear the roar of the fan blower. Once inside, I encounter an enormous inflated cube emblazoned with red and white stripes, like a circus tent. I join the line of punters and wait obediently, reading the didactic gallery signage. Eventually, it’s my turn: I’m handed a hooded jumpsuit with a red geometric print. They instruct me to remove[.....]

Each month, DailyServing selects two artists to be featured in our Fan Mail series.  If you would like to be considered, please submit to info@dailyserving.com a link to your website with ‘Fan Mail’ in the subject line.  Keep checking the site – you could be the next artist featured! For this edition of Fan Mail, Sydney-based emerging artist Dara Gill has been chosen from a[.....]

Currently on view at Blindside in Brisbane, Australia, is the collaborative exhibition, At the time of atmospheric precipitates—exhibition is not function. An exercise in creative flexibility of sorts, the collaboration between Brisbane-based artists Danielle Clej and Ruth McConchie consists of a constructed “kaleidoscopic labyrinth,” which explores the architectural boundaries of the space. During the short installation period, the duo arranged and rearranged objects and improvised[.....]