Posts Tagged ‘Big Red & Shiny’

A Pan-American Alchemy: Maria Magdalena Campos-Pons at the PEM

Maria Magdalena Campos-Pons. Alchemy of the Soul, Elixir for the Spirits, 2015. Peabody Essex Museum. © 2016 Peabody Essex Museum. Photo by Peter Vanderwarker.

From our friends at Big Red & Shiny, today we bring you a review of Alchemy of the Soul: Maria Magdalena Campos-Pons. Author Leah Triplett Harrington offers a thoughtful, revelatory perspective on Campos-Pons’s work, exploring its relationship to themes of memory, exile, and labor. Triplett Harrington states, “Sugar is produced from backbreaking labor, and its ubiquitous popularity cultivated a taste for brutal control and economic dominance among the merchants[…..]

Bringing Art Into Being: Drawing Redefined at deCordova

Installation view, ‘Drawing Redefined: Roni Horn, Esther Kläs, Joëlle Tuerlinckx, Richard Tuttle, and Jorinde Voigt,’ deCordova Sculpture Park and Museum, Lincoln, MA, Photograph by Clements Photography and Design, Boston.

From our friends at Big Red & Shiny in Massachusetts, today we bring you a review of the exhibition Drawing Redefined at deCordova Museum. Author Shana Dumont Garr says of the exhibition, “The works by these five artists were arranged to consider an expanded definition of drawing engaging process, materials, and time. This premise arms viewers with a consistent framework to engage with the work,[…..]

Nicole Cherubini: Golden Specific at Samson Projects

From our friends at Big Red & Shiny, today we present a review of Nicole Cherubini’s exhibition Golden Specific. Author Zach Horn notes, “The sculptures in Golden Specific are emphatically contemporary but with significant history, like the punky offspring of a storied dynasty.” This article was originally published on November 23, 2015. Golden Specific, Nicole Cherubini’s exhibition at Samson Projects, is meditative. The gallery’s white box is punctuated[…..]

By Women, For Women: An Interview with Filmmaker Lili White

Lili White. Still from FOOL’S GOLD: CALIFORNIA ROADTRIP IN AN ELECTION YEAR. Color; sound; TRT: 78 minutes (2014). Courtesy the artist.

Today from our friends at Big Red & Shiny in Boston, we bring you author William J. Simmons‘ article showcasing the work and thoughts of filmmaker Lili White.  Of her work with the Another Experiment by Women Film Festival, White’s says, “[W]hen I see something that really turns me on, it feeds me; I want to show it to somebody else, and make sure others see it. […] We[…..]

Cullen Washington Jr.: The Land Before Words at 808 Gallery

Untitled #4
Canvas, paper, tape, found materials
7.5 x 7

From our friends at Big Red & Shiny, today we bring you a review of Cullen Washington Jr.’s paintings at 808 Gallery at Boston University’s College of Fine Arts. Author Shawn Hill points out, “Washington has embraced the American tradition of the readymade (Duchamp) and junk art (Kienholz) in creating these paintings, which draw from the past but refer to the still-charged state of race relations and[…..]

Green Dream at kijidome

Tara Merenda Nelson (with Madge of Honor). Beautiful Secrets, episode 2, 2014; video still.

From our partners at Big Red & Shiny, today we bring you a review of Green Dream at kijidome in Boston. Author Edmond Caldwell notes, “Individually and collectively, the digital videos that comprise kijidome’s Green Dream come to no easy conclusions and issue no final statements. Instead, they leave the audience to continue the collaboration in their thoughts and discussions.” This article was originally published on February 19,[…..]

2013 Carnegie International: Critical Perspectives in Context

Sarah Lucas, installation view at the 2013 Carnegie International, with works by Henry Taylor in the background. Courtesy of Sadie Coles HQ, London. Photo: Greenhouse Media

From our friends at the Boston-based Big Red & Shiny, today we bring you Angelina Zhou‘s assessment of the most recent iteration of the Carnegie International, which is on view in Pittsburgh through March 16. Zhou notes that, “beyond the accessibility of certain works and themes… viewers find moments of dissonance that are truly quite dark, critical, and political—without being overly self-important.” This article was originally[…..]