Posts Tagged ‘Body’

Alina Szapocznikow: Human Landscape(s) at Galerie Loevenbruck

Alina Szapocznikow. Paysage humain (du cycle «Paysages humains») [Human Landscape] (from the
Cycle «Human Landscape»), 1971;
Felt-tip pen and watercolor on cardboard; 11 13/16 x 19 3/16 in. Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie
Loevenbruck, Paris.
© ADAGP, Paris. Photo: Fabrice Gousset.

Owing to the success of her figurative work as well as her 2012 retrospective at the Museum of Modern Art in New York, the Polish artist Alina Szapocznikow is widely recognized for her uncanny mixed-media sculptures that incorporate cast body parts with everyday objects. Often overlooked, however, are her drawings of abstracted figures—erotic, restless, and vulnerable—though they are a central part of her practice. Human Landscape(s)[…..]

Robert Mapplethorpe: The Perfect Medium at the Getty and LACMA

Robert Mapplethorpe. 
Joe, N.Y.C., 1978 (from The X Portfolio);
selenium toned gelatin silver print mounted on black board; image: 7 11/16 × 7 11/16 in. Jointly acquired by the J. Paul Getty Trust and the Los Angeles County Museum of Art; partial gift of The Robert Mapplethorpe Foundation; partial purchase with funds provided by the J. Paul Getty Trust and the David Geffen Foundation, 2011.9.41.6 © Robert Mapplethorpe Foundation

Robert Mapplethorpe is forever associated with scandals that erupted at the Corcoran Gallery of Art and the Contemporary Art Center Cincinnati, as well as the crippling drawdown of federal funding that rendered the National Endowment for the Arts a casualty of the late-1980s culture wars. More recently, Mapplethorpe, or the foundation that bears his name, made headlines with two significant acquisitions made by the J.[…..]

Fan Mail: Taylor Baldwin

Taylor Baldwin. the body, 2012 (video still); HD video with sound; 41:06. Courtesy of the Artist.

Taylor Baldwin’s multidisciplinary practice could be described as an experiment in material and historical mutation. Through a combination of sculptural installations, drawing, and video, the artist investigates the notion of the object as a site of transformation, altered by intangible elements such as the passage of time and death. Though his recent works have been mostly three-dimensional, Baldwin’s entry point into art began with drawing.[…..]

Synecdoche at Jessica Silverman Gallery

Tony Lewis. Automatic, 2015; Pencil, graphite powder and tape on paper; 83 3/4 x 71 1/2 in. Courtesy of the Artist; Shane Campbell Gallery, Chicago; Massimo De Carlo, London/Milan, and Jessica Silverman Gallery, San Francisco.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Hana Metzger reviews Synecdoche at Jessica Silverman Gallery in San Francisco.  Synecdoche, an exhibition at Jessica Silverman Gallery featuring twelve works by five artists, borrows its[…..]

Pipilotti Rist: Worry Will Vanish and Stay Stamina Stay at Hauser & Wirth

Pipilotti Rist. Sleeping Pollen, 2014; audio-video installation (video projection, 11 mirror spheres, sound); dimensions variable. Courtesy of the Artist and Hauser & Wirth Somerset.

Worry Will Vanish and Stay Stamina Stay, parallel exhibitions by Pipilotti Rist at Hauser & Wirth in London and Somerset, respectively, feature footage generated during Rist’s recent residency at the gallery’s newest location in Somerset between summer 2012 and summer 2013. For material, Rist milks images from the plant life surrounding Durslade Farm, the historic Somerset compound that Hauser & Wirth has converted into gallery[…..]

Senga Nengudi: The Material Body at the Museum of Contemporary Art, Denver

Senga Nengudi. R.S.V.P., 1976/2003; nylon mesh and bicycle tire; 20 x 26 x 12 in. Courtesy the artist and Thomas Erben Gallery, New York.

Shotgun Reviews are an open forum where we invite the international art community to contribute timely, short-format responses to an exhibition or event. If you are interested in submitting a Shotgun Review, please click this link for more information. In this Shotgun Review, Deanne Gertner reviews Senga Nengudi: The Material Body at the Museum of Contemporary Art in Denver.   In her solo exhibition The Material Body at Museum of[…..]

For A Long Time at Roberts & Tilton

In The Body in Pain: The Making and Unmaking of the World, scholar Elaine Scarry describes the inability of language to interpret and express physical pain: “By its very nature, pain resists, even destroys the language that grapples with it.” But what of the capacity of visual art to interpret and translate this bodily experience? “For a Long Time”, on view now at Roberts &[…..]