Posts Tagged ‘#biennials’

Atlanta Biennial at Atlanta Contemporary Art Center

Atlanta Biennial, 2016; installation view, Atlanta Contemporary Art Center, Georgia. Courtesy of the Atlanta Contemporary Art Center. Photo: Erin Jane Nelson.

For the first time in nine years, the South has its biennial back. With the selection of thirty-two artists in the Atlanta Biennial (ATLBNL), the Atlanta Contemporary Art Center in Georgia continues a recurring exhibition, begun in 1984 by Alan Sondheim as a response to a lack of Southern artists in that year’s Whitney Biennial. Though Sondheim’s series ended in 2007, Atlanta Contemporary has revived[…..]

#Hashtags: Water Water Everywhere

Teresa Margolles. La Sombra (The Shade), 2016; concrete veneer on wood. Artwork commissioned by City of Los Angeles Department of Cultural Affairs (DCA) for CURRENT:LA Water. Photo by Panic Studio LA.

#environment #conservation #access #resources #water #public art #civic art #biennials Los Angeles is a metropolis built on a delusion: that engineering can overcome a basic lack of sufficient resources to meet the popular need. Five years into a severe drought, one would think conservation would be on everyone’s mind, but the clean cars and green lawns all around town suggest otherwise. To increase discussion of[…..]

#Hashtags: The State of Art: Bangladesh, Portugal, Greece, and Palestine at the Venice Biennale

Joanna Vasconcelos. Valkyrie Azulejo, 2013. Handmade woolen crochet, fabrics, ornaments, polyester, LEDs and electric system. Dimensions variable. Portuguese Pavilion, 55th Venice Biennale. Courtesy of the artist and the Transtejo – Transportes Tejo, S.A., Lisbon. Photo by the author.

#politics #statehood #borders #biennials #nationalism The Venice Biennale is fundamentally shaped by its founders’ belief in statehood. Each nation-state secures its site, much like an embassy, and asserts its self-image through the choice of curators and artists. Four pavilions at the 2013 Biennale demonstrate how the notion of the nation-state is constructed and deconstructed in the face of contemporary global pressures. For Bangladesh, the pavilion[…..]